Arts of incompletion: fragments in words and music
"Incompletion is an essential condition of cultural history, and particularly the idea of the fragment became a central element of Romantic art. Through its resistance to classicist ideals it continued being of high relevance to the various strands of modernist and contemporary aesthetics. The...
Gespeichert in:
| Körperschaft: | |
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| Weitere Verfasser: | , |
| Format: | Tagungsbericht Buch |
| Sprache: | English |
| Veröffentlicht: |
Leiden ; Boston
Brill
[2021]
|
| Schriftenreihe: | Word and music studies
volume 18 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "Incompletion is an essential condition of cultural history, and particularly the idea of the fragment became a central element of Romantic art. Through its resistance to classicist ideals it continued being of high relevance to the various strands of modernist and contemporary aesthetics. The fourteen essays in this volume, based on the 2017 Stockholm conference of the International Association for Word and Music Studies (WMA), for the first time address incompletion in a wide range of literary and musical texts, from Baudelaire and Flaubert through Tolstoy and Henry James to Bachmann, Jelinek and Janet Frame, from Nietzsche and Chopin through Russolo and Puccini to Rihm and Kurtàg. Two further essays deal with topical general issues in the field of word and music studies." |
| Beschreibung: | XII, 302 Seiten Notenbeispiele 25 cm |
| ISBN: | 9789004467118 |
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Datensatz im Suchindex
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| adam_text | Contents Preface ix PART 1 Arts ofIncompletion: Fragments in Words and Music SECTION 1 Musical Philosophy ofIncompletion 1 Philosophy at the Keyboard: Nietzsche’s Music Box 5 Lawrence Kramer 2 Infinity in an Instant: The Paradox of Timeless Fragments in the Work of György Kurtág 22 RuthJacobs SECTION 2 Fragments and Artistic Innovation 3 Drumming Out Art: Nielsen, Huelsenbeck, and Improvised Interruption 35 Peter Dayan 4 Russolo’s “Il risveglio di una città”: A Fragment for an Aesthetics of Noise 48 Laura Vattano SECTION 3 Fragmentariness as a Creative Force 5 The Fragmentary and the Musical: Baudelaire’s Bits and Pieces 67 Margaret Miner 6 Variations on the Theme of Dying: Ingeborg Bachmann and the Music of This World 82 Axel Englund
VI CONTENTS 7 A Fragment of the Whole: Musical and Literary Incompletion in Kirsty Gunn’s Book The Big Music 109 Christin Hoene 8 Skizzen’s Sketches, Eis’s Tweets: Streams of Incompletion in Two Musicalized Novels 124 Ivan Delazari SECTION 4 Lyric Fragments in Narratives 9 Singing Words and Sticky Music: Fragmentary Lyrics and Acts of Violence 143 Beate Schirrmacher 10 Fragmented Music, Fragmented Minds: Janet Frame’s Faces in the Water (1961) 166 Deiia da Sousa Correa 11 Otto Dresel’s “Loose the sail, rest the oar : A Study (In)completion David Francis Urrows 179 SECTION 5 Opera and Fragmentation 12 Operatic Fragments in Fiction and Film Michael Halimell 199 13 The Challenges of Completing a Plurimedial Fragment: Text, Music, and Scene in Berio/Pountney’s Ending of the Opera Turandot 224 Bernhard Kuhn 14 Fragment and Flow: On Wolfgang Rihm’s Dionysus Opera Erik Wallrup 242 PART 2 Word and Music Studies: Surveying the Field 15 Sound Studies and Musical Hermeneutics: Bridging the Interdisciplinary Gap 257 RolfJ. Goebel
VII CONTENTS i6 ‘Make It Old’: Retro Forms in Western Literature and Music since the Eighteenth Century 269 Werner Wolf List of Figures 297 Notes on Contributors 298
|
| adam_txt |
