Music in Elizabethan court politics:
Queen Elizabeth I (1558-1603) had a strong reputation for musicality; her court musicians, Thomas Tallis and William Byrd, even suggested that music was indispensable to the state. But what roles did music play in Elizabethan court politics? How did a musical image assist the Queen in projecting her...
Gespeichert in:
1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Woodbridge, Suffolk, UK
The Boydell Press
2015
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Schriftenreihe: | Studies in medieval and Renaissance music
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Schlagworte: | |
Online-Zugang: | DE-12 DE-473 Volltext |
Zusammenfassung: | Queen Elizabeth I (1558-1603) had a strong reputation for musicality; her court musicians, Thomas Tallis and William Byrd, even suggested that music was indispensable to the state. But what roles did music play in Elizabethan court politics? How did a musical image assist the Queen in projecting her royal authority? What influence did her private performances have on her courtships, diplomatic affairs, and relationships with courtiers? To what extent did Elizabeth control court music, or could others appropriate performances to enhance their own status and achieve their ambitions? Could noblemen, civic leaders, or even musicians take advantage of Elizabeth's love of music to present their complaints and petitions in song? This book unravels the connotations surrounding Elizabeth's musical image and traces the political roles of music at the Elizabethan court. It scrutinizes the most intimate performances within the Privy Chamber, analyses the masques and plays performed in the palaces, and explores the grandest musical pageantry of tournaments, civic entries, and royal progresses. This reveals how music served as a valuable means for both the tactful influencing of policies and patronage, and the construction of political identities and relationships. In the late Tudor period music was simultaneously a tool of authority for the monarch and an instrumentof persuasion for the nobility. Katherine Butler is a researcher and tutor at the University of Oxford |
Beschreibung: | Title from publisher's bibliographic system (viewed on 04 Jun 2021) Music, authority, and the royal image -- The politics of intimacy -- The royal household and its revels -- Noble masculinity at the tournament -- Politics, petition, and complaint on the royal progresses -- Appendix A, Secular musicians employed in the royal household of Elizabeth I -- Appendix B, Extant secular songs connected to Elizabeth and her court |
Beschreibung: | 1 Online-Ressource (x, 260 Seiten) |
ISBN: | 9781782044314 |
DOI: | 10.1017/9781782044314 |
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520 | |a Queen Elizabeth I (1558-1603) had a strong reputation for musicality; her court musicians, Thomas Tallis and William Byrd, even suggested that music was indispensable to the state. But what roles did music play in Elizabethan court politics? How did a musical image assist the Queen in projecting her royal authority? What influence did her private performances have on her courtships, diplomatic affairs, and relationships with courtiers? To what extent did Elizabeth control court music, or could others appropriate performances to enhance their own status and achieve their ambitions? Could noblemen, civic leaders, or even musicians take advantage of Elizabeth's love of music to present their complaints and petitions in song? This book unravels the connotations surrounding Elizabeth's musical image and traces the political roles of music at the Elizabethan court. It scrutinizes the most intimate performances within the Privy Chamber, analyses the masques and plays performed in the palaces, and explores the grandest musical pageantry of tournaments, civic entries, and royal progresses. This reveals how music served as a valuable means for both the tactful influencing of policies and patronage, and the construction of political identities and relationships. In the late Tudor period music was simultaneously a tool of authority for the monarch and an instrumentof persuasion for the nobility. Katherine Butler is a researcher and tutor at the University of Oxford | ||
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Datensatz im Suchindex
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adam_text | |
adam_txt | |
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author | Butler, Katherine |
author_GND | (DE-588)1075226724 |
author_facet | Butler, Katherine |
author_role | aut |
author_sort | Butler, Katherine |
author_variant | k b kb |
building | Verbundindex |
bvnumber | BV047447560 |
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dewey-hundreds | 700 - The arts |
dewey-ones | 780 - Music |
dewey-raw | 780.94109/031 |
dewey-search | 780.94109/031 |
dewey-sort | 3780.94109 231 |
dewey-tens | 780 - Music |
discipline | Musikwissenschaft |
discipline_str_mv | Musikwissenschaft |
doi_str_mv | 10.1017/9781782044314 |
era | Geschichte 1558-1603 gnd |
era_facet | Geschichte 1558-1603 |
