We have always been minimalist: the construction and triumph of a musical style
"Rising out of the American art music movement of the late 1950s and 1960s, minimalism shook the foundations of the traditional constructs of classical music, becoming one of the most important and influential trends of the twentieth century. The emergence of minimalism sparked an active writin...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Weitere Verfasser: | |
| Format: | Elektronisch E-Book |
| Sprache: | English French |
| Veröffentlicht: |
Oakland, California
University of California Press
[2020]
|
| Schlagworte: | |
| Online-Zugang: | BSB01 BSB01 BSB01 URL des Erstveröffentlichers |
| Zusammenfassung: | "Rising out of the American art music movement of the late 1950s and 1960s, minimalism shook the foundations of the traditional constructs of classical music, becoming one of the most important and influential trends of the twentieth century. The emergence of minimalism sparked an active writing culture around the controversies, philosophies, and forms represented in the music's style and performance, and its defenders faced a relentless struggle within the music establishment and beyond. Focusing on how facts about music are constructed, negotiated, and continually remodeled, We Have Always Been Minimalist retraces the story of this fight that--from pure fiction to proven truth--led to the triumph of minimalism. Christophe Levaux's critical analysis of literature surrounding the origins and transformations of the stylistic movement offers radical insights and a unique new history" |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | 1 Online-Ressource (viii, 272 Seiten) |
| ISBN: | 9780520968080 |
| DOI: | 10.1525/9780520968080 |
Internformat
MARC
| LEADER | 00000nmm a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV047456064 | ||
| 003 | DE-604 | ||
| 005 | 20231206 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 210907s2020 |||| o||u| ||||||eng d | ||
| 020 | |a 9780520968080 |c Online, PDF |9 978-0-520-96808-0 | ||
| 024 | 7 | |a 10.1525/9780520968080 |2 doi | |
| 035 | |a (ZDB-23-DKU)9780520968080 | ||
| 035 | |a (ZDB-30-PQE)EBC6242864 | ||
| 035 | |a (ZDB-1-PQM)EBC6242864 | ||
| 035 | |a (ZDB-30-PAD)EBC6242864 | ||
| 035 | |a (ZDB-89-EBL)EBL6242864 | ||
| 035 | |a (OCoLC)1268180367 | ||
| 035 | |a (DE-599)BVBBV047456064 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 1 | |a eng |h fre | |
| 049 | |a DE-12 | ||
| 082 | 0 | |a 781.68 | |
| 084 | |a MUS |q DE-12 |2 fid | ||
| 084 | |a LR 54095 |0 (DE-625)109627: |2 rvk | ||
| 100 | 1 | |a Levaux, Christophe |d 1982- |e Verfasser |0 (DE-588)1140462849 |4 aut | |
| 240 | 1 | 0 | |a Nous avons toujours été minimalistes |
| 245 | 1 | 0 | |a We have always been minimalist |b the construction and triumph of a musical style |c Christophe Levaux ; translated by Rose Vekony |
| 264 | 1 | |a Oakland, California |b University of California Press |c [2020] | |
| 264 | 4 | |c © 2020 | |
| 300 | |a 1 Online-Ressource (viii, 272 Seiten) | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 500 | |a Includes bibliographical references and index | ||
| 520 | 3 | |a "Rising out of the American art music movement of the late 1950s and 1960s, minimalism shook the foundations of the traditional constructs of classical music, becoming one of the most important and influential trends of the twentieth century. The emergence of minimalism sparked an active writing culture around the controversies, philosophies, and forms represented in the music's style and performance, and its defenders faced a relentless struggle within the music establishment and beyond. Focusing on how facts about music are constructed, negotiated, and continually remodeled, We Have Always Been Minimalist retraces the story of this fight that--from pure fiction to proven truth--led to the triumph of minimalism. Christophe Levaux's critical analysis of literature surrounding the origins and transformations of the stylistic movement offers radical insights and a unique new history" | |
| 648 | 7 | |a Geschichte 1960- |2 gnd |9 rswk-swf | |
| 650 | 0 | 7 | |a Minimal music |0 (DE-588)4346530-4 |2 gnd |9 rswk-swf |
| 651 | 7 | |a USA |0 (DE-588)4078704-7 |2 gnd |9 rswk-swf | |