Contents Preface ix PART 1 Arts ofIncompletion: Fragments in Words and Music SECTION 1 Musical Philosophy ofIncompletion 1 Philosophy at the Keyboard: Nietzsche’s Music Box 5 Lawrence Kramer 2 Infinity in an Instant: The Paradox of Timeless Fragments in the Work of György Kurtág 22 RuthJacobs SECTION 2 Fragments and Artistic Innovation 3 Drumming Out Art: Nielsen, Huelsenbeck, and Improvised Interruption 35 Peter Dayan 4 Russolo’s “Il risveglio di una città”: A Fragment for an Aesthetics of Noise 48 Laura Vattano SECTION 3 Fragmentariness as a Creative Force 5 The Fragmentary and the Musical: Baudelaire’s Bits and Pieces 67 Margaret Miner 6 Variations on the Theme of Dying: Ingeborg Bachmann and the Music of This World 82 Axel Englund
VI CONTENTS 7 A Fragment of the Whole: Musical and Literary Incompletion in Kirsty Gunn’s Book The Big Music 109 Christin Hoene 8 Skizzen’s Sketches, Eis’s Tweets: Streams of Incompletion in Two Musicalized Novels 124 Ivan Delazari SECTION 4 Lyric Fragments in Narratives 9 Singing Words and Sticky Music: Fragmentary Lyrics and Acts of Violence 143 Beate Schirrmacher 10 Fragmented Music, Fragmented Minds: Janet Frame’s Faces in the Water (1961) 166 Deiia da Sousa Correa 11 Otto Dresel’s “Loose the sail, rest the oar": A Study (In)completion David Francis Urrows 179 SECTION 5 Opera and Fragmentation 12 Operatic Fragments in Fiction and Film Michael Halimell 199 13 The Challenges of Completing a Plurimedial Fragment: Text, Music, and Scene in Berio/Pountney’s Ending of the Opera Turandot 224 Bernhard Kuhn 14 Fragment and Flow: On Wolfgang Rihm’s Dionysus Opera Erik Wallrup 242 PART 2 Word and Music Studies: Surveying the Field 15 Sound Studies and Musical Hermeneutics: Bridging the Interdisciplinary Gap 257 RolfJ. Goebel
VII CONTENTS i6 ‘Make It Old’: Retro Forms in Western Literature and Music since the Eighteenth Century 269 Werner Wolf List of Figures 297 Notes on Contributors 298 |
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| spelling | Word and Music Studies (Veranstaltung) 11. 2017 Stockholm Verfasser (DE-588)1240646003 aut Arts of incompletion fragments in words and music edited by Walter Bernhart and Axel Englund Leiden ; Boston Brill [2021] © 2021 XII, 302 Seiten Notenbeispiele 25 cm txt rdacontent n rdamedia nc rdacarrier Word and music studies volume 18 "Incompletion is an essential condition of cultural history, and particularly the idea of the fragment became a central element of Romantic art. Through its resistance to classicist ideals it continued being of high relevance to the various strands of modernist and contemporary aesthetics. The fourteen essays in this volume, based on the 2017 Stockholm conference of the International Association for Word and Music Studies (WMA), for the first time address incompletion in a wide range of literary and musical texts, from Baudelaire and Flaubert through Tolstoy and Henry James to Bachmann, Jelinek and Janet Frame, from Nietzsche and Chopin through Russolo and Puccini to Rihm and Kurtàg. Two further essays deal with topical general issues in the field of word and music studies." Geschichte 1800-2000 gnd rswk-swf Literatur (DE-588)4035964-5 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Fragment (DE-588)4155137-0 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Music and literature Fragmentation (Philosophy) in music Fragmentation (Philosophy) in literature Music in literature (DE-588)1071861417 Konferenzschrift 2017 Stockholm gnd-content Fragment (DE-588)4155137-0 s Musik (DE-588)4040802-4 s Kunst (DE-588)4114333-4 s Literatur (DE-588)4035964-5 s Geschichte 1800-2000 z DE-604 Bernhart, Walter 1942- (DE-588)132835053 edt Englund, Axel 1979- (DE-588)1011542889 edt Erscheint auch als Online-Ausgabe 978-90-04-46712-5 Word and music studies volume 18 (DE-604)BV013043030 18 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032857328&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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