MUBI and the curation model of video on demand:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cham
Palgrave Macmillan
[2021]
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | xi, 168 Seiten Diagramme |
| ISBN: | 9783030800758 |
Internformat
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents 1 Introduction 1 2 Curation as Discourse, Trend and Cultural Salve 15 3 The Curation Business Model 33 4 MUBI History: Connections, Community and Curation 53 5 Recommendation Credibility in the MUBI Interface 77 6 The MUBI Audience 107 7 At the End of the Long Tail 125 References 145 Index 163 vii
Subscription video on demand (SVOD) represents the fastest-growing means to consume films and series. Although market leaders Netflix and Amazon Prime have received much scholarly attention for the way that they use algorithms and big data to connect users to content, there is another significant, relatively unexamined model: curation-style services such as BFI Player, IFC Unlimited, the Criterion Channel or MUBI — the tatter, which forms the focus of this book, claims to be the world s most subscribed independent video on demand service. These platforms take advantage of common anxieties about algorithms, cultural surplus and filter bubbles to promote discovery, human-generated recommendations and quality over quantity of content. Deploying an original, holistic methodology that includes analysis of technological affordances, marketing rhetoric, business models, interviews with company executives and a qualiquantitative audience study, this book critically analyses MUBI as a way to understand this particular mode of content aggregation, cultural recommendation, choice architecture and community building. Curation services address a real, but decidedly circumscribed gap in the market. Ultimately, MUBI offers film, media and business scholars an instructive example of the fate of art cinema and media diversity in a digital culture increasingly dominated by a few giant tech companies. Mattias Frey is Professor of Film, Media and Culture at the University of Kent, UK. He is the author or editor of eight books, including The Permanent Crisis of Film Criticism (2015); Film
Criticism in the Digital Age (со-edited with Cecilia Sayad, 2015); and Netflix Recommends: Algorithms, Film Choice, and the Flistory of Taste (2021).
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| adam_txt |
Contents 1 Introduction 1 2 Curation as Discourse, Trend and Cultural Salve 15 3 The Curation Business Model 33 4 MUBI History: Connections, Community and Curation 53 5 Recommendation Credibility in the MUBI Interface 77 6 The MUBI Audience 107 7 At the End of the Long Tail 125 References 145 Index 163 vii
Subscription video on demand (SVOD) represents the fastest-growing means to consume films and series. Although market leaders Netflix and Amazon Prime have received much scholarly attention for the way that they use algorithms and big data to connect users to content, there is another significant, relatively unexamined model: curation-style services such as BFI Player, IFC Unlimited, the Criterion Channel or MUBI — the tatter, which forms the focus of this book, claims to be the world's most subscribed independent video on demand service. These platforms take advantage of common anxieties about algorithms, cultural surplus and filter bubbles to promote discovery, human-generated recommendations and quality over quantity of content. Deploying an original, holistic methodology that includes analysis of technological affordances, marketing rhetoric, business models, interviews with company executives and a qualiquantitative audience study, this book critically analyses MUBI as a way to understand this particular mode of content aggregation, cultural recommendation, choice architecture and community building. Curation services address a real, but decidedly circumscribed gap in the market. Ultimately, MUBI offers film, media and business scholars an instructive example of the fate of art cinema and media diversity in a digital culture increasingly dominated by a few giant tech companies. Mattias Frey is Professor of Film, Media and Culture at the University of Kent, UK. He is the author or editor of eight books, including The Permanent Crisis of Film Criticism (2015); Film
Criticism in the Digital Age (со-edited with Cecilia Sayad, 2015); and Netflix Recommends: Algorithms, Film Choice, and the Flistory of Taste (2021). |
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| discipline | Allgemeines |
| discipline_str_mv | Allgemeines |
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| illustrated | Not Illustrated |
| index_date | 2024-07-03T18:05:07Z |
| indexdate | 2024-07-10T09:12:40Z |
| institution | BVB |
| isbn | 9783030800758 |
| language | English |
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| spellingShingle | Frey, Mattias MUBI and the curation model of video on demand bicssc bisacsh Motion pictures Digital media Culture-Study and teaching Empfehlungssystem (DE-588)7511891-9 gnd Streaming Kommunikationstechnik (DE-588)4614855-3 gnd Video on demand (DE-588)4482079-3 gnd |
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| title | MUBI and the curation model of video on demand |
| title_auth | MUBI and the curation model of video on demand |
| title_exact_search | MUBI and the curation model of video on demand |
| title_exact_search_txtP | MUBI and the curation model of video on demand |
| title_full | MUBI and the curation model of video on demand Mattias Frey |
| title_fullStr | MUBI and the curation model of video on demand Mattias Frey |
| title_full_unstemmed | MUBI and the curation model of video on demand Mattias Frey |
| title_short | MUBI and the curation model of video on demand |
| title_sort | mubi and the curation model of video on demand |
| topic | bicssc bisacsh Motion pictures Digital media Culture-Study and teaching Empfehlungssystem (DE-588)7511891-9 gnd Streaming Kommunikationstechnik (DE-588)4614855-3 gnd Video on demand (DE-588)4482079-3 gnd |
| topic_facet | bicssc bisacsh Motion pictures Digital media Culture-Study and teaching Empfehlungssystem Streaming Kommunikationstechnik Video on demand |
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