| 653 | 0 | |a Minimal music / History and criticism | |
| 653 | 0 | |a Music / 20th century / History and criticism | |
| 689 | 0 | 0 | |a USA |0 (DE-588)4078704-7 |D g |
| 689 | 0 | 1 | |a Minimal music |0 (DE-588)4346530-4 |D s |
| 689 | 0 | 2 | |a Geschichte 1960- |A z |
| 689 | 0 | |5 DE-604 | |
| 700 | 1 | |a Vekony, Rose |0 (DE-588)1219855812 |4 trl | |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe, Paperback |z 978-0-520-29526-1 |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe, Hardcover |z 978-0-520-29527-8 |
| 856 | 4 | 0 | |u https://doi.org/10.1525/9780520968080 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
| 912 | |a ZDB-23-DKU |a ZDB-30-PQE |a ZDB-1-PQM | ||
| 940 | 1 | |q ZDB-23-DKU20 | |
| 940 | 1 | |q BSB_NED_20210907 | |
| 940 | 1 | |q KFL_prod_XwBz_01 | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-032857940 | ||
| 942 | 1 | 1 | |c 780.9 |e 22/bsb |f 0904 |g 73 |
| 942 | 1 | 1 | |c 780.9 |e 22/bsb |f 0905 |g 73 |
| 966 | e | |u http://ebookcentral.proquest.com/lib/bsb/detail.action?docID=6242864 |l BSB01 |p ZDB-30-PQE |q BSB_PDA_PQEMUS_Kauf |x Aggregator |3 Volltext | |
| 966 | e | |u https://doi.org/10.1525/9780520968080 |l BSB01 |p ZDB-23-DKU |q BSB_DKU_UniversityCaliforniaPress |x Verlag |3 Volltext | |
| 966 | e | |u https://ebookcentral.proquest.com/lib/bsmfidmusic/detail.action?docID=6242864 |l BSB01 |p ZDB-1-PQM |q BSB_PDA_PQM |x Aggregator |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1804182758241599488 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author | Levaux, Christophe 1982- |
| author2 | Vekony, Rose |
| author2_role | trl |
| author2_variant | r v rv |
| author_GND | (DE-588)1140462849 (DE-588)1219855812 |
| author_facet | Levaux, Christophe 1982- Vekony, Rose |
| author_role | aut |
| author_sort | Levaux, Christophe 1982- |
| author_variant | c l cl |
| building | Verbundindex |
| bvnumber | BV047456064 |
| classification_rvk | LR 54095 |
| collection | ZDB-23-DKU ZDB-30-PQE ZDB-1-PQM |
| ctrlnum | (ZDB-23-DKU)9780520968080 (ZDB-30-PQE)EBC6242864 (ZDB-1-PQM)EBC6242864 (ZDB-30-PAD)EBC6242864 (ZDB-89-EBL)EBL6242864 (OCoLC)1268180367 (DE-599)BVBBV047456064 |
| dewey-full | 781.68 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.68 |
| dewey-search | 781.68 |
| dewey-sort | 3781.68 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| discipline_str_mv | Musikwissenschaft |
| doi_str_mv | 10.1525/9780520968080 |
| era | Geschichte 1960- gnd |
| era_facet | Geschichte 1960- |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03678nmm a2200673 c 4500</leader><controlfield tag="001">BV047456064</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20231206 </controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">210907s2020 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780520968080</subfield><subfield code="c">Online, PDF</subfield><subfield code="9">978-0-520-96808-0</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1525/9780520968080</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-23-DKU)9780520968080</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-30-PQE)EBC6242864</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-1-PQM)EBC6242864</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-30-PAD)EBC6242864</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-89-EBL)EBL6242864</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1268180367</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV047456064</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="1" ind2=" "><subfield code="a">eng</subfield><subfield code="h">fre</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">781.68</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">MUS</subfield><subfield code="q">DE-12</subfield><subfield code="2">fid</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LR 54095</subfield><subfield code="0">(DE-625)109627:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Levaux, Christophe</subfield><subfield code="d">1982-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1140462849</subfield><subfield code="4">aut</subfield></datafield><datafield tag="240" ind1="1" ind2="0"><subfield code="a">Nous avons toujours été minimalistes</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">We