format | Electronic eBook |
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illustrated | Not Illustrated |
index_date | 2024-07-03T18:02:44Z |
indexdate | 2024-10-17T18:02:38Z |
institution | BVB |
isbn | 9781782044314 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032849608 |
oclc_num | 1268177604 |
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owner_facet | DE-12 DE-473 DE-BY-UBG |
physical | 1 Online-Ressource (x, 260 Seiten) |
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publishDate | 2015 |
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publisher | The Boydell Press |
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series2 | Studies in medieval and Renaissance music |
spelling | Butler, Katherine (DE-588)1075226724 aut Music in Elizabethan court politics Katherine Butler Woodbridge, Suffolk, UK The Boydell Press 2015 1 Online-Ressource (x, 260 Seiten) txt rdacontent c rdamedia cr rdacarrier Studies in medieval and Renaissance music Title from publisher's bibliographic system (viewed on 04 Jun 2021) Music, authority, and the royal image -- The politics of intimacy -- The royal household and its revels -- Noble masculinity at the tournament -- Politics, petition, and complaint on the royal progresses -- Appendix A, Secular musicians employed in the royal household of Elizabeth I -- Appendix B, Extant secular songs connected to Elizabeth and her court Queen Elizabeth I (1558-1603) had a strong reputation for musicality; her court musicians, Thomas Tallis and William Byrd, even suggested that music was indispensable to the state. But what roles did music play in Elizabethan court politics? How did a musical image assist the Queen in projecting her royal authority? What influence did her private performances have on her courtships, diplomatic affairs, and relationships with courtiers? To what extent did Elizabeth control court music, or could others appropriate performances to enhance their own status and achieve their ambitions? Could noblemen, civic leaders, or even musicians take advantage of Elizabeth's love of music to present their complaints and petitions in song? This book unravels the connotations surrounding Elizabeth's musical image and traces the political roles of music at the Elizabethan court. It scrutinizes the most intimate performances within the Privy Chamber, analyses the masques and plays performed in the palaces, and explores the grandest musical pageantry of tournaments, civic entries, and royal progresses. This reveals how music served as a valuable means for both the tactful influencing of policies and patronage, and the construction of political identities and relationships. In the late Tudor period music was simultaneously a tool of authority for the monarch and an instrumentof persuasion for the nobility. Katherine Butler is a researcher and tutor at the University of Oxford Elisabeth I. England, Königin 1533-1603 (DE-588)118529870 gnd rswk-swf Geschichte 1558-1603 gnd rswk-swf Music / Great Britain / 16th century / History and criticism Music / Political aspects / Great Britain / History / 16th century Politik (DE-588)4046514-7 gnd rswk-swf Hofkapelle Musik (DE-588)4160410-6 gnd rswk-swf Großbritannien (DE-588)4022153-2 gnd rswk-swf Elisabeth I. England, Königin 1533-1603 (DE-588)118529870 p Hofkapelle Musik (DE-588)4160410-6 s Großbritannien (DE-588)4022153-2 g Politik (DE-588)4046514-7 s Geschichte 1558-1603 z DE-604 Erscheint auch als Druck-Ausgabe 978-1-84383-981-1 https://doi.org/10.1017/9781782044314 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Butler, Katherine Music in Elizabethan court politics Elisabeth I. England, Königin 1533-1603 (DE-588)118529870 gnd Music / Great Britain / 16th century / History and criticism Music / Political aspects / Great Britain / History / 16th century Politik (DE-588)4046514-7 gnd Hofkapelle Musik (DE-588)4160410-6 gnd |
subject_GND | (DE-588)118529870 (DE-588)4046514-7 (DE-588)4160410-6 (DE-588)4022153-2 |
title | Music in Elizabethan court politics |
title_auth | Music in Elizabethan court politics |
title_exact_search | Music in Elizabethan court politics |
title_exact_search_txtP | Music in Elizabethan court politics |
title_full | Music in Elizabethan court politics Katherine Butler |
title_fullStr | Music in Elizabethan court politics Katherine Butler |
title_full_unstemmed | Music in Elizabethan court politics Katherine Butler |
title_short | Music in Elizabethan court politics |
title_sort | music in elizabethan court politics |
topic | Elisabeth I. England, Königin 1533-1603 (DE-588)118529870 gnd Music / Great Britain / 16th century / History and criticism Music / Political aspects / Great Britain / History / 16th century Politik (DE-588)4046514-7 gnd Hofkapelle Musik (DE-588)4160410-6 gnd |
topic_facet | Elisabeth I. England, Königin 1533-1603 Music / Great Britain / 16th century / History and criticism Music / Political aspects / Great Britain / History / 16th century Politik Hofkapelle Musik Großbritannien |
url | https://doi.org/10.1017/9781782044314 |
work_keys_str_mv | AT butlerkatherine musicinelizabethancourtpolitics |