Still-life as portrait in early modern Italy: Baschenis, Bettera, and the painting of cultural identity
Still-Life as Portrait in Early Modern Italy centers on the still-life compositions created by Evaristo Baschenis and Bartolomeo Bettera, two 17th-century painters living and working in the Italian city of Bergamo. This highly original study explores how these paintings form a dynamic network in whi...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Amsterdam
Amsterdam University Press B.V.
2019
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| Schriftenreihe: | Visual and material culture, 1300-1700
10 |
| Schlagworte: | |
| Online-Zugang: | DE-12 DE-473 Volltext |
| Zusammenfassung: | Still-Life as Portrait in Early Modern Italy centers on the still-life compositions created by Evaristo Baschenis and Bartolomeo Bettera, two 17th-century painters living and working in the Italian city of Bergamo. This highly original study explores how these paintings form a dynamic network in which artworks, musical instruments, books, and scientific apparatuses constitute links to a dazzling range of figures and sources of knowledge. Putting into circulation a wealth of cultural information and ideas and mapping a complex web of social and intellectual relations, these works paint a portrait of both their creators and their patrons, while enacting a lively debate among humanist thinkers, aristocrats, politicians, and artists. The unique contribution of this groundbreaking study is that it identifies for the first time these intellectually rich concepts that arise from these fascinating still-life paintings, a genre considered as "low". Engaging with literary blockbusters and banned books, theatrical artifice and music, and staging a war among the arts, Baschenis and Bettera capture the latest social intrigues, political rivalries, intellectual challenges, and scientific innovations of their time. In doing so, they structure an unstable economy of social, aesthetic, and political values that questions the notion of absolute truth, while probing the distinctions between life and artifice, meaningless marks and meaningful signs |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 23 Jun 2021) 1. Introduction -- - 2. Still-Life as Cutlure -- - 3. Keeping Score: Painting Music -- - Banned Books and Blockbusters -- - A Double Act: Still-Life and Theatre -- - 6. Paragone: May the Best Art Win -- - 7. Conclusion |
| Beschreibung: | 1 Online-Ressource (303 Seiten) |
| ISBN: | 9789048541133 |
| DOI: | 10.1017/9789048541133 |
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| 520 | |a Still-Life as Portrait in Early Modern Italy centers on the still-life compositions created by Evaristo Baschenis and Bartolomeo Bettera, two 17th-century painters living and working in the Italian city of Bergamo. This highly original study explores how these paintings form a dynamic network in which artworks, musical instruments, books, and scientific apparatuses constitute links to a dazzling range of figures and sources of knowledge. Putting into circulation a wealth of cultural information and ideas and mapping a complex web of social and intellectual relations, these works paint a portrait of both their creators and their patrons, while enacting a lively debate among humanist thinkers, aristocrats, politicians, and artists. The unique contribution of this groundbreaking study is that it identifies for the first time these intellectually rich concepts that arise from these fascinating still-life paintings, a genre considered as "low". Engaging with literary blockbusters and banned books, theatrical artifice and music, and staging a war among the arts, Baschenis and Bettera capture the latest social intrigues, political rivalries, intellectual challenges, and scientific innovations of their time. In doing so, they structure an unstable economy of social, aesthetic, and political values that questions the notion of absolute truth, while probing the distinctions between life and artifice, meaningless marks and meaningful signs | ||
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| author | Lev-er, Ornat ca. 20./21. Jh |
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| dewey-search | 758.40945 |
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| discipline | Kunstgeschichte |
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| doi_str_mv | 10.1017/9789048541133 |
| era | Geschichte 1600-1700 gnd |
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| index_date | 2024-07-03T17:58:03Z |
| indexdate | 2025-01-02T21:10:29Z |
| institution | BVB |
| isbn | 9789048541133 |
| language | English |