have always been minimalist</subfield><subfield code="b">the construction and triumph of a musical style</subfield><subfield code="c">Christophe Levaux ; translated by Rose Vekony</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Oakland, California</subfield><subfield code="b">University of California Press</subfield><subfield code="c">[2020]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2020</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (viii, 272 Seiten)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"Rising out of the American art music movement of the late 1950s and 1960s, minimalism shook the foundations of the traditional constructs of classical music, becoming one of the most important and influential trends of the twentieth century. The emergence of minimalism sparked an active writing culture around the controversies, philosophies, and forms represented in the music's style and performance, and its defenders faced a relentless struggle within the music establishment and beyond. Focusing on how facts about music are constructed, negotiated, and continually remodeled, We Have Always Been Minimalist retraces the story of this fight that--from pure fiction to proven truth--led to the triumph of minimalism. Christophe Levaux's critical analysis of literature surrounding the origins and transformations of the stylistic movement offers radical insights and a unique new history"</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1960-</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Minimal music</subfield><subfield code="0">(DE-588)4346530-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">USA</subfield><subfield code="0">(DE-588)4078704-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Minimal music / History and criticism</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Music / 20th century / History and criticism</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">USA</subfield><subfield code="0">(DE-588)4078704-7</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Minimal music</subfield><subfield code="0">(DE-588)4346530-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Geschichte 1960-</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Vekony, Rose</subfield><subfield code="0">(DE-588)1219855812</subfield><subfield code="4">trl</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe, Paperback</subfield><subfield code="z">978-0-520-29526-1</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe, Hardcover</subfield><subfield code="z">978-0-520-29527-8</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1525/9780520968080</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-23-DKU</subfield><subfield code="a">ZDB-30-PQE</subfield><subfield code="a">ZDB-1-PQM</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">ZDB-23-DKU20</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">BSB_NED_20210907</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">KFL_prod_XwBz_01</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-032857940</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.9</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0904</subfield><subfield code="g">73</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.9</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0905</subfield><subfield code="g">73</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://ebookcentral.proquest.com/lib/bsb/detail.action?docID=6242864</subfield><subfield code="l">BSB01</subfield><subfield code="p">ZDB-30-PQE</subfield><subfield code="q">BSB_PDA_PQEMUS_Kauf</subfield><subfield code="x">Aggregator</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1525/9780520968080</subfield><subfield code="l">BSB01</subfield><subfield code="p">ZDB-23-DKU</subfield><subfield code="q">BSB_DKU_UniversityCaliforniaPress</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://ebookcentral.proquest.com/lib/bsmfidmusic/detail.action?docID=6242864</subfield><subfield code="l">BSB01</subfield><subfield code="p">ZDB-1-PQM</subfield><subfield code="q">BSB_PDA_PQM</subfield><subfield code="x">Aggregator</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| geographic | USA (DE-588)4078704-7 gnd |
| geographic_facet | USA |
