Singing like Germans: black musicians in the land of Bach, Beethoven, and Brahms
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Ithaca ; London
Cornell University Press
2021
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Schlagworte: | |
Online-Zugang: | Rezension Inhaltsverzeichnis |
Beschreibung: | xiii, 351 Seiten Illustrationen, Notenbeispiele |
ISBN: | 9781501759840 |
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505 | 8 | |a How Beethoven Came to Black America -- African American Intellectual and Musical Migration to Central Europe, 1870-1914 -- The Sonic Color Line Belts the World : Constructing Race and Music in Central Europe, 1870-1914 -- Blackness and Classical Music in the Age of the Black Horror on the Rhine Campaign -- Singing Lieder, Hearing Race : Debating Blackness, Whiteness, and German Music in Interwar Central Europe -- "A Negro Who Sings German Lieder Jeopardizes German Culture" : Black Musicians under the Shadow of Nazism -- "And I Thought They Were A Decadent Race" : Denazification, the Cold War, and (African) American Involvement in Postwar West German Musical Life -- Breaking with the Past : Race, Gender, and Opera after 1945 -- Singing in the Promised Land : Black Musicians in the German Democratic Republic -- Conclusion : "What Should a Negro Do with Beethoven?!" | |
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Datensatz im Suchindex
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adam_text | Contents Acknowledgments Note on Translation ix xiii Introduction Part I: Part II: 1 1870-1914 1. How Beethoven Came to Black America: German Musical Universalism and Black Education after the Civil War 21 2. African American Intellectual and Musical Migration to the Kaiserreich 42 3. The Sonic Color Line Belts the World: Constructing Race and Music in Central Europe 60 1918-1945 4. Blackness and Classical Music in the Age of the Black Horror on the Rhine Campaign 97 5. Singing Lieder, Hearing Race: Debating Blackness, Whiteness, and German Music in Interwar Central Europe 134 6. ‘A Negro Who Sings German Lieder Jeopardizes German Culture”: Black Musicians under the Shadow of Nazism 159
viii CONTENTS Part III 1945-1961 7. “And I Thought They Were a Decadent Race”: Denazification, the Cold War, and (African) American Involvement in Postwar West German Musical Life 185 8. Breaking with the Past: Race, Gender, and Opera after 1945 215 9. Singing in the Promised Land: Black Musicians in the German Democratic Republic 242 Conclusion Notes 281 Bibliography Index 271 341 323
|
adam_txt |
Contents Acknowledgments Note on Translation ix xiii Introduction Part I: Part II: 1 1870-1914 1. How Beethoven Came to Black America: German Musical Universalism and Black Education after the Civil War 21 2. African American Intellectual and Musical Migration to the Kaiserreich 42 3. The Sonic Color Line Belts the World: Constructing Race and Music in Central Europe 60 1918-1945 4. Blackness and Classical Music in the Age of the Black Horror on the Rhine Campaign 97 5. Singing Lieder, Hearing Race: Debating Blackness, Whiteness, and German Music in Interwar Central Europe 134 6. ‘A Negro Who Sings German Lieder Jeopardizes German Culture”: Black Musicians under the Shadow of Nazism 159
viii CONTENTS Part III 1945-1961 7. “And I Thought They Were a Decadent Race”: Denazification, the Cold War, and (African) American Involvement in Postwar West German Musical Life 185 8. Breaking with the Past: Race, Gender, and Opera after 1945 215 9. Singing in the Promised Land: Black Musicians in the German Democratic Republic 242 Conclusion Notes 281 Bibliography Index 271 341 323 |
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author | Thurman, Kira |
author_GND | (DE-588)1202852009 |
author_facet | Thurman, Kira |
author_role | aut |
author_sort | Thurman, Kira |
author_variant | k t kt |
building | Verbundindex |
bvnumber | BV047461511 |
classification_rvk | LR 11046 |
contents | How Beethoven Came to Black America -- African American Intellectual and Musical Migration to Central Europe, 1870-1914 -- The Sonic Color Line Belts the World : Constructing Race and Music in Central Europe, 1870-1914 -- Blackness and Classical Music in the Age of the Black Horror on the Rhine Campaign -- Singing Lieder, Hearing Race : Debating Blackness, Whiteness, and German Music in Interwar Central Europe -- "A Negro Who Sings German Lieder Jeopardizes German Culture" : Black Musicians under the Shadow of Nazism -- "And I Thought They Were A Decadent Race" : Denazification, the Cold War, and (African) American Involvement in Postwar West German Musical Life -- Breaking with the Past : Race, Gender, and Opera after 1945 -- Singing in the Promised Land : Black Musicians in the German Democratic Republic -- Conclusion : "What Should a Negro Do with Beethoven?!" |
ctrlnum | (OCoLC)1286870828 (DE-599)BVBBV047461511 |
discipline | Musikwissenschaft |
discipline_str_mv | Musikwissenschaft |
era | Geschichte 1870-1990 gnd |
era_facet | Geschichte 1870-1990 |
format | Book |
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index_date | 2024-07-03T18:06:37Z |
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publisher | Cornell University Press |
record_format | marc |
spelling | Thurman, Kira Verfasser (DE-588)1202852009 aut Singing like Germans black musicians in the land of Bach, Beethoven, and Brahms Kira Thurman Ithaca ; London Cornell University Press 2021 xiii, 351 Seiten Illustrationen, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier How Beethoven Came to Black America -- African American Intellectual and Musical Migration to Central Europe, 1870-1914 -- The Sonic Color Line Belts the World : Constructing Race and Music in Central Europe, 1870-1914 -- Blackness and Classical Music in the Age of the Black Horror on the Rhine Campaign -- Singing Lieder, Hearing Race : Debating Blackness, Whiteness, and German Music in Interwar Central Europe -- "A Negro Who Sings German Lieder Jeopardizes German Culture" : Black Musicians under the Shadow of Nazism -- "And I Thought They Were A Decadent Race" : Denazification, the Cold War, and (African) American Involvement in Postwar West German Musical Life -- Breaking with the Past : Race, Gender, and Opera after 1945 -- Singing in the Promised Land : Black Musicians in the German Democratic Republic -- Conclusion : "What Should a Negro Do with Beethoven?!" Geschichte 1870-1990 gnd rswk-swf Musiker (DE-588)4040841-3 gnd rswk-swf Schwarze (DE-588)4116433-7 gnd rswk-swf Österreich (DE-588)4043271-3 gnd rswk-swf Deutschland (DE-588)4011882-4 gnd rswk-swf Musicians, Black / Germany / History / 20th century Musicians, Black / Austria / History / 20th century Musicians, Black / Germany / History / 19th century Musicians, Black / Austria / History / 19th century African American musicians / Germany / History / 20th century African American musicians / Austria / History / 20th century African American musicians / Germany / History / 19th century African American musicians / Austria / History / 19th century Music / Social aspects / Germany / History Music / Social aspects / Austria / History Music / Political aspects / Germany / History Music / Political aspects / Austria / History Music and race African American musicians Music / Political aspects Music / Social aspects Musicians, Black Austria Germany 1800-1999 History Deutschland (DE-588)4011882-4 g Österreich (DE-588)4043271-3 g Schwarze (DE-588)4116433-7 s Musiker (DE-588)4040841-3 s Geschichte 1870-1990 z DE-604 Erscheint auch als Online-Ausgabe, EPUB 978-1-5017-5985-7 Erscheint auch als Online-Ausgabe, PDF 978-1-5017-5986-4 http://www.sehepunkte.de/2022/12/37118.html rezensiert in: sehepunkte 22 (2022), Nr. 12 Rezension Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032863268&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Thurman, Kira Singing like Germans black musicians in the land of Bach, Beethoven, and Brahms How Beethoven Came to Black America -- African American Intellectual and Musical Migration to Central Europe, 1870-1914 -- The Sonic Color Line Belts the World : Constructing Race and Music in Central Europe, 1870-1914 -- Blackness and Classical Music in the Age of the Black Horror on the Rhine Campaign -- Singing Lieder, Hearing Race : Debating Blackness, Whiteness, and German Music in Interwar Central Europe -- "A Negro Who Sings German Lieder Jeopardizes German Culture" : Black Musicians under the Shadow of Nazism -- "And I Thought They Were A Decadent Race" : Denazification, the Cold War, and (African) American Involvement in Postwar West German Musical Life -- Breaking with the Past : Race, Gender, and Opera after 1945 -- Singing in the Promised Land : Black Musicians in the German Democratic Republic -- Conclusion : "What Should a Negro Do with Beethoven?!" Musiker (DE-588)4040841-3 gnd Schwarze (DE-588)4116433-7 gnd |
subject_GND | (DE-588)4040841-3 (DE-588)4116433-7 (DE-588)4043271-3 (DE-588)4011882-4 |
title | Singing like Germans black musicians in the land of Bach, Beethoven, and Brahms |
title_auth | Singing like Germans black musicians in the land of Bach, Beethoven, and Brahms |
title_exact_search | Singing like Germans black musicians in the land of Bach, Beethoven, and Brahms |
title_exact_search_txtP | Singing like Germans black musicians in the land of Bach, Beethoven, and Brahms |
title_full | Singing like Germans black musicians in the land of Bach, Beethoven, and Brahms Kira Thurman |
title_fullStr | Singing like Germans black musicians in the land of Bach, Beethoven, and Brahms Kira Thurman |
title_full_unstemmed | Singing like Germans black musicians in the land of Bach, Beethoven, and Brahms Kira Thurman |
title_short | Singing like Germans |
title_sort | singing like germans black musicians in the land of bach beethoven and brahms |
title_sub | black musicians in the land of Bach, Beethoven, and Brahms |
topic | Musiker (DE-588)4040841-3 gnd Schwarze (DE-588)4116433-7 gnd |
topic_facet | Musiker Schwarze Österreich Deutschland |
url | http://www.sehepunkte.de/2022/12/37118.html http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032863268&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
work_keys_str_mv | AT thurmankira singinglikegermansblackmusiciansinthelandofbachbeethovenandbrahms |