Alleviative Objects: Intersectional Entanglement and Progressive Racism in Caribbean Art
The global field of contemporary art is shaped by inter-racial conflicts. Alleviative Objects approaches Caribbean art through intersectional entanglements and combines decolonial epistemologies with critical whiteness studies and affect theory in order to rethink 'Euro- and U.S.-centric'...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Bielefeld
transcript Verlag
2020
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| Ausgabe: | 1st ed |
| Schriftenreihe: | Postcolonial Studies
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| Schlagworte: | |
| Online-Zugang: | DE-B1533 DE-1052 DE-860 DE-859 Volltext |
| Zusammenfassung: | The global field of contemporary art is shaped by inter-racial conflicts. Alleviative Objects approaches Caribbean art through intersectional entanglements and combines decolonial epistemologies with critical whiteness studies and affect theory in order to rethink 'Euro- and U.S.-centric' perspectives on art, race, and class. David Frohnapfel shows how progressive racism in the discourse on Haitian art recenters Whiteness by performing benign, innocent, and heroic identifications with the artist group Atis Rezistans. While the study turns critically towards Whiteness, it also turns away from it and towards the compelling contributions of Haitian curators and artists to the decentralization of contemporary art Besprochen in: https://networks.h-net.org, 20.11.2020, Marlene Daut |
| Beschreibung: | 1 Online-Ressource (318 Seiten) 40 SW-Abbildungen |
| ISBN: | 9783839455920 |
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| indexdate | 2024-11-07T07:07:14Z |
| institution | BVB |
| isbn | 9783839455920 |
| language | English |
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| series2 | Postcolonial Studies |
| spelling | Frohnapfel, DavidXXuFreie Universität Berlin, Deutschland Verfasser aut Alleviative Objects Intersectional Entanglement and Progressive Racism in Caribbean Art David Frohnapfel 1st ed Bielefeld transcript Verlag 2020 1 Online-Ressource (318 Seiten) 40 SW-Abbildungen txt rdacontent c rdamedia cr rdacarrier Postcolonial Studies The global field of contemporary art is shaped by inter-racial conflicts. Alleviative Objects approaches Caribbean art through intersectional entanglements and combines decolonial epistemologies with critical whiteness studies and affect theory in order to rethink 'Euro- and U.S.-centric' perspectives on art, race, and class. David Frohnapfel shows how progressive racism in the discourse on Haitian art recenters Whiteness by performing benign, innocent, and heroic identifications with the artist group Atis Rezistans. While the study turns critically towards Whiteness, it also turns away from it and towards the compelling contributions of Haitian curators and artists to the decentralization of contemporary art Besprochen in: https://networks.h-net.org, 20.11.2020, Marlene Daut Contemporary Art; Haiti; Caribbean; Socially-engaged Art; Installation Art; Racism; Whiteness; Decoloniality; Intersectionality; Affect; Museum; Art; Postcolonialism; South American Art; Cultural Anthropology; Museology; Cultural Studies https://elibrary.utb.de/doi/book/10.5555/9783839455920 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Frohnapfel, DavidXXuFreie Universität Berlin, Deutschland Alleviative Objects Intersectional Entanglement and Progressive Racism in Caribbean Art Contemporary Art; Haiti; Caribbean; Socially-engaged Art; Installation Art; Racism; Whiteness; Decoloniality; Intersectionality; Affect; Museum; Art; Postcolonialism; South American Art; Cultural Anthropology; Museology; Cultural Studies |
| title | Alleviative Objects Intersectional Entanglement and Progressive Racism in Caribbean Art |
| title_auth | Alleviative Objects Intersectional Entanglement and Progressive Racism in Caribbean Art |
| title_exact_search | Alleviative Objects Intersectional Entanglement and Progressive Racism in Caribbean Art |
| title_exact_search_txtP | Alleviative Objects Intersectional Entanglement and Progressive Racism in Caribbean Art |
| title_full | Alleviative Objects Intersectional Entanglement and Progressive Racism in Caribbean Art David Frohnapfel |
| title_fullStr | Alleviative Objects Intersectional Entanglement and Progressive Racism in Caribbean Art David Frohnapfel |
| title_full_unstemmed | Alleviative Objects Intersectional Entanglement and Progressive Racism in Caribbean Art David Frohnapfel |
| title_short | Alleviative Objects |
| title_sort | alleviative objects intersectional entanglement and progressive racism in caribbean art |
| title_sub | Intersectional Entanglement and Progressive Racism in Caribbean Art |
| topic | Contemporary Art; Haiti; Caribbean; Socially-engaged Art; Installation Art; Racism; Whiteness; Decoloniality; Intersectionality; Affect; Museum; Art; Postcolonialism; South American Art; Cultural Anthropology; Museology; Cultural Studies |
| topic_facet | Contemporary Art; Haiti; Caribbean; Socially-engaged Art; Installation Art; Racism; Whiteness; Decoloniality; Intersectionality; Affect; Museum; Art; Postcolonialism; South American Art; Cultural Anthropology; Museology; Cultural Studies |
| url | https://elibrary.utb.de/doi/book/10.5555/9783839455920 |
| work_keys_str_mv | AT frohnapfeldavidxxufreieuniversitatberlindeutschland alleviativeobjectsintersectionalentanglementandprogressiveracismincaribbeanart |