| id | DE-604.BV047456064 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T18:04:50Z |
| indexdate | 2024-07-10T09:12:38Z |
| institution | BVB |
| isbn | 9780520968080 |
| language | English French |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032857940 |
| oclc_num | 1268180367 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | 1 Online-Ressource (viii, 272 Seiten) |
| psigel | ZDB-23-DKU ZDB-30-PQE ZDB-1-PQM ZDB-23-DKU20 BSB_NED_20210907 KFL_prod_XwBz_01 ZDB-30-PQE BSB_PDA_PQEMUS_Kauf ZDB-23-DKU BSB_DKU_UniversityCaliforniaPress ZDB-1-PQM BSB_PDA_PQM |
| publishDate | 2020 |
| publishDateSearch | 2020 |
| publishDateSort | 2020 |
| publisher | University of California Press |
| record_format | marc |
| spelling | Levaux, Christophe 1982- Verfasser (DE-588)1140462849 aut Nous avons toujours été minimalistes We have always been minimalist the construction and triumph of a musical style Christophe Levaux ; translated by Rose Vekony Oakland, California University of California Press [2020] © 2020 1 Online-Ressource (viii, 272 Seiten) txt rdacontent c rdamedia cr rdacarrier Includes bibliographical references and index "Rising out of the American art music movement of the late 1950s and 1960s, minimalism shook the foundations of the traditional constructs of classical music, becoming one of the most important and influential trends of the twentieth century. The emergence of minimalism sparked an active writing culture around the controversies, philosophies, and forms represented in the music's style and performance, and its defenders faced a relentless struggle within the music establishment and beyond. Focusing on how facts about music are constructed, negotiated, and continually remodeled, We Have Always Been Minimalist retraces the story of this fight that--from pure fiction to proven truth--led to the triumph of minimalism. Christophe Levaux's critical analysis of literature surrounding the origins and transformations of the stylistic movement offers radical insights and a unique new history" Geschichte 1960- gnd rswk-swf Minimal music (DE-588)4346530-4 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf Minimal music / History and criticism Music / 20th century / History and criticism USA (DE-588)4078704-7 g Minimal music (DE-588)4346530-4 s Geschichte 1960- z DE-604 Vekony, Rose (DE-588)1219855812 trl Erscheint auch als Druck-Ausgabe, Paperback 978-0-520-29526-1 Erscheint auch als Druck-Ausgabe, Hardcover 978-0-520-29527-8 https://doi.org/10.1525/9780520968080 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Levaux, Christophe 1982- We have always been minimalist the construction and triumph of a musical style Minimal music (DE-588)4346530-4 gnd |
| subject_GND | (DE-588)4346530-4 (DE-588)4078704-7 |
| title | We have always been minimalist the construction and triumph of a musical style |
| title_alt | Nous avons toujours été minimalistes |
| title_auth | We have always been minimalist the construction and triumph of a musical style |
| title_exact_search | We have always been minimalist the construction and triumph of a musical style |
| title_exact_search_txtP | We have always been minimalist the construction and triumph of a musical style |
| title_full | We have always been minimalist the construction and triumph of a musical style Christophe Levaux ; translated by Rose Vekony |
| title_fullStr | We have always been minimalist the construction and triumph of a musical style Christophe Levaux ; translated by Rose Vekony |
| title_full_unstemmed | We have always been minimalist the construction and triumph of a musical style Christophe Levaux ; translated by Rose Vekony |
| title_short | We have always been minimalist |
| title_sort | we have always been minimalist the construction and triumph of a musical style |
| title_sub | the construction and triumph of a musical style |
| topic | Minimal music (DE-588)4346530-4 gnd |
| topic_facet | Minimal music USA |
| url | https://doi.org/10.1525/9780520968080 |
| work_keys_str_mv | AT levauxchristophe nousavonstoujourseteminimalistes AT vekonyrose nousavonstoujourseteminimalistes AT levauxchristophe wehavealwaysbeenminimalisttheconstructionandtriumphofamusicalstyle AT vekonyrose wehavealwaysbeenminimalisttheconstructionandtriumphofamusicalstyle |