Rock and rhapsodies: the music of Queen
"Rock and Rhapsodies is the first book-length musicological study of British rock band Queen. It primarily addresses the material written, recorded, and released between 1973 and 1991. The text provides readers with a nuanced analytical account of the group's songs and illuminates the vari...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York, NY
Oxford University Press
[2021]
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "Rock and Rhapsodies is the first book-length musicological study of British rock band Queen. It primarily addresses the material written, recorded, and released between 1973 and 1991. The text provides readers with a nuanced analytical account of the group's songs and illuminates the varied the stylistic and historical contexts in which Queen's music was created. The key conceptual basis for the analysis is an idiolect, which refers to the distinct musical style of a single artist. Having documented the key features of Queen's idiolect, the book further explores the nature of specific musical characteristic and uses them to respond to a range of wider analytical and discursive issues as pertaining to style, genre, form, time, voice, and historiography. Rock and Rhapsodies comprises twelve chapters. The introduction documents Queen's place in scholarly literature and unfolds the principal analytical methodology. The following three chapters address the structural details of Queen's idiolect and songs, before analyzing the voices of Queen's singers. The vocal techniques are related to discourses of authenticity and, in the case of Freddie Mercury, the queer voice. The five subsequent chapters identify the changing and myriad stylistic influences on Queen, as well as relate the band to the major rock movements of the 1970s: hard, glam, and progressive. The final chapter explores the replacement singers, Queen in wider popular media, and the influence of the band, since Mercury's death in 1991"-- |
| Beschreibung: | xiv, 304 Seiten Illustrationen, Notenbeispiele |
| ISBN: | 9780197526743 9780197526736 |
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| 520 | 3 | |a "Rock and Rhapsodies is the first book-length musicological study of British rock band Queen. It primarily addresses the material written, recorded, and released between 1973 and 1991. The text provides readers with a nuanced analytical account of the group's songs and illuminates the varied the stylistic and historical contexts in which Queen's music was created. The key conceptual basis for the analysis is an idiolect, which refers to the distinct musical style of a single artist. Having documented the key features of Queen's idiolect, the book further explores the nature of specific musical characteristic and uses them to respond to a range of wider analytical and discursive issues as pertaining to style, genre, form, time, voice, and historiography. Rock and Rhapsodies comprises twelve chapters. The introduction documents Queen's place in scholarly literature and unfolds the principal analytical methodology. The following three chapters address the structural details of Queen's idiolect and songs, before analyzing the voices of Queen's singers. The vocal techniques are related to discourses of authenticity and, in the case of Freddie Mercury, the queer voice. The five subsequent chapters identify the changing and myriad stylistic influences on Queen, as well as relate the band to the major rock movements of the 1970s: hard, glam, and progressive. The final chapter explores the replacement singers, Queen in wider popular media, and the influence of the band, since Mercury's death in 1991"-- | |
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Datensatz im Suchindex
| _version_ | 1804182729402613760 |
|---|---|
| adam_text | Contents Listof Figures List of Tables Acknowledgements Notes on Musical Examples 1. Introduction The Book The Study of Queen Issues of Style 2. Queen’s Idiolect: A Primer Harmonic Structure and Gestures Textural Foundations and the Sound-Box Arrangement and Performance Gestures Sounds like Queen, and Other Conclusions 3. Artistic Craft and Crafted Artistry: Queen’s Structural Archetypes Introduction and Definitions Conventional Forms Variations on Conventional Forms Episodic Songs Artistic Craft and Crafted Artistry 4. Temporal Processes in Queen’s Large-Scale Songs Time and Popular Song Phrase and Intra-Sectional Linearity Sectional Temporality Closure Queen’s Temporal Processes and Exceptions 5. Brian May and Roger Taylor Analysingthe Voice The Voices of Brian May and Roger Taylor May, Taylor, and Rock Authenticity 6. Freddie Mercury The Voices Structural Dynamics Stylistic Incongruities, Queerand Camp Voices, and the ‘Real’ Freddie Mercury, Rock Authenticity, and Interpretation Coda vii xi xiii xv 1 1 5 б 18 20 27 35 39 42 42 44 49 54 60 65 65 69 73 77 86 93 93 96 101 107 107 113 118 128 136
vi Contents 7. Hard Rock, Glam Rock, and Progressive Rock in the 1970s Commentary and Conceptual Considerations Queen’s ‘Dominant Voice’: The Hard Rock Connection The Glam Rock Connection: Exaggeration, Irony, and Play Progressive Rock and Interplay 8. The Musical World(s) of Queen 139 139 144 153 161 174 A ‘Unique’ Sonic Fingerprint and Pastiche In the 1970s Queen’s Sonic Patterns and Stylistic Connections The Musical World(s) of Queen 174 178 186 9. A Dayat the Races and the Gestural Unity of Queen 190 Queen in 1976 and the Ideal of Evolution The Notion of Gestural Unity: Idiolect Revisited A Day at the Races The Gestural Unity of Queen 10. Was It All Worth It? Queen in the 1980s A Decade of Changing Fortunes From‘Save Me’to‘Staying Power’ The Rock Ballads Revisited Hard Rock by Numbers Was It All Worth It? 11. Queen’s Jubilee: The Late Style of Innuendo Introduction ‘Innuendo’ ‘The Show Must Go On’ A Late Style of Queen 12. Legacy Post-1991 Replacing Freddie ‘No One But You’ We Will Rock You The Influence of Queen The End of the Story Appendix Notes Bibliography Index 190 193 197 206 209 209 210 216 224 228 232 232 233 238 240 244 244 244 252 254 257 265 271 277 285 299
