Samuel Beckett and the visual arts:
Machine generated contents note: Introduction: Beckett and the Image; 1. A Poetics of the Image: Paris and Dublin 1929-1932; 2. The Politics of the Image: Dublin, Paris, London 1931-1936; 3. Beckett's German Renaissance; 4. 'Terrifying Materiality': Watteau, Yeats, Picasso, Duchamp; 5...
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Cambridge ; New York, NY ; Port Melbourne ; Delhi ; Singapore
Cambridge University Press
2021
|
Ausgabe: | First paperback edition |
Schlagworte: | |
Zusammenfassung: | Machine generated contents note: Introduction: Beckett and the Image; 1. A Poetics of the Image: Paris and Dublin 1929-1932; 2. The Politics of the Image: Dublin, Paris, London 1931-1936; 3. Beckett's German Renaissance; 4. 'Terrifying Materiality': Watteau, Yeats, Picasso, Duchamp; 5. Impossible Image: Watt and Failed Ekphrasis; 6. From Bram van Velde to The Unnamable; 7. 'Sordid Abstraction': Prose, Plays, Paintings "Samuel Beckett and the Visual Arts is the first book to comprehensively assess Beckett's knowledge of art, art history and art criticism. In his lifetime Beckett thought deeply about visual culture from ancient Egyptian statuary to Dutch realism, from Quattrocento painting to the modernists and after. Drawing on a wide range of published and unpublished sources, this book traces in forensic detail the development of Beckett's understanding of painting in particular, as that understanding developed from the late 1920s to the 1970s. In doing so it demonstrates that Beckett's thinking about art and aesthetics radically changes in the course of his life, often directly responding to the intellectual and historical contexts in which he found himself. Moving fluently between art history, philosophy, literary analysis and historical context, Samuel Beckett and the Visual Arts rethinks the trajectory of Beckett's career, and reorients his relationship to modernism, late modernism and the avant-gardes"-- |
Beschreibung: | ix, 265 Seiten Illustrationen 24 cm |
ISBN: | 9781108436373 |
Internformat
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035 | |a (OCoLC)1268195544 | ||
035 | |a (DE-599)BVBBV047430266 | ||
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041 | 0 | |a eng | |
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245 | 1 | 0 | |a Samuel Beckett and the visual arts |c Conor Carville, University of Reading |
250 | |a First paperback edition | ||
264 | 1 | |a Cambridge ; New York, NY ; Port Melbourne ; Delhi ; Singapore |b Cambridge University Press |c 2021 | |
300 | |a ix, 265 Seiten |b Illustrationen |c 24 cm | ||
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
520 | 3 | |a Machine generated contents note: Introduction: Beckett and the Image; 1. A Poetics of the Image: Paris and Dublin 1929-1932; 2. The Politics of the Image: Dublin, Paris, London 1931-1936; 3. Beckett's German Renaissance; 4. 'Terrifying Materiality': Watteau, Yeats, Picasso, Duchamp; 5. Impossible Image: Watt and Failed Ekphrasis; 6. From Bram van Velde to The Unnamable; 7. 'Sordid Abstraction': Prose, Plays, Paintings | |
520 | 3 | |a "Samuel Beckett and the Visual Arts is the first book to comprehensively assess Beckett's knowledge of art, art history and art criticism. In his lifetime Beckett thought deeply about visual culture from ancient Egyptian statuary to Dutch realism, from Quattrocento painting to the modernists and after. Drawing on a wide range of published and unpublished sources, this book traces in forensic detail the development of Beckett's understanding of painting in particular, as that understanding developed from the late 1920s to the 1970s. In doing so it demonstrates that Beckett's thinking about art and aesthetics radically changes in the course of his life, often directly responding to the intellectual and historical contexts in which he found himself. Moving fluently between art history, philosophy, literary analysis and historical context, Samuel Beckett and the Visual Arts rethinks the trajectory of Beckett's career, and reorients his relationship to modernism, late modernism and the avant-gardes"-- | |
600 | 1 | 7 | |a Beckett, Samuel |d 1906-1989 |0 (DE-588)118508172 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Kunst |0 (DE-588)4114333-4 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Kunstkritik |0 (DE-588)4033659-1 |2 gnd |9 rswk-swf |
653 | 1 | |a Beckett, Samuel 1906-1989 / Knowledge / Art | |
653 | 0 | |a Art and literature / History / 20th century / Ireland | |
653 | 0 | |a Arts, Modern / 20th century | |
689 | 0 | 0 | |a Beckett, Samuel |d 1906-1989 |0 (DE-588)118508172 |D p |
689 | 0 | 1 | |a Kunst |0 (DE-588)4114333-4 |D s |
689 | 0 | 2 | |a Kunstkritik |0 (DE-588)4033659-1 |D s |
689 | 0 | |5 DE-604 | |
775 | 0 | 8 | |i Äquivalent |d 2018 |n Druck-Ausgabe, Hardcover |z 978-1-108-42277-2 |
776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe |z 978-1-108-39985-2 |
776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe |z 978-1-108-52755-2 |
999 | |a oai:aleph.bib-bvb.de:BVB01-032832754 |
