Theorizing film through contemporary art: expanding cinema
As the cinematic experience becomes subsumed into ubiquitous technologies of seeing, contemporary artworks lift the cinematic from the immateriality of the film screen, separating it into its physical components within the gallery space. How do film theorists read these reformulations of the cinemat...
Gespeichert in:
Weitere Verfasser: | , |
---|---|
Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Amsterdam
Amsterdam University Press
[2020]
|
Schlagworte: | |
Online-Zugang: | DE-12 DE-473 Volltext |
Zusammenfassung: | As the cinematic experience becomes subsumed into ubiquitous technologies of seeing, contemporary artworks lift the cinematic from the immateriality of the film screen, separating it into its physical components within the gallery space. How do film theorists read these reformulations of the cinematic medium and their critique of what it is and has been? Theorizing Cinema through Contemporary Art: Expanding Cinema considers artworks that incorporate, restage, and re-present cinema's configurations of space, experience, presence/absence, production and consumption, technology, myth, perception, event, and temporality, thereby addressing the creation, appraisal, and evolution of film theory as channeled through contemporary art. Taking film theory as a blueprint for the moving image, and juxtaposing it with artworks that render cinema as a material object, this book unfolds a complex relationship between a theory and a practice that have often been seen as virtually incompatible, heightening our understanding of each and, more pertinently, their interactions |
Beschreibung: | 1 Online-Ressource (302 Seiten) Illustrationen |
ISBN: | 9789048542024 |
DOI: | 10.1017/9789048542024 |
Internformat
MARC
LEADER | 00000nmm a2200000 c 4500 | ||
---|---|---|---|
001 | BV047426008 | ||
003 | DE-604 | ||
005 | 20240312 | ||
007 | cr|uuu---uuuuu | ||
008 | 210818s2020 |||| o||u| ||||||eng d | ||
020 | |a 9789048542024 |c Online |9 978-90-485-4202-4 | ||
024 | 7 | |a 10.1017/9789048542024 |2 doi | |
035 | |a (ZDB-20-CBO)CR9789048542024 | ||
035 | |a (ZDB-23-DPK)9789048542024 | ||
035 | |a (OCoLC)1224009870 | ||
035 | |a (DE-599)BVBBV047426008 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-12 |a DE-473 |a DE-11 | ||
082 | 0 | |a 791.43657 | |
084 | |a LH 65020 |0 (DE-625)94519: |2 rvk | ||
084 | |a AP 47500 |0 (DE-625)7543: |2 rvk | ||
245 | 1 | 0 | |a Theorizing film through contemporary art |b expanding cinema |c edited by Jill Murphy and Laura Rascaroli |
264 | 1 | |a Amsterdam |b Amsterdam University