Gold, festivals, and music in southeast Brazil: sounding Portugueseness
"Gold, Festivals, and Music in Southeast Brazil: Sounding Portugueseness is a study of the musical legacy of the 18th century Brazilian gold rush that integrates ethnographic research of the main genres of former mining communities in Brazil -- from liturgical music in the style of European art...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
Routledge, Taylor & Francis Group
2022
|
| Schriftenreihe: | SOAS studies in music
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "Gold, Festivals, and Music in Southeast Brazil: Sounding Portugueseness is a study of the musical legacy of the 18th century Brazilian gold rush that integrates ethnographic research of the main genres of former mining communities in Brazil -- from liturgical music in the style of European art music to Afro-Brazilian musical expressions. Its content and structure are informed by Norbert Elias' idea of the civilizing process, which is explored regarding its relevance in interpreting sociocultural processes and choreo-musical expressions in the small town Morro Vermelho. The book's innovative feature is its focus on a little-known area to non-Brazilian scholars,and its focus on the colonial and European heritage in Brazil. Morro Vermelho's cultural traditions have received relatively limited attention. The Catholic festival of Our Lady of Nazareth provides a setting for the documentation and analysis of the musical setting and is thus placed at the centre of the discussion. It leads through the vast writings on Brazilian identity and challenges the view on Brazilian-ness as constructed in terms of the mixing of races. Norbert Elias's concept of the "civilizing process" structures the book and is relevant for understanding the cultural sphere of the festival of Our Lady of Nazareth. The book combines discourses of Portugueseness with historical sources and observations from fieldwork and community building in the virtual world. The focus on the music to support social constructions of "Portugueseness" is supported with evidence from diverse data sources: music (literature and fieldwork recordings), original interviews, marketing materials and historical narratives. The combination of archival, ethnographic and bibliographic research methods attempts a seamless narrative. Its approach to fieldwork and frank reflections on the process and relevant issues help to contextualize the analyses and serve as useful advice for future researchers"-- |
| Beschreibung: | xi, 199 Seiten Illustrationen |
| ISBN: | 9780367229856 9781032042374 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV047440253 | ||
| 003 | DE-604 | ||
| 005 | 20220819 | ||
| 007 | t | ||
| 008 | 210826s2022 a||| |||| 00||| eng d | ||
| 020 | |a 9780367229856 |c hbk |9 978-0-367-22985-6 | ||
| 020 | |a 9781032042374 |c pbk |9 978-1-032-04237-4 | ||
| 035 | |a (OCoLC)1277018110 | ||
| 035 | |a (DE-599)BVBBV047440253 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 |a DE-20 | ||
| 084 | |a MUS |q DE-12 |2 fid | ||
| 084 | |a LS 20720 |0 (DE-625)109947:2164 |2 rvk | ||
| 100 | 1 | |a Alge, Barbara |d 1981- |e Verfasser |0 (DE-588)137457367 |4 aut | |
| 245 | 1 | 0 | |a Gold, festivals, and music in southeast Brazil |b sounding Portugueseness |c Barbara Alge |
| 264 | 1 | |a London ; New York |b Routledge, Taylor & Francis Group |c 2022 | |
| 300 | |a xi, 199 Seiten |b Illustrationen | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 0 | |a SOAS studies in music | |
| 505 | 8 | |a Festivals and Music as Civilizing Forces in Colonial Minas -- History as Memory, Heritage and Brand in Morro Vermelho -- Sounding the Sacred and Civilized -- Sounding the Afro-Brazilian Resistance -- Conclusion : Sounding Portugueseness in Southeast Brazil | |
| 520 | 3 | |a "Gold, Festivals, and Music in Southeast Brazil: Sounding Portugueseness is a study of the musical legacy of the 18th century Brazilian gold rush that integrates ethnographic research of the main genres of former mining communities in Brazil -- from liturgical music in the style of European art music to Afro-Brazilian musical expressions. Its content and structure are informed by Norbert Elias' idea of the civilizing process, which is explored regarding its relevance in interpreting sociocultural processes and choreo-musical expressions in the small town Morro Vermelho. The book's innovative feature is its focus on a little-known area to non-Brazilian scholars,and its focus on the colonial and European heritage in Brazil. Morro Vermelho's cultural traditions have received relatively limited attention. The Catholic festival of Our Lady of Nazareth provides a setting for the documentation and analysis of the musical setting and is thus placed at the centre of the discussion. It leads through the vast writings on Brazilian identity and challenges the view on Brazilian-ness as constructed in terms of the mixing of races. Norbert Elias's concept of the "civilizing process" structures the book and is relevant for understanding the cultural sphere of the festival of Our Lady of Nazareth. The book combines discourses of Portugueseness with historical sources and observations from fieldwork and community building in the virtual world. The focus on the music to support social constructions of "Portugueseness" is supported with evidence from diverse data sources: music (literature and fieldwork recordings), original interviews, marketing materials and historical narratives. The combination of archival, ethnographic and bibliographic research methods attempts a seamless narrative. Its approach to fieldwork and frank reflections on the process and relevant issues help to contextualize the analyses and serve as useful advice for future researchers"-- | |
| 650 | 0 | 7 | |a Einfluss |0 (DE-588)4151276-5 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Fest |0 (DE-588)4121260-5 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Brauch |0 (DE-588)4008017-1 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Musik |0 (DE-588)4040802-4 |2 gnd |9 rswk-swf |
| 651 | 7 | |a Portugal |0 (DE-588)4046843-4 |2 gnd |9 rswk-swf | |
| 651 | 7 | |a Afrika |0 (DE-588)4000695-5 |2 gnd |9 rswk-swf | |
| 651 | 7 | |a Brasilien |z Südost |0 (DE-588)4349007-4 |2 gnd |9 rswk-swf | |
| 653 | 0 | |a Music / Brazil, Southeast / 18th century / History and criticism | |
| 653 | 0 | |a Music / Brazil / Portuguese influences | |
| 653 | 1 | |a Mary / Blessed Virgin, Saint / Feasts | |
| 653 | 1 | |a Mary / Blessed Virgin, Saint | |
| 653 | 0 | |a Feasts for the Blessed Virgin Mary | |
| 653 | 0 | |a Music | |
| 653 | 0 | |a Music / Portuguese influences | |
| 653 | 2 | |a Brazil | |
| 653 | 2 | |a Southeast Brazil | |
| 653 | 4 | |a 1700-1799 | |
| 653 | 6 | |a Criticism, interpretation, etc | |
| 689 | 0 | 0 | |a Brasilien |z Südost |0 (DE-588)4349007-4 |D g |
| 689 | 0 | 1 | |a Fest |0 (DE-588)4121260-5 |D s |
| 689 | 0 | 2 | |a Brauch |0 (DE-588)4008017-1 |D s |
| 689 | 0 | 3 | |a Musik |0 (DE-588)4040802-4 |D s |
| 689 | 0 | 4 | |a Einfluss |0 (DE-588)4151276-5 |D s |
| 689 | 0 | 5 | |a Portugal |0 (DE-588)4046843-4 |D g |
| 689 | 0 | 6 | |a Afrika |0 (DE-588)4000695-5 |D g |
| 689 | 0 | |5 DE-604 | |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe, ebk. |z 978-1-00-041477-6 |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe |z 978-0-429-27783-2 |
| 856 | 4 | 2 | |m Digitalisierung BSB München - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032842439&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-032842439 | ||
Datensatz im Suchindex
| _version_ | 1804182732233768960 |
|---|---|
| adam_text | Contents A cknowledgments Introduction Music and the myth of racial democracy in Brazil 5 Modernity, coloniality of power, and the theory of the civilizing process 9 Minas Gerais and the colonial legacy 12 Morro Vermelho, performative memory, and Portugueseness 14 About the book 19 1 Festivals and music as civilizing forces in colonial Minas Colonial encounters and their legacies 24 The brotherhoods 29 Festivals 31 Christian and Moor performances 33 Music 35 Social dances 37 Musical mulatismo 37 Música barroca mineira 39 Orquestras and bandas 40 Musical manuscripts 42 Musicianship 43 Caeté and Morro Vermelho 44 2 History as memory, heritage, and brand in Morro Vermelho History as memory 54 Morro Vermelho and the gold 54 Festivals and music 61 History as heritage and brand 67
|
| adam_txt |
Contents A cknowledgments Introduction Music and the myth of racial democracy in Brazil 5 Modernity, coloniality of power, and the theory of the civilizing process 9 Minas Gerais and the colonial legacy 12 Morro Vermelho, performative memory, and Portugueseness 14 About the book 19 1 Festivals and music as civilizing forces in colonial Minas Colonial encounters and their legacies 24 The brotherhoods 29 Festivals 31 Christian and Moor performances 33 Music 35 Social dances 37 Musical mulatismo 37 Música barroca mineira 39 Orquestras and bandas 40 Musical manuscripts 42 Musicianship 43 Caeté and Morro Vermelho 44 2 History as memory, heritage, and brand in Morro Vermelho History as memory 54 Morro Vermelho and the gold 54 Festivals and music 61 History as heritage and brand 67 |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Alge, Barbara 1981- |
| author_GND | (DE-588)137457367 |
| author_facet | Alge, Barbara 1981- |
| author_role | aut |
| author_sort | Alge, Barbara 1981- |
| author_variant | b a ba |
| building | Verbundindex |
| bvnumber | BV047440253 |
| classification_rvk | LS 20720 |
| contents | Festivals and Music as Civilizing Forces in Colonial Minas -- History as Memory, Heritage and Brand in Morro Vermelho -- Sounding the Sacred and Civilized -- Sounding the Afro-Brazilian Resistance -- Conclusion : Sounding Portugueseness in Southeast Brazil |
| ctrlnum | (OCoLC)1277018110 (DE-599)BVBBV047440253 |
| discipline | Musikwissenschaft |
| discipline_str_mv | Musikwissenschaft |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04924nam a2200673 c 4500</leader><controlfield tag="001">BV047440253</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20220819 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">210826s2022 a||| |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780367229856</subfield><subfield code="c">hbk</subfield><subfield code="9">978-0-367-22985-6</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781032042374</subfield><subfield code="c">pbk</subfield><subfield code="9">978-1-032-04237-4</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1277018110</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV047440253</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-20</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">MUS</subfield><subfield code="q">DE-12</subfield><subfield code="2">fid</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LS 20720</subfield><subfield code="0">(DE-625)109947:2164</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Alge, Barbara</subfield><subfield code="d">1981-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)137457367</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Gold, festivals, and music in southeast Brazil</subfield><subfield code="b">sounding Portugueseness</subfield><subfield code="c">Barbara Alge</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">London ; New York</subfield><subfield code="b">Routledge, Taylor & Francis Group</subfield><subfield code="c">2022</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">xi, 199 Seiten</subfield><subfield code="b">Illustrationen</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">SOAS studies in music</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Festivals and Music as Civilizing Forces in Colonial Minas -- History as Memory, Heritage and Brand in Morro Vermelho -- Sounding the Sacred and Civilized -- Sounding the Afro-Brazilian Resistance -- Conclusion : Sounding Portugueseness in Southeast Brazil</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"Gold, Festivals, and Music in Southeast Brazil: Sounding Portugueseness is a study of the musical legacy of the 18th century Brazilian gold rush that integrates ethnographic research of the main genres of former mining communities in Brazil -- from liturgical music in the style of European art music to Afro-Brazilian musical expressions. Its content and structure are informed by Norbert Elias' idea of the civilizing process, which is explored regarding its relevance in interpreting sociocultural processes and choreo-musical expressions in the small town Morro Vermelho. The book's innovative feature is its focus on a little-known area to non-Brazilian scholars,and its focus on the colonial and European heritage in Brazil. Morro Vermelho's cultural traditions have received relatively limited attention. The Catholic festival of Our Lady of Nazareth provides a setting for the documentation and analysis of the musical setting and is thus placed at the centre of the discussion. It leads through the vast writings on Brazilian identity and challenges the view on Brazilian-ness as constructed in terms of the mixing of races. Norbert Elias's concept of the "civilizing process" structures the book and is relevant for understanding the cultural sphere of the festival of Our Lady of Nazareth. The book combines discourses of Portugueseness with historical sources and observations from fieldwork and community building in the virtual world. The focus on the music to support social constructions of "Portugueseness" is supported with evidence from diverse data sources: music (literature and fieldwork recordings), original interviews, marketing materials and historical narratives. The combination of archival, ethnographic and bibliographic research methods attempts a seamless narrative. Its approach to fieldwork and frank reflections on the process and relevant issues help to contextualize the analyses and serve as useful advice for future researchers"--</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Einfluss</subfield><subfield code="0">(DE-588)4151276-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Fest</subfield><subfield code="0">(DE-588)4121260-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Brauch</subfield><subfield code="0">(DE-588)4008017-1</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Musik</subfield><subfield code="0">(DE-588)4040802-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Portugal</subfield><subfield code="0">(DE-588)4046843-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Afrika</subfield><subfield code="0">(DE-588)4000695-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Brasilien</subfield><subfield code="z">Südost</subfield><subfield code="0">(DE-588)4349007-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Music / Brazil, Southeast / 18th century / History and criticism</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Music / Brazil / Portuguese influences</subfield></datafield><datafield tag="653" ind1=" " ind2="1"><subfield code="a">Mary / Blessed Virgin, Saint / Feasts</subfield></datafield><datafield tag="653" ind1=" " ind2="1"><subfield code="a">Mary / Blessed Virgin, Saint</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Feasts for the Blessed Virgin Mary</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Music</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Music / Portuguese influences</subfield></datafield><datafield tag="653" ind1=" " ind2="2"><subfield code="a">Brazil</subfield></datafield><datafield tag="653" ind1=" " ind2="2"><subfield code="a">Southeast Brazil</subfield></datafield><datafield tag="653" ind1=" " ind2="4"><subfield code="a">1700-1799</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">Criticism, interpretation, etc</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Brasilien</subfield><subfield code="z">Südost</subfield><subfield code="0">(DE-588)4349007-4</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Fest</subfield><subfield code="0">(DE-588)4121260-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Brauch</subfield><subfield code="0">(DE-588)4008017-1</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Musik</subfield><subfield code="0">(DE-588)4040802-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="4"><subfield code="a">Einfluss</subfield><subfield code="0">(DE-588)4151276-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="5"><subfield code="a">Portugal</subfield><subfield code="0">(DE-588)4046843-4</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="6"><subfield code="a">Afrika</subfield><subfield code="0">(DE-588)4000695-5</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe, ebk.</subfield><subfield code="z">978-1-00-041477-6</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe</subfield><subfield code="z">978-0-429-27783-2</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung BSB München - ADAM Catalogue Enrichment</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032842439&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-032842439</subfield></datafield></record></collection> |
| geographic | Portugal (DE-588)4046843-4 gnd Afrika (DE-588)4000695-5 gnd Brasilien Südost (DE-588)4349007-4 gnd |
| geographic_facet | Portugal Afrika Brasilien Südost |
| id | DE-604.BV047440253 |
| illustrated | Illustrated |
| index_date | 2024-07-03T18:00:55Z |
| indexdate | 2024-07-10T09:12:13Z |
| institution | BVB |
| isbn | 9780367229856 9781032042374 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032842439 |
| oclc_num | 1277018110 |
| open_access_boolean | |
| owner | DE-12 DE-20 |
| owner_facet | DE-12 DE-20 |
| physical | xi, 199 Seiten Illustrationen |
| publishDate | 2022 |
| publishDateSearch | 2022 |
| publishDateSort | 2022 |
| publisher | Routledge, Taylor & Francis Group |
| record_format | marc |
| series2 | SOAS studies in music |
| spelling | Alge, Barbara 1981- Verfasser (DE-588)137457367 aut Gold, festivals, and music in southeast Brazil sounding Portugueseness Barbara Alge London ; New York Routledge, Taylor & Francis Group 2022 xi, 199 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier SOAS studies in music Festivals and Music as Civilizing Forces in Colonial Minas -- History as Memory, Heritage and Brand in Morro Vermelho -- Sounding the Sacred and Civilized -- Sounding the Afro-Brazilian Resistance -- Conclusion : Sounding Portugueseness in Southeast Brazil "Gold, Festivals, and Music in Southeast Brazil: Sounding Portugueseness is a study of the musical legacy of the 18th century Brazilian gold rush that integrates ethnographic research of the main genres of former mining communities in Brazil -- from liturgical music in the style of European art music to Afro-Brazilian musical expressions. Its content and structure are informed by Norbert Elias' idea of the civilizing process, which is explored regarding its relevance in interpreting sociocultural processes and choreo-musical expressions in the small town Morro Vermelho. The book's innovative feature is its focus on a little-known area to non-Brazilian scholars,and its focus on the colonial and European heritage in Brazil. Morro Vermelho's cultural traditions have received relatively limited attention. The Catholic festival of Our Lady of Nazareth provides a setting for the documentation and analysis of the musical setting and is thus placed at the centre of the discussion. It leads through the vast writings on Brazilian identity and challenges the view on Brazilian-ness as constructed in terms of the mixing of races. Norbert Elias's concept of the "civilizing process" structures the book and is relevant for understanding the cultural sphere of the festival of Our Lady of Nazareth. The book combines discourses of Portugueseness with historical sources and observations from fieldwork and community building in the virtual world. The focus on the music to support social constructions of "Portugueseness" is supported with evidence from diverse data sources: music (literature and fieldwork recordings), original interviews, marketing materials and historical narratives. The combination of archival, ethnographic and bibliographic research methods attempts a seamless narrative. Its approach to fieldwork and frank reflections on the process and relevant issues help to contextualize the analyses and serve as useful advice for future researchers"-- Einfluss (DE-588)4151276-5 gnd rswk-swf Fest (DE-588)4121260-5 gnd rswk-swf Brauch (DE-588)4008017-1 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Portugal (DE-588)4046843-4 gnd rswk-swf Afrika (DE-588)4000695-5 gnd rswk-swf Brasilien Südost (DE-588)4349007-4 gnd rswk-swf Music / Brazil, Southeast / 18th century / History and criticism Music / Brazil / Portuguese influences Mary / Blessed Virgin, Saint / Feasts Mary / Blessed Virgin, Saint Feasts for the Blessed Virgin Mary Music Music / Portuguese influences Brazil Southeast Brazil 1700-1799 Criticism, interpretation, etc Brasilien Südost (DE-588)4349007-4 g Fest (DE-588)4121260-5 s Brauch (DE-588)4008017-1 s Musik (DE-588)4040802-4 s Einfluss (DE-588)4151276-5 s Portugal (DE-588)4046843-4 g Afrika (DE-588)4000695-5 g DE-604 Erscheint auch als Online-Ausgabe, ebk. 978-1-00-041477-6 Erscheint auch als Online-Ausgabe 978-0-429-27783-2 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032842439&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Alge, Barbara 1981- Gold, festivals, and music in southeast Brazil sounding Portugueseness Festivals and Music as Civilizing Forces in Colonial Minas -- History as Memory, Heritage and Brand in Morro Vermelho -- Sounding the Sacred and Civilized -- Sounding the Afro-Brazilian Resistance -- Conclusion : Sounding Portugueseness in Southeast Brazil Einfluss (DE-588)4151276-5 gnd Fest (DE-588)4121260-5 gnd Brauch (DE-588)4008017-1 gnd Musik (DE-588)4040802-4 gnd |
| subject_GND | (DE-588)4151276-5 (DE-588)4121260-5 (DE-588)4008017-1 (DE-588)4040802-4 (DE-588)4046843-4 (DE-588)4000695-5 (DE-588)4349007-4 |
| title | Gold, festivals, and music in southeast Brazil sounding Portugueseness |
| title_auth | Gold, festivals, and music in southeast Brazil sounding Portugueseness |
| title_exact_search | Gold, festivals, and music in southeast Brazil sounding Portugueseness |
| title_exact_search_txtP | Gold, festivals, and music in southeast Brazil sounding Portugueseness |
| title_full | Gold, festivals, and music in southeast Brazil sounding Portugueseness Barbara Alge |
| title_fullStr | Gold, festivals, and music in southeast Brazil sounding Portugueseness Barbara Alge |
| title_full_unstemmed | Gold, festivals, and music in southeast Brazil sounding Portugueseness Barbara Alge |
| title_short | Gold, festivals, and music in southeast Brazil |
| title_sort | gold festivals and music in southeast brazil sounding portugueseness |
| title_sub | sounding Portugueseness |
| topic | Einfluss (DE-588)4151276-5 gnd Fest (DE-588)4121260-5 gnd Brauch (DE-588)4008017-1 gnd Musik (DE-588)4040802-4 gnd |
| topic_facet | Einfluss Fest Brauch Musik Portugal Afrika Brasilien Südost |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032842439&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT algebarbara goldfestivalsandmusicinsoutheastbrazilsoundingportugueseness |