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| spelling | Lev-er, Ornat ca. 20./21. Jh. (DE-588)1185423834 aut Still-life as portrait in early modern Italy Baschenis, Bettera, and the painting of cultural identity Ornat Lev-er Amsterdam Amsterdam University Press B.V. 2019 1 Online-Ressource (303 Seiten) txt rdacontent c rdamedia cr rdacarrier Visual and material culture, 1300-1700 10 Title from publisher's bibliographic system (viewed on 23 Jun 2021) 1. Introduction -- - 2. Still-Life as Cutlure -- - 3. Keeping Score: Painting Music -- - Banned Books and Blockbusters -- - A Double Act: Still-Life and Theatre -- - 6. Paragone: May the Best Art Win -- - 7. Conclusion Still-Life as Portrait in Early Modern Italy centers on the still-life compositions created by Evaristo Baschenis and Bartolomeo Bettera, two 17th-century painters living and working in the Italian city of Bergamo. This highly original study explores how these paintings form a dynamic network in which artworks, musical instruments, books, and scientific apparatuses constitute links to a dazzling range of figures and sources of knowledge. Putting into circulation a wealth of cultural information and ideas and mapping a complex web of social and intellectual relations, these works paint a portrait of both their creators and their patrons, while enacting a lively debate among humanist thinkers, aristocrats, politicians, and artists. The unique contribution of this groundbreaking study is that it identifies for the first time these intellectually rich concepts that arise from these fascinating still-life paintings, a genre considered as "low". Engaging with literary blockbusters and banned books, theatrical artifice and music, and staging a war among the arts, Baschenis and Bettera capture the latest social intrigues, political rivalries, intellectual challenges, and scientific innovations of their time. In doing so, they structure an unstable economy of social, aesthetic, and political values that questions the notion of absolute truth, while probing the distinctions between life and artifice, meaningless marks and meaningful signs Baschenis, Evaristo / 1617-approximately 1677 Bettera, Bartolomeo / 1639-approximately 1687 Baschenis, Evaristo 1617-1677 (DE-588)11948952X gnd rswk-swf Bettera, Bartolomeo ca. Ca.1586/1600-ca.1601/1615 (DE-588)120520591 gnd rswk-swf Geschichte 1600-1700 gnd rswk-swf Still-life painting, Italian / 17th century Artists / Italy / History / 17th century Malerei (DE-588)4037220-0 gnd rswk-swf Stillleben (DE-588)4057577-9 gnd rswk-swf Italien (DE-588)4027833-5 gnd rswk-swf Baschenis, Evaristo 1617-1677 (DE-588)11948952X p Bettera, Bartolomeo ca. Ca.1586/1600-ca.1601/1615 (DE-588)120520591 p Stillleben (DE-588)4057577-9 s DE-604 Italien (DE-588)4027833-5 g Malerei (DE-588)4037220-0 s Geschichte 1600-1700 z Erscheint auch als Druck-Ausgabe 978-94-629-8880-4 https://doi.org/10.1017/9789048541133 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Lev-er, Ornat ca. 20./21. Jh Still-life as portrait in early modern Italy Baschenis, Bettera, and the painting of cultural identity Baschenis, Evaristo / 1617-approximately 1677 Bettera, Bartolomeo / 1639-approximately 1687 Baschenis, Evaristo 1617-1677 (DE-588)11948952X gnd Bettera, Bartolomeo ca. Ca.1586/1600-ca.1601/1615 (DE-588)120520591 gnd Still-life painting, Italian / 17th century Artists / Italy / History / 17th century Malerei (DE-588)4037220-0 gnd Stillleben (DE-588)4057577-9 gnd |
| subject_GND | (DE-588)11948952X (DE-588)120520591 (DE-588)4037220-0 (DE-588)4057577-9 (DE-588)4027833-5 |
| title | Still-life as portrait in early modern Italy Baschenis, Bettera, and the painting of cultural identity |
| title_auth | Still-life as portrait in early modern Italy Baschenis, Bettera, and the painting of cultural identity |
| title_exact_search | Still-life as portrait in early modern Italy Baschenis, Bettera, and the painting of cultural identity |
| title_exact_search_txtP | Still-life as portrait in early modern Italy Baschenis, Bettera, and the painting of cultural identity |
| title_full | Still-life as portrait in early modern Italy Baschenis, Bettera, and the painting of cultural identity Ornat Lev-er |
| title_fullStr | Still-life as portrait in early modern Italy Baschenis, Bettera, and the painting of cultural identity Ornat Lev-er |
| title_full_unstemmed | Still-life as portrait in early modern Italy Baschenis, Bettera, and the painting of cultural identity Ornat Lev-er |
| title_short | Still-life as portrait in early modern Italy |
| title_sort | still life as portrait in early modern italy baschenis bettera and the painting of cultural identity |
| title_sub | Baschenis, Bettera, and the painting of cultural identity |
| topic | Baschenis, Evaristo / 1617-approximately 1677 Bettera, Bartolomeo / 1639-approximately 1687 Baschenis, Evaristo 1617-1677 (DE-588)11948952X gnd Bettera, Bartolomeo ca. Ca.1586/1600-ca.1601/1615 (DE-588)120520591 gnd Still-life painting, Italian / 17th century Artists / Italy / History / 17th century Malerei (DE-588)4037220-0 gnd Stillleben (DE-588)4057577-9 gnd |
| topic_facet | Baschenis, Evaristo / 1617-approximately 1677 Bettera, Bartolomeo / 1639-approximately 1687 Baschenis, Evaristo 1617-1677 Bettera, Bartolomeo ca. Ca.1586/1600-ca.1601/1615 Still-life painting, Italian / 17th century Artists / Italy / History / 17th century Malerei Stillleben Italien |
| url | https://doi.org/10.1017/9789048541133 |
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