Fake it: fictions of forgery
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Charlottesville ; London
University of Virginia Press
2021
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Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis Klappentext |
Beschreibung: | ix, 358 Seiten Illustrationen |
ISBN: | 9780813946269 9780813946276 |
Internformat
MARC
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Datensatz im Suchindex
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adam_text | CONTENTS Acknowledgments Prologue: Genuine Articles ix і Part I. Fake Lit: Mockeries 25 1 Thomas Chattertons Ghosts 27 2 “What King Forged I?” Fathers, Frauds, and the Works of William Fakespeare 78 Hideous Progeny: Forgery, Frankenstein, and Peter Carey’s My Life as a Fake 120 Fuck It: Percival Everetts Fake Book 147 3 4 Part II. Fake Art: Masks 5 6 7 181 Original Sins: Painting the Perfect Fake in The Recognitions 183 But Is It Art? Orson Welles’s Cubist Portrait of the Forger in Ffor Fake 229 Misrecognizing Harry: The Blazing Worlds Hermaphroditic Polyphony 256 Epilogue 295 Notes 299 Works Cited 319 Index 337
Looking at both the literary and the art worlds, Fake It investigates a set of fictional forgeries and hoaxes alongside their real-life inspirations and parallels. Mark Osteen shows how any hoax is only as good as its authenticating story— and demonstrates how forgeries foster fresh authorial identities while being deeply intertextual and frequently quite original. From fakes of the late eighteenth century, such as Thomas Chatterton’s Rowley poems and the notorious “Shakespearean” documents fabricated by William-Henry Ireland, to hoaxes of the modern period, such as the infamous Ern Malley affair and the audacious authorial masquerades of Percival Everett, Osteen lays bare provocative truths about the conflicts between aesthetic and economic value. Ultimately, even authorship is, to some degree, always forged.
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adam_txt |
CONTENTS Acknowledgments Prologue: Genuine Articles ix і Part I. Fake Lit: Mockeries 25 1 Thomas Chattertons Ghosts 27 2 “What King Forged I?” Fathers, Frauds, and the Works of William Fakespeare 78 Hideous Progeny: Forgery, Frankenstein, and Peter Carey’s My Life as a Fake 120 Fuck It: Percival Everetts Fake Book 147 3 4 Part II. Fake Art: Masks 5 6 7 181 Original Sins: Painting the Perfect Fake in The Recognitions 183 But Is It Art? Orson Welles’s Cubist Portrait of the Forger in Ffor Fake 229 Misrecognizing Harry: The Blazing Worlds Hermaphroditic Polyphony 256 Epilogue 295 Notes 299 Works Cited 319 Index 337
Looking at both the literary and the art worlds, Fake It investigates a set of fictional forgeries and hoaxes alongside their real-life inspirations and parallels. Mark Osteen shows how any hoax is only as good as its authenticating story— and demonstrates how forgeries foster fresh authorial identities while being deeply intertextual and frequently quite original. From fakes of the late eighteenth century, such as Thomas Chatterton’s Rowley poems and the notorious “Shakespearean” documents fabricated by William-Henry Ireland, to hoaxes of the modern period, such as the infamous Ern Malley affair and the audacious authorial masquerades of Percival Everett, Osteen lays bare provocative truths about the conflicts between aesthetic and economic value. Ultimately, even authorship is, to some degree, always forged. |
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discipline | Literaturwissenschaft |
discipline_str_mv | Literaturwissenschaft |
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spellingShingle | Osteen, Mark 1954- Fake it fictions of forgery Literatur (DE-588)4035964-5 gnd Kunst (DE-588)4114333-4 gnd Fälschung (DE-588)4016247-3 gnd |
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title | Fake it fictions of forgery |
title_auth | Fake it fictions of forgery |
title_exact_search | Fake it fictions of forgery |
title_exact_search_txtP | Fake it fictions of forgery |
title_full | Fake it fictions of forgery Mark Osteen |
title_fullStr | Fake it fictions of forgery Mark Osteen |
title_full_unstemmed | Fake it fictions of forgery Mark Osteen |
title_short | Fake it |
title_sort | fake it fictions of forgery |
title_sub | fictions of forgery |
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topic_facet | Literatur Kunst Fälschung |
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