Datensatz im Suchindex
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adam_txt | |
any_adam_object | |
any_adam_object_boolean | |
author | Carville, Conor 1967- |
author_GND | (DE-588)1045053597 |
author_facet | Carville, Conor 1967- |
author_role | aut |
author_sort | Carville, Conor 1967- |
author_variant | c c cc |
building | Verbundindex |
bvnumber | BV047430266 |
callnumber-first | P - Language and Literature |
callnumber-label | PR6003 |
callnumber-raw | PR6003.E282 |
callnumber-search | PR6003.E282 |
callnumber-sort | PR 46003 E282 |
callnumber-subject | PR - English Literature |
classification_rvk | IH 15721 |
ctrlnum | (OCoLC)1268195544 (DE-599)BVBBV047430266 |
dewey-full | 848.91409 |
dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
dewey-ones | 848 - French miscellaneous writings |
dewey-raw | 848.91409 |
dewey-search | 848.91409 |
dewey-sort | 3848.91409 |
dewey-tens | 840 - Literatures of Romance languages |
discipline | Romanistik |
discipline_str_mv | Romanistik |
edition | First paperback edition |
format | Book |
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id | DE-604.BV047430266 |
illustrated | Illustrated |
index_date | 2024-07-03T17:58:16Z |
indexdate | 2024-07-10T09:11:57Z |
institution | BVB |
isbn | 9781108436373 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032832754 |
oclc_num | 1268195544 |
open_access_boolean | |
owner | DE-355 DE-BY-UBR DE-824 DE-12 |
owner_facet | DE-355 DE-BY-UBR DE-824 DE-12 |
physical | ix, 265 Seiten Illustrationen 24 cm |
publishDate | 2021 |
publishDateSearch | 2021 |
publishDateSort | 2021 |
publisher | Cambridge University Press |
record_format | marc |
spelling | Carville, Conor 1967- Verfasser (DE-588)1045053597 aut Samuel Beckett and the visual arts Conor Carville, University of Reading First paperback edition Cambridge ; New York, NY ; Port Melbourne ; Delhi ; Singapore Cambridge University Press 2021 ix, 265 Seiten Illustrationen 24 cm txt rdacontent n rdamedia nc rdacarrier Machine generated contents note: Introduction: Beckett and the Image; 1. A Poetics of the Image: Paris and Dublin 1929-1932; 2. The Politics of the Image: Dublin, Paris, London 1931-1936; 3. Beckett's German Renaissance; 4. 'Terrifying Materiality': Watteau, Yeats, Picasso, Duchamp; 5. Impossible Image: Watt and Failed Ekphrasis; 6. From Bram van Velde to The Unnamable; 7. 'Sordid Abstraction': Prose, Plays, Paintings "Samuel Beckett and the Visual Arts is the first book to comprehensively assess Beckett's knowledge of art, art history and art criticism. In his lifetime Beckett thought deeply about visual culture from ancient Egyptian statuary to Dutch realism, from Quattrocento painting to the modernists and after. Drawing on a wide range of published and unpublished sources, this book traces in forensic detail the development of Beckett's understanding of painting in particular, as that understanding developed from the late 1920s to the 1970s. In doing so it demonstrates that Beckett's thinking about art and aesthetics radically changes in the course of his life, often directly responding to the intellectual and historical contexts in which he found himself. Moving fluently between art history, philosophy, literary analysis and historical context, Samuel Beckett and the Visual Arts rethinks the trajectory of Beckett's career, and reorients his relationship to modernism, late modernism and the avant-gardes"-- Beckett, Samuel 1906-1989 (DE-588)118508172 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Kunstkritik (DE-588)4033659-1 gnd rswk-swf Beckett, Samuel 1906-1989 / Knowledge / Art Art and literature / History / 20th century / Ireland Arts, Modern / 20th century Beckett, Samuel 1906-1989 (DE-588)118508172 p Kunst (DE-588)4114333-4 s Kunstkritik (DE-588)4033659-1 s DE-604 Äquivalent 2018 Druck-Ausgabe, Hardcover 978-1-108-42277-2 Erscheint auch als Online-Ausgabe 978-1-108-39985-2 Erscheint auch als Online-Ausgabe 978-1-108-52755-2 |
spellingShingle | Carville, Conor 1967- Samuel Beckett and the visual arts Beckett, Samuel 1906-1989 (DE-588)118508172 gnd Kunst (DE-588)4114333-4 gnd Kunstkritik (DE-588)4033659-1 gnd |
subject_GND | (DE-588)118508172 (DE-588)4114333-4 (DE-588)4033659-1 |
title | Samuel Beckett and the visual arts |
title_auth | Samuel Beckett and the visual arts |
title_exact_search | Samuel Beckett and the visual arts |
title_exact_search_txtP | Samuel Beckett and the visual arts |
title_full | Samuel Beckett and the visual arts Conor Carville, University of Reading |
title_fullStr | Samuel Beckett and the visual arts Conor Carville, University of Reading |
title_full_unstemmed | Samuel Beckett and the visual arts Conor Carville, University of Reading |
title_short | Samuel Beckett and the visual arts |
title_sort | samuel beckett and the visual arts |
topic | Beckett, Samuel 1906-1989 (DE-588)118508172 gnd Kunst (DE-588)4114333-4 gnd Kunstkritik (DE-588)4033659-1 gnd |
topic_facet | Beckett, Samuel 1906-1989 Kunst Kunstkritik |
work_keys_str_mv | AT carvilleconor samuelbeckettandthevisualarts |