Gender, performance, and authorship at the Abbey theatre:
"Gender, Performance, and Authorship offers a different way to consider the creation of the major characters of the Abbey, holding the lines between writing and performing up to scrutiny, and ending with a connection between theatrical and film performance. The book challenges the way that auth...
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Oxford ; New York
Oxford University Press
2021
|
Ausgabe: | First edition |
Schlagworte: | |
Zusammenfassung: | "Gender, Performance, and Authorship offers a different way to consider the creation of the major characters of the Abbey, holding the lines between writing and performing up to scrutiny, and ending with a connection between theatrical and film performance. The book challenges the way that authorship and ownership have been defined as far back as the earliest productions at the Abbey, offering a redefinition of authorship and gender in these plays that reveals the influence and unheralded power of actresses at the Abbey. The book begins with Yeats's collaboration with Laura Armstrong in his earliest plays, his work with Maud Gonne on both The Countess Cathleen and Cathleen ni Houlihan, and then discusses Synge's productive work with Molly Allgood (stage name Maire O'Neill) first in The Playboy of the Western World and then in Deirdre of the Sorrows, a play she helped complete after his death. A chapter on the six women necessary to the creation of Yeats's Deirdre follows, before an Epilogue exploring connections between the tableau movement, the Abbey Theatre, and Sara Allgood's film work"-- |
Beschreibung: | xxvii, 201 Seiten Illustrationen |
ISBN: | 9780192896346 |
Internformat
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520 | 3 | |a "Gender, Performance, and Authorship offers a different way to consider the creation of the major characters of the Abbey, holding the lines between writing and performing up to scrutiny, and ending with a connection between theatrical and film performance. The book challenges the way that authorship and ownership have been defined as far back as the earliest productions at the Abbey, offering a redefinition of authorship and gender in these plays that reveals the influence and unheralded power of actresses at the Abbey. The book begins with Yeats's collaboration with Laura Armstrong in his earliest plays, his work with Maud Gonne on both The Countess Cathleen and Cathleen ni Houlihan, and then discusses Synge's productive work with Molly Allgood (stage name Maire O'Neill) first in The Playboy of the Western World and then in Deirdre of the Sorrows, a play she helped complete after his death. A chapter on the six women necessary to the creation of Yeats's Deirdre follows, before an Epilogue exploring connections between the tableau movement, the Abbey Theatre, and Sara Allgood's film work"-- | |
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Datensatz im Suchindex
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adam_txt | |
any_adam_object | |
any_adam_object_boolean | |
author | Redwine, Elizabeth Brewer |
author_GND | (DE-588)1236865987 |
author_facet | Redwine, Elizabeth Brewer |
author_role | aut |
author_sort | Redwine, Elizabeth Brewer |
author_variant | e b r eb ebr |
building | Verbundindex |
bvnumber | BV047432238 |
classification_rvk | HG 626 HG 127 AP 64931 |
ctrlnum | (OCoLC)1257888560 (DE-599)KXP1752812255 |
discipline | Allgemeines Anglistik / Amerikanistik |
discipline_str_mv | Allgemeines Anglistik / Amerikanistik |
edition | First edition |
format | Book |
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id | DE-604.BV047432238 |
illustrated | Illustrated |
index_date | 2024-07-03T17:58:44Z |
indexdate | 2024-07-10T09:12:00Z |
institution | BVB |
isbn | 9780192896346 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032834681 |
oclc_num | 1257888560 |
open_access_boolean | |
owner | DE-188 |
owner_facet | DE-188 |
physical | xxvii, 201 Seiten Illustrationen |
publishDate | 2021 |
publishDateSearch | 2021 |
publishDateSort | 2021 |
publisher | Oxford University Press |
record_format | marc |
spelling | Redwine, Elizabeth Brewer Verfasser (DE-588)1236865987 aut Gender, performance, and authorship at the Abbey theatre Elizabeth Brewer Redwine First edition Oxford ; New York Oxford University Press 2021 xxvii, 201 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier "Gender, Performance, and Authorship offers a different way to consider the creation of the major characters of the Abbey, holding the lines between writing and performing up to scrutiny, and ending with a connection between theatrical and film performance. The book challenges the way that authorship and ownership have been defined as far back as the earliest productions at the Abbey, offering a redefinition of authorship and gender in these plays that reveals the influence and unheralded power of actresses at the Abbey. The book begins with Yeats's collaboration with Laura Armstrong in his earliest plays, his work with Maud Gonne on both The Countess Cathleen and Cathleen ni Houlihan, and then discusses Synge's productive work with Molly Allgood (stage name Maire O'Neill) first in The Playboy of the Western World and then in Deirdre of the Sorrows, a play she helped complete after his death. A chapter on the six women necessary to the creation of Yeats's Deirdre follows, before an Epilogue exploring connections between the tableau movement, the Abbey Theatre, and Sara Allgood's film work"-- Abbey Theatre (DE-588)5532414-9 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Geschlechterrolle (DE-588)4071776-8 gnd rswk-swf Drama (DE-588)4012899-4 gnd rswk-swf Abbey Theatre (DE-588)5532414-9 b Drama (DE-588)4012899-4 s Film (DE-588)4017102-4 s Geschlechterrolle (DE-588)4071776-8 s DE-604 |
spellingShingle | Redwine, Elizabeth Brewer Gender, performance, and authorship at the Abbey theatre Abbey Theatre (DE-588)5532414-9 gnd Film (DE-588)4017102-4 gnd Geschlechterrolle (DE-588)4071776-8 gnd Drama (DE-588)4012899-4 gnd |
subject_GND | (DE-588)5532414-9 (DE-588)4017102-4 (DE-588)4071776-8 (DE-588)4012899-4 |
title | Gender, performance, and authorship at the Abbey theatre |
title_auth | Gender, performance, and authorship at the Abbey theatre |
title_exact_search | Gender, performance, and authorship at the Abbey theatre |
title_exact_search_txtP | Gender, performance, and authorship at the Abbey theatre |
title_full | Gender, performance, and authorship at the Abbey theatre Elizabeth Brewer Redwine |
title_fullStr | Gender, performance, and authorship at the Abbey theatre Elizabeth Brewer Redwine |
title_full_unstemmed | Gender, performance, and authorship at the Abbey theatre Elizabeth Brewer Redwine |
title_short | Gender, performance, and authorship at the Abbey theatre |
title_sort | gender performance and authorship at the abbey theatre |
topic | Abbey Theatre (DE-588)5532414-9 gnd Film (DE-588)4017102-4 gnd Geschlechterrolle (DE-588)4071776-8 gnd Drama (DE-588)4012899-4 gnd |
topic_facet | Abbey Theatre Film Geschlechterrolle Drama |
work_keys_str_mv | AT redwineelizabethbrewer genderperformanceandauthorshipattheabbeytheatre |