|
| adam_txt |
Contents Listof Figures List of Tables Acknowledgements Notes on Musical Examples 1. Introduction The Book The Study of Queen Issues of Style 2. Queen’s Idiolect: A Primer Harmonic Structure and Gestures Textural Foundations and the Sound-Box Arrangement and Performance Gestures Sounds like Queen, and Other Conclusions 3. Artistic Craft and Crafted Artistry: Queen’s Structural Archetypes Introduction and Definitions Conventional Forms Variations on Conventional Forms Episodic Songs Artistic Craft and Crafted Artistry 4. Temporal Processes in Queen’s Large-Scale Songs Time and Popular Song Phrase and Intra-Sectional Linearity Sectional Temporality Closure Queen’s Temporal Processes and Exceptions 5. Brian May and Roger Taylor Analysingthe Voice The Voices of Brian May and Roger Taylor May, Taylor, and Rock Authenticity 6. Freddie Mercury The Voices Structural Dynamics Stylistic Incongruities, Queerand Camp Voices, and the ‘Real’ Freddie Mercury, Rock Authenticity, and Interpretation Coda vii xi xiii xv 1 1 5 б 18 20 27 35 39 42 42 44 49 54 60 65 65 69 73 77 86 93 93 96 101 107 107 113 118 128 136
vi Contents 7. Hard Rock, Glam Rock, and Progressive Rock in the 1970s Commentary and Conceptual Considerations Queen’s ‘Dominant Voice’: The Hard Rock Connection The Glam Rock Connection: Exaggeration, Irony, and Play Progressive Rock and Interplay 8. The Musical World(s) of Queen 139 139 144 153 161 174 A ‘Unique’ Sonic Fingerprint and Pastiche In the 1970s Queen’s Sonic Patterns and Stylistic Connections The Musical World(s) of Queen 174 178 186 9. A Dayat the Races and the Gestural Unity of Queen 190 Queen in 1976 and the Ideal of Evolution The Notion of Gestural Unity: Idiolect Revisited A Day at the Races The Gestural Unity of Queen 10. Was It All Worth It? Queen in the 1980s A Decade of Changing Fortunes From‘Save Me’to‘Staying Power’ The Rock Ballads Revisited Hard Rock by Numbers Was It All Worth It? 11. Queen’s Jubilee: The Late Style of Innuendo Introduction ‘Innuendo’ ‘The Show Must Go On’ A Late Style of Queen 12. Legacy Post-1991 Replacing Freddie ‘No One But You’ We Will Rock You The Influence of Queen The End of the Story Appendix Notes Bibliography Index 190 193 197 206 209 209 210 216 224 228 232 232 233 238 240 244 244 244 252 254 257 265 271 277 285 299 |
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| spelling | Braae, Nick Verfasser (DE-588)1077920733 aut Rock and rhapsodies the music of Queen Nick Braae Rock & rhapsodies New York, NY Oxford University Press [2021] © 2021 xiv, 304 Seiten Illustrationen, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier "Rock and Rhapsodies is the first book-length musicological study of British rock band Queen. It primarily addresses the material written, recorded, and released between 1973 and 1991. The text provides readers with a nuanced analytical account of the group's songs and illuminates the varied the stylistic and historical contexts in which Queen's music was created. The key conceptual basis for the analysis is an idiolect, which refers to the distinct musical style of a single artist. Having documented the key features of Queen's idiolect, the book further explores the nature of specific musical characteristic and uses them to respond to a range of wider analytical and discursive issues as pertaining to style, genre, form, time, voice, and historiography. Rock and Rhapsodies comprises twelve chapters. The introduction documents Queen's place in scholarly literature and unfolds the principal analytical methodology. The following three chapters address the structural details of Queen's idiolect and songs, before analyzing the voices of Queen's singers. The vocal techniques are related to discourses of authenticity and, in the case of Freddie Mercury, the queer voice. The five subsequent chapters identify the changing and myriad stylistic influences on Queen, as well as relate the band to the major rock movements of the 1970s: hard, glam, and progressive. The final chapter explores the replacement singers, Queen in wider popular media, and the influence of the band, since Mercury's death in 1991"-- Queen Musikgruppe (DE-588)1216393-4 gnd rswk-swf Geschichte 1973-1991 gnd rswk-swf Song (DE-588)4138544-5 gnd rswk-swf Queen (Musical group) Rock music / 1971-1980 / Analysis, appreciation Rock music / 1981-1990 / Analysis, appreciation Rock music / 1971-1980 / History and criticism Rock music / 1981-1990 / History and criticism Rock music Rock music / Analysis, appreciation 1971-1990 Criticism, interpretation, etc (DE-588)4113937-9 Hochschulschrift gnd-content Queen Musikgruppe (DE-588)1216393-4 b Song (DE-588)4138544-5 s Geschichte 1973-1991 z DE-604 Erscheint auch als Online-Ausgabe 978-0-19-752676-7 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032840834&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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| title | Rock and rhapsodies the music of Queen |
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| title_full | Rock and rhapsodies the music of Queen Nick Braae |
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