On the meta-category of Chinese music aesthetics:
"This book opens with the emergence and development of the discipline of aesthetics in western countries, specifically the history of Western Music Aesthetics, to study and delve into the development of Chinese Music Aesthetics. The book provides a clear timeline throughout the writing - from t...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Singapore ; Hackensack, NJ
World Scientific
[2022]
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "This book opens with the emergence and development of the discipline of aesthetics in western countries, specifically the history of Western Music Aesthetics, to study and delve into the development of Chinese Music Aesthetics. The book provides a clear timeline throughout the writing - from the history of Chinese Music Aesthetics, to the construction of a theoretical framework, and the intersections and conversations between Western and Chinese Music Aesthetics. This academic piece is fundamentally consistent with the developing field of Chinese philosophical and literary research. This book also discusses important music aesthetic categories of Confucianism, Taoism, Mohism, and metaphysics, and uses critical thinking to analyse the relationship between these categories and relevant schools of thought, reflecting the author's academic vision and thought process"-- |
| Beschreibung: | Translated from the Chinese |
| Beschreibung: | xvii, 433 Seiten |
| ISBN: | 9789811225192 |
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Datensatz im Suchindex
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| adam_text | Contents Foreword I Foreword II ix xv Chapter 1 Introduction 1.1. From the West to China 1.2. From History to Category 1.3. Category and Theoretical System 1.4. Historical Data and Theory 1.5. Subject of Chinese Music Aesthetics 1 1 5 9 14 15 Chapter 2 Chinese Music Aesthetics in the Context of Globalization 2.1. Music Aesthetics Toward Independence 2.2. Music Aesthetics in Sound Scope 2.3. Boundaries of Music Aesthetics 2.4. Future of Music Aesthetics 19 21 33 50 59 Chapter 3 Chinese Music Aesthetic Category 3.1. Significance of Research 3.2. Historical Development 3.3. Theoretical Structures 3.4. Features 3.5. Research Materials 3.6. Research Methods 65 67 70 74 79 81 84 V
vi On the Meta-Category of Chinese Music Aesthetics Chapter 4 Poetry, Music, and Rites 4.1. Poetry: The Basis of Music and Rites 4.2. Origins, Features, and Functions of Music 4.3. Origins, Features, and Functions of Rites 4.4. Development of Relationship Between Rites and Music 89 91 96 100 109 Chapter 5 Music from Zhong 5.1. Zhong 5.2. Zhong He 5.3. Sound of Zhong 5.4. Five Tones 115 116 122 125 128 Chapter 6 Making Habits and Customs with Music 6.1. Music as Human Nature 6.2. Changing Habits and Customs 6.3. Nothing is Better than Music 137 138 143 148 Chapter 7 Disintegration of Rites and Music 7.1. Duke Zhou, Rites, and Music 7.2. Disintegration of Rites 7.3. Disintegration of Music 157 157 161 165 Chapter 8 “Grand Music is Simplified Sound” by Lao Zi 8.1. Discussion: “Grand Music is Simplified Sound” 8.2. “Grand Music is Simplified Sound” and Taoism 8.3. Five Tones are Deafening 8.4. “Grand Music is Simplified Sound” and Music 8.5. “Grand Music is Simplified Sound” and Others 181 181 186 192 198 203 Chapter 9 “Abandon Folk Music” by Confucius 9.1. State of Zheng 9.2. Poetry in the State of Zheng 9.3. Kong Hou 9.4. Yin 211 211 216 219 221
