The Philip Roth we don't know: sex, race, and autobiography
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Charlottesville ; London
University of Virginia Press
2021
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | 230 Seiten |
| ISBN: | 9780813946610 |
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Datensatz im Suchindex
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| adam_text | CONTENTS Introduction: Art Is Slimy/Reverse Biography 1 Part I. Race, Gender, Sex, and Autobiography in Roth’s Writing 1. Roth and Race 21 2. Old Men, Young Women 37 3. Misogyny and Autobiography 51 4. Before We Conclude That Roths Fiction Is Misogynistic 64 Part II. Roth Unsexed 5. You Must Change Your Life! 6. Go Flux Your Self! Philip Roth as Self-Help Guru 79 93 7. Fiction Is Truth! (Right?) 106 Conclusion: Philip Roth’s Legacy 121 Acknowledgments 129 List ofAbbreviations 131 Appendix 135 Notes 145 Works Cited 193 Index 223
was never uncontroversial. Scrutiny and fierce rebukes of the renowned author, for everything from chauvinism to antiSemitism, followed him his entire career. But the public discussions of race and gender and the role of personal history in fiction have deepened in the new millennium. In his latest book, Jacques Berlinerblau offers a vital new perspective on Roth’s work by exploring it in the era of autofiction, highly charged racial reckonings, and the #MeToo movement. The Philip Roth We Don’t Know poses provocative new questions about the author of Portnoy’s Complaint, The Human Stain, and the Zuckerman trilogy first by revisiting the long-running argument about Roth’s miso gyny within the context of #MeToo and so resituating the Roth debates in the most timely public discussions. Berlinerblau also examines Roth’s work in the context of race, revealing how it often trafficked in stereo types, and explores Roth’s six-decade preoc cupation with unstable selves, questioning how this fictional emphasis on fractured personalities speaks to the author’s own mental state. Throughout, Berlinerblau confronts both defenders and critics of Roth, arguing that the man taught us all to doubt the feel-good illusion offered by “pastorals,” whether in life or in our intellectual discourse. JACQUES BERLINERBLAU is Rabbi Harold White Professor of Jewish Civilization at Georgetown University and author most recently of Campus Confidential; How College Works, or Doesn’t, for Professors, Parents, and Students.
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| adam_txt |
CONTENTS Introduction: Art Is Slimy/Reverse Biography 1 Part I. Race, Gender, Sex, and Autobiography in Roth’s Writing 1. Roth and Race 21 2. Old Men, Young Women 37 3. Misogyny and Autobiography 51 4. Before We Conclude That Roths Fiction Is Misogynistic 64 Part II. Roth Unsexed 5. You Must Change Your Life! 6. Go Flux Your Self! Philip Roth as Self-Help Guru 79 93 7. Fiction Is Truth! (Right?) 106 Conclusion: Philip Roth’s Legacy 121 Acknowledgments 129 List ofAbbreviations 131 Appendix 135 Notes 145 Works Cited 193 Index 223
was never uncontroversial. Scrutiny and fierce rebukes of the renowned author, for everything from chauvinism to antiSemitism, followed him his entire career. But the public discussions of race and gender and the role of personal history in fiction have deepened in the new millennium. In his latest book, Jacques Berlinerblau offers a vital new perspective on Roth’s work by exploring it in the era of autofiction, highly charged racial reckonings, and the #MeToo movement. The Philip Roth We Don’t Know poses provocative new questions about the author of Portnoy’s Complaint, The Human Stain, and the Zuckerman trilogy first by revisiting the long-running argument about Roth’s miso gyny within the context of #MeToo and so resituating the Roth debates in the most timely public discussions. Berlinerblau also examines Roth’s work in the context of race, revealing how it often trafficked in stereo types, and explores Roth’s six-decade preoc cupation with unstable selves, questioning how this fictional emphasis on fractured personalities speaks to the author’s own mental state. Throughout, Berlinerblau confronts both defenders and critics of Roth, arguing that the man taught us all to doubt the feel-good illusion offered by “pastorals,” whether in life or in our intellectual discourse. JACQUES BERLINERBLAU is Rabbi Harold White Professor of Jewish Civilization at Georgetown University and author most recently of Campus Confidential; How College Works, or Doesn’t, for Professors, Parents, and Students. |
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| title | The Philip Roth we don't know sex, race, and autobiography |
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