The Routledge companion to global television:
Featuring scholarly perspectives from around the globe and drawing on a legacy of television studies, but with an eye toward the future, this authoritative collection examines both the thoroughly global nature of television and the multiple and varied experiences that constitute television in the tw...
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York ; London
Routledge
2021
|
| Ausgabe: | First issued in paperback |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Zusammenfassung: | Featuring scholarly perspectives from around the globe and drawing on a legacy of television studies, but with an eye toward the future, this authoritative collection examines both the thoroughly global nature of television and the multiple and varied experiences that constitute television in the twenty-first century. Companion chapters include original essays by some of the leading scholars of television studies as well as emerging voices engaging television on six continents, offering readers a truly global range of perspectives. The volume features multidisciplinary analyses that offer models and guides for the study of global television, with approaches focused on the theories, audiences, content, culture, and institutions of television. A wide array of examples and case studies engage the transforming practices, technologies, systems, and texts constituing television around the world today, providing readers with a contemporary and multi-faceted perspective. In this volume, editor Shawn Shimpach has brought together an essential guide to understanding television in the world today, how it works and what it means - perfect for students, scholars, and anyone else interested in television, global media studies, and beyond |
| Beschreibung: | xix, 511 Seiten Illustrationen, Diagramme |
| ISBN: | 9781032085784 |
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| 520 | 3 | |a Featuring scholarly perspectives from around the globe and drawing on a legacy of television studies, but with an eye toward the future, this authoritative collection examines both the thoroughly global nature of television and the multiple and varied experiences that constitute television in the twenty-first century. Companion chapters include original essays by some of the leading scholars of television studies as well as emerging voices engaging television on six continents, offering readers a truly global range of perspectives. The volume features multidisciplinary analyses that offer models and guides for the study of global television, with approaches focused on the theories, audiences, content, culture, and institutions of television. A wide array of examples and case studies engage the transforming practices, technologies, systems, and texts constituing television around the world today, providing readers with a contemporary and multi-faceted perspective. In this volume, editor Shawn Shimpach has brought together an essential guide to understanding television in the world today, how it works and what it means - perfect for students, scholars, and anyone else interested in television, global media studies, and beyond | |
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| adam_text | CONTENTS List of Figures List of Tables ix x Notes on Contributors Acknowledgments xi xix Introduction: Global Television 1 Shawn Shimpach PARTI Objects and Ideas 15 1 What Is Television? A Guide for Knowing Subjects 17 John Hartley 2 What Was Television? The Global and the Local 30 Timothy Havens 3 Objectless Television 39 Pumima Mankekar 4 Global Social Media Entertainment 49 Stuart Cunningham and David Craig 5 Symbolic Ecologies: Between Technologies, Screens and Society 60 Jorge A. Gonzalez 6 Transnational Television Culture 74 Lothar Mikos V
Contents 7 Future Perfect TV—and TV Studies Toby Miller 84 PART II Audiences 97 8 The Affective Audience: Beyond the Active vs. Passive Audience Theory Debate in Television Studies Sitanti Kumar 9 Two Concepts from Television Audience Research in Times of Datafication and Disinformation: Looking Back to Look Forward Jonathan Corpus Ong and Ranjana Das 99 111 10 Globalizing the Peoplemetered Audience Jerome Bourdon and Cécile Méadel 121 11 Transforming Markets for Children’s Television Industries Anna Potter andJeanette Steemers 131 12 Understanding Audiences: Television Publics as “Cultural Indicators” Andy Ruddock 141 13 Grand Designs and The Block: Audience Engagement and Modes of Consumption through Lifestyle Reality TV in Australia Esther Milne and Aneta Podkalicka 14 Engaging with Reality Television Annette Hill 152 163 PART III Information, Programs, and Spectacle 173 15 Transnational Mediation, Telenovela and Series Esther Hamburger 175 16 Outback Noir and Megashifts in the Global TV Crime Landscape Susan Turnbull and Marion McCutcheon 190 17 Global Sport Television: Seamless Flows and Sticking Points David Rowe 203 18 Neoliberal Multiculturalism, Outsourced Asha Nadkarni 214 vi
Contenti 19 Roots: Here and There, Then and Now Ousmane K. Power-Greene 224 20 The Music Video’s Counter-Poetics of Rhythm: Black Cultural Production in Lemonade Ayanna Dozier 233 21 Screening Right-Wing Populism in “New Turkey”: Neo-Ottomanism, Historical Dramas, and the Case of Payitaht Abdulhamid Ergin Bulut and Nurçin İleri 244 22 Transnational Screen Navigations: Priyanka Chopra’s Televisual Mobility in Hollywood Pawan Singh 256 23 Media Spectacle and Donald Trump’s American Horror Show Douglas Kellner 270 PART IV Cultures and Communities 283 24 TV Citizenship Graeme Turner 285 25 Televisual Identities: The Case of Flemish TV Drama Alexander Dhoest 294 26 The Future Is Now: Evolving Technology, Shifting Demographics, and Diverse TV Content Ana-Christina Ramón and Darnell Hunt 304 27 Localizing Media Contents: Technological Shifts, Global and Social Differences, and Activism in Audiovisual Translation Frederic Chaume 320 28 Curating Life, Staging Art: Modernisms and the Art Practices of Television Nomusa Makhubu 332 29 In the Big League: Television and Gaming in India Divya McMillin 346 30 Refashioning Chinese Television through Digital Fun Ruoyun Bai 359 vii
Contents PART V Systems, Structures, and Industries 371 31 Understanding Media Globalization: A Global Value Chain Analysis Jean K. Chalaby 373 32 The Other Kind of Cold War TV (Not So Different After All) Anikó Imre 385 33 Arab Television Industries: Enduring Players and Emerging Alternatives Joe F. Khalil 401 34 Structural Changes in the Ibero-American TV Market: Concentration and Convergence against Diversity? Guillermo Mostrini and Maria Trinidad Garda Leiva 411 35 African Television in the Age of Globalization, Digitization, and Media Convergence * Lyombe Eko 421 36 TV China: Control and Expansion Ying Zhu 436 37 Tactics of the Industry against the Strategies of the Government: The Transnationalization of Turkey’s TelevisionIndustry Есе Algan 445 38 South African Television Moves into the Global Age Ruth Teer-Tomaselli 458 39 Pirate Utopia Revisited Martin Fredriksson 469 40 Evolving Practices of Informal Distribution in InternetTelevision Ramon Lobato 479 41 Off the Line: Expanding Creativity in the Production and Distribution of Web Series AymarJean Christian 488 Index 499 viii
Routledge Companions Featuring scholarly perspectives from around the globe and drawing on a legacy of television studies, but with an eye toward the future, this authoritative collection examines both the thoroughly global nature of television and the multiple and varied experiences that constitute television in the twenty-first centum Companion chapters include original essays by some of the leading scholars of television studies as well as emerging voices engaging television on six continents, offering readers a truly global range of perspectives. The volume features multidisciplinary analyses that offer models and guides for the study of global television, with approaches focused on the theories, audiences, content, culture, and institutions of television. A wide array of examples and case studies engage the transforming practices, technologies, systems, and texts constituting television around the world today, providing readers with a contemporary and multi-faceted perspective. In this volume, editor Shawn Shimpach has brought together an essential guide to understanding television in the world today, how it works and what it means— perfect for students, scholars, and anyone else interested in television, global media studies, and beyond. Shawn Shimpach is Associate Professor in the Department of Communication at the University of Massachusetts Amherst and Director of the Massachusetts Multicultural Film Festival. His research interests include the cultural history of film, television, and media; the social and institutional constructions of the media audience; genre
theory and screen genres; and screen industries. Fie is author of the book Television in Transition: The Life and Afterlife of the Narrative Action Hero. TELEVISION STUDIES Cover image: Getty Images
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CONTENTS List of Figures List of Tables ix x Notes on Contributors Acknowledgments xi xix Introduction: Global Television 1 Shawn Shimpach PARTI Objects and Ideas 15 1 What Is Television? A Guide for Knowing Subjects 17 John Hartley 2 What Was Television? The Global and the Local 30 Timothy Havens 3 Objectless Television 39 Pumima Mankekar 4 Global Social Media Entertainment 49 Stuart Cunningham and David Craig 5 Symbolic Ecologies: Between Technologies, Screens and Society 60 Jorge A. Gonzalez 6 Transnational Television Culture 74 Lothar Mikos V
Contents 7 Future Perfect TV—and TV Studies Toby Miller 84 PART II Audiences 97 8 The Affective Audience: Beyond the Active vs. Passive Audience Theory Debate in Television Studies Sitanti Kumar 9 Two Concepts from Television Audience Research in Times of Datafication and Disinformation: Looking Back to Look Forward Jonathan Corpus Ong and Ranjana Das 99 111 10 Globalizing the Peoplemetered Audience Jerome Bourdon and Cécile Méadel 121 11 Transforming Markets for Children’s Television Industries Anna Potter andJeanette Steemers 131 12 Understanding Audiences: Television Publics as “Cultural Indicators” Andy Ruddock 141 13 Grand Designs and The Block: Audience Engagement and Modes of Consumption through Lifestyle Reality TV in Australia Esther Milne and Aneta Podkalicka 14 Engaging with Reality Television Annette Hill 152 163 PART III Information, Programs, and Spectacle 173 15 Transnational Mediation, Telenovela and Series Esther Hamburger 175 16 Outback Noir and Megashifts in the Global TV Crime Landscape Susan Turnbull and Marion McCutcheon 190 17 Global Sport Television: Seamless Flows and Sticking Points David Rowe 203 18 Neoliberal Multiculturalism, Outsourced Asha Nadkarni 214 vi
Contenti 19 Roots: Here and There, Then and Now Ousmane K. Power-Greene 224 20 The Music Video’s Counter-Poetics of Rhythm: Black Cultural Production in Lemonade Ayanna Dozier 233 21 Screening Right-Wing Populism in “New Turkey”: Neo-Ottomanism, Historical Dramas, and the Case of Payitaht Abdulhamid Ergin Bulut and Nurçin İleri 244 22 Transnational Screen Navigations: Priyanka Chopra’s Televisual Mobility in Hollywood Pawan Singh 256 23 Media Spectacle and Donald Trump’s American Horror Show Douglas Kellner 270 PART IV Cultures and Communities 283 24 TV Citizenship Graeme Turner 285 25 Televisual Identities: The Case of Flemish TV Drama Alexander Dhoest 294 26 The Future Is Now: Evolving Technology, Shifting Demographics, and Diverse TV Content Ana-Christina Ramón and Darnell Hunt 304 27 Localizing Media Contents: Technological Shifts, Global and Social Differences, and Activism in Audiovisual Translation Frederic Chaume 320 28 Curating Life, Staging Art: Modernisms and the Art Practices of Television Nomusa Makhubu 332 29 In the Big League: Television and Gaming in India Divya McMillin 346 30 Refashioning Chinese Television through Digital Fun Ruoyun Bai 359 vii
Contents PART V Systems, Structures, and Industries 371 31 Understanding Media Globalization: A Global Value Chain Analysis Jean K. Chalaby 373 32 The Other Kind of Cold War TV (Not So Different After All) Anikó Imre 385 33 Arab Television Industries: Enduring Players and Emerging Alternatives Joe F. Khalil 401 34 Structural Changes in the Ibero-American TV Market: Concentration and Convergence against Diversity? Guillermo Mostrini and Maria Trinidad Garda Leiva 411 35 African Television in the Age of Globalization, Digitization, and Media Convergence '* Lyombe Eko 421 36 TV China: Control and Expansion Ying Zhu 436 37 Tactics of the Industry against the Strategies of the Government: The Transnationalization of Turkey’s TelevisionIndustry Есе Algan 445 38 South African Television Moves into the Global Age Ruth Teer-Tomaselli 458 39 Pirate Utopia Revisited Martin Fredriksson 469 40 Evolving Practices of Informal Distribution in InternetTelevision Ramon Lobato 479 41 Off the Line: Expanding Creativity in the Production and Distribution of Web Series AymarJean Christian 488 Index 499 viii
Routledge Companions Featuring scholarly perspectives from around the globe and drawing on a legacy of television studies, but with an eye toward the future, this authoritative collection examines both the thoroughly global nature of television and the multiple and varied experiences that constitute television in the twenty-first centum Companion chapters include original essays by some of the leading scholars of television studies as well as emerging voices engaging television on six continents, offering readers a truly global range of perspectives. The volume features multidisciplinary analyses that offer models and guides for the study of global television, with approaches focused on the theories, audiences, content, culture, and institutions of television. A wide array of examples and case studies engage the transforming practices, technologies, systems, and texts constituting television around the world today, providing readers with a contemporary and multi-faceted perspective. In this volume, editor Shawn Shimpach has brought together an essential guide to understanding television in the world today, how it works and what it means— perfect for students, scholars, and anyone else interested in television, global media studies, and beyond. Shawn Shimpach is Associate Professor in the Department of Communication at the University of Massachusetts Amherst and Director of the Massachusetts Multicultural Film Festival. His research interests include the cultural history of film, television, and media; the social and institutional constructions of the media audience; genre
theory and screen genres; and screen industries. Fie is author of the book Television in Transition: The Life and Afterlife of the Narrative Action Hero. TELEVISION STUDIES Cover image: Getty Images |
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