Contents 9.5. “Abandon Music of Zheng State” 9.6. Rectification of Rites by Confucius vii 229 238 Chapter 10.1. 10.2. 10.3. 10.4. 10 “No Music” Theory by Mozi The Essence Source of “No Music” Music: Inappropriate for Emperors Music: Inappropriate for People’s Benefits 245 245 249 254 264 Chapter 11.1. 11.2. 11.3. 11.4. 11 “Music is Joy” Theory by Xun Zi Music as Joy Music is Joy Music for Cultivation Change Human Nature into Rites and Ethical Principles 273 273 276 279 296 12 “Natural Music” Theory by Zhuang Zi Development Based on Lao Zi Criticism on Rites and Music of Confucius Mohist Criticism on “No Music” Inner Mind Ultimate Joy Natural Music Music Fable of Zhuang Zi 299 300 303 310 314 321 328 333 Chapter 12.1. 12.2. 12.3. 12.4. 12.5. 12.6. 12.7. Chapter 13 “Music Enjoyment with the People” Theory by Mencius 13.1. Top Priority 13.2. Current Music and Ancient Music 13.3. Music Enjoyment with the People 339 339 341 358 Chapter 14.1. 14.2. 14.3. 365 366 371 385 14 “No Sad Music” Theory by Ji Kang Confucius Standpoint of Qin Ke Ji Kang’s Argument Based on Taoism Enjoy Nature and Free of the Restriction of Rites
viii On the Meta-Category of Chinese Music Aesthetics Chapter 15 “Music is the Language of the Heavens” Theory by Qing Zhu 15.1. Initial Music from the Heavens 15.2. The Heavens and Inner World 15.3. Modem Transformation of Chinese Music Aesthetics 395 396 403 410 Conclusion Index 415 425
|
| adam_txt |
Contents Foreword I Foreword II ix xv Chapter 1 Introduction 1.1. From the West to China 1.2. From History to Category 1.3. Category and Theoretical System 1.4. Historical Data and Theory 1.5. Subject of Chinese Music Aesthetics 1 1 5 9 14 15 Chapter 2 Chinese Music Aesthetics in the Context of Globalization 2.1. Music Aesthetics Toward Independence 2.2. Music Aesthetics in Sound Scope 2.3. Boundaries of Music Aesthetics 2.4. Future of Music Aesthetics 19 21 33 50 59 Chapter 3 Chinese Music Aesthetic Category 3.1. Significance of Research 3.2. Historical Development 3.3. Theoretical Structures 3.4. Features 3.5. Research Materials 3.6. Research Methods 65 67 70 74 79 81 84 V
vi On the Meta-Category of Chinese Music Aesthetics Chapter 4 Poetry, Music, and Rites 4.1. Poetry: The Basis of Music and Rites 4.2. Origins, Features, and Functions of Music 4.3. Origins, Features, and Functions of Rites 4.4. Development of Relationship Between Rites and Music 89 91 96 100 109 Chapter 5 Music from Zhong 5.1. Zhong 5.2. Zhong He 5.3. Sound of Zhong 5.4. Five Tones 115 116 122 125 128 Chapter 6 Making Habits and Customs with Music 6.1. Music as Human Nature 6.2. Changing Habits and Customs 6.3. Nothing is Better than Music 137 138 143 148 Chapter 7 Disintegration of Rites and Music 7.1. Duke Zhou, Rites, and Music 7.2. Disintegration of Rites 7.3. Disintegration of Music 157 157 161 165 Chapter 8 “Grand Music is Simplified Sound” by Lao Zi 8.1. Discussion: “Grand Music is Simplified Sound” 8.2. “Grand Music is Simplified Sound” and Taoism 8.3. Five Tones are Deafening 8.4. “Grand Music is Simplified Sound” and Music 8.5. “Grand Music is Simplified Sound” and Others 181 181 186 192 198 203 Chapter 9 “Abandon Folk Music” by Confucius 9.1. State of Zheng 9.2. Poetry in the State of Zheng 9.3. Kong Hou 9.4. Yin 211 211 216 219 221
Contents 9.5. “Abandon Music of Zheng State” 9.6. Rectification of Rites by Confucius vii 229 238 Chapter 10.1. 10.2. 10.3. 10.4. 10 “No Music” Theory by Mozi The Essence Source of “No Music” Music: Inappropriate for Emperors Music: Inappropriate for People’s Benefits 245 245 249 254 264 Chapter 11.1. 11.2. 11.3. 11.4. 11 “Music is Joy” Theory by Xun Zi Music as Joy Music is Joy Music for Cultivation Change Human Nature into Rites and Ethical Principles 273 273 276 279 296 12 “Natural Music” Theory by Zhuang Zi Development Based on Lao Zi Criticism on Rites and Music of Confucius Mohist Criticism on “No Music” Inner Mind Ultimate Joy Natural Music Music Fable of Zhuang Zi 299 300 303 310 314 321 328 333 Chapter 12.1. 12.2. 12.3. 12.4. 12.5. 12.6. 12.7. Chapter 13 “Music Enjoyment with the People” Theory by Mencius 13.1. Top Priority 13.2. Current Music and Ancient Music 13.3. Music Enjoyment with the People 339 339 341 358 Chapter 14.1. 14.2. 14.3. 365 366 371 385 14 “No Sad Music” Theory by Ji Kang Confucius Standpoint of Qin Ke Ji Kang’s Argument Based on Taoism Enjoy Nature and Free of the Restriction of Rites
viii On the Meta-Category of Chinese Music Aesthetics Chapter 15 “Music is the Language of the Heavens” Theory by Qing Zhu 15.1. Initial Music from the Heavens 15.2. The Heavens and Inner World 15.3. Modem Transformation of Chinese Music Aesthetics 395 396 403 410 Conclusion Index 415 425 |
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| index_date | 2024-07-03T18:03:37Z |
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| spelling | Yang, Sai 1976- Verfasser (DE-588)1035272024 aut On the meta-category of Chinese music aesthetics Sai Yang ; translator, Li Ma Singapore ; Hackensack, NJ World Scientific [2022] xvii, 433 Seiten txt rdacontent n rdamedia nc rdacarrier Translated from the Chinese "This book opens with the emergence and development of the discipline of aesthetics in western countries, specifically the history of Western Music Aesthetics, to study and delve into the development of Chinese Music Aesthetics. The book provides a clear timeline throughout the writing - from the history of Chinese Music Aesthetics, to the construction of a theoretical framework, and the intersections and conversations between Western and Chinese Music Aesthetics. This academic piece is fundamentally consistent with the developing field of Chinese philosophical and literary research. This book also discusses important music aesthetic categories of Confucianism, Taoism, Mohism, and metaphysics, and uses critical thinking to analyse the relationship between these categories and relevant schools of thought, reflecting the author's academic vision and thought process"-- Geschichte 1000 v. Chr.-300 gnd rswk-swf Musikästhetik (DE-588)4040808-5 gnd rswk-swf China (DE-588)4009937-4 gnd rswk-swf Music / China / Philosophy and aesthetics Music / Philosophy and aesthetics China China (DE-588)4009937-4 g Musikästhetik (DE-588)4040808-5 s Geschichte 1000 v. Chr.-300 z DE-604 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032854000&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Yang, Sai 1976- On the meta-category of Chinese music aesthetics Musikästhetik (DE-588)4040808-5 gnd |
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| title | On the meta-category of Chinese music aesthetics |
| title_auth | On the meta-category of Chinese music aesthetics |
| title_exact_search | On the meta-category of Chinese music aesthetics |
| title_exact_search_txtP | On the meta-category of Chinese music aesthetics |
| title_full | On the meta-category of Chinese music aesthetics Sai Yang ; translator, Li Ma |
| title_fullStr | On the meta-category of Chinese music aesthetics Sai Yang ; translator, Li Ma |
| title_full_unstemmed | On the meta-category of Chinese music aesthetics Sai Yang ; translator, Li Ma |
| title_short | On the meta-category of Chinese music aesthetics |
| title_sort | on the meta category of chinese music aesthetics |
| topic | Musikästhetik (DE-588)4040808-5 gnd |
| topic_facet | Musikästhetik China |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032854000&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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