Tragicomedy:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London
Methuen Drama
2021
|
| Schriftenreihe: | Forms of drama
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | xiii, 182 Seiten 15 Illustrationen und Portraits (schwarz-weiß) 20 cm |
| ISBN: | 9781350144309 9781350144316 |
Internformat
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Datensatz im Suchindex
| _version_ | 1804182731656003584 |
|---|---|
| adam_text | CONTENTS List of Illustrations viii Series Preface ix Acknowledgements xiv Introduction l 1 Tragicomedy’s Early Development 21 2 A Genre Established: Tragicomedy 1610-42 63 3 Restoration and Fall: Tragicomedy Restored 91 4 Modern Tragicomedy Notes 170 Works Cited 172 Index 178 137
This succinct, authoritative book offers readers an overview of the origins, characteristics and changing status of tragicomedy from the 17th century to the present. It explores the work of some of the key English and Irish playwrights associated with the form, the influence of Italian and Spanish theorist-playwrights and the importance of Pierre Corneille s Le Cid. At the turn of the 17th century. English dramatists such as John Marston, John Fletcher and William Shakespeare began experimenting with plays that mixed elements of tragedy and comedy, producing a blended mode that they themselves called tragicomedy . This book begins by examining the sources of their inspiration and the theatrical achievement that they hoped to gain by confronting an audience with ¡days that defied the plot and character expectations of pure comedy and tragedy. It goes on to show how. reacting to French models. John Dryden. Shakespeare improvers and other English playwrights developed the form while sowing the seeds of its own vulnerability to parody and obsolescence in the 18th century. Discussing 19th-century melodrama as in some respects a resurrection of tragicomedy, the final chapter concentrates on plays by Ibsen. Chekhov and Beckett as examples of the form being revived to create theatrical modes that more adequately represent the perceived complexity of experience.
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| adam_txt |
CONTENTS List of Illustrations viii Series Preface ix Acknowledgements xiv Introduction l 1 Tragicomedy’s Early Development 21 2 A Genre Established: Tragicomedy 1610-42 63 3 Restoration and Fall: Tragicomedy Restored 91 4 Modern Tragicomedy Notes 170 Works Cited 172 Index 178 137
This succinct, authoritative book offers readers an overview of the origins, characteristics and changing status of tragicomedy from the 17th century to the present. It explores the work of some of the key English and Irish playwrights associated with the form, the influence of Italian and Spanish theorist-playwrights and the importance of Pierre Corneille's Le Cid. At the turn of the 17th century. English dramatists such as John Marston, John Fletcher and William Shakespeare began experimenting with plays that mixed elements of tragedy and comedy, producing a blended mode that they themselves called 'tragicomedy'. This book begins by examining the sources of their inspiration and the theatrical achievement that they hoped to gain by confronting an audience with ¡days that defied the plot and character expectations of 'pure' comedy and tragedy. It goes on to show how. reacting to French models. John Dryden. Shakespeare 'improvers' and other English playwrights developed the form while sowing the seeds of its own vulnerability to parody and obsolescence in the 18th century. Discussing 19th-century melodrama as in some respects a resurrection of tragicomedy, the final chapter concentrates on plays by Ibsen. Chekhov and Beckett as examples of the form being revived to create theatrical modes that more adequately represent the perceived complexity of experience. |
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| discipline | Anglistik / Amerikanistik Literaturwissenschaft |
| discipline_str_mv | Anglistik / Amerikanistik Literaturwissenschaft |
| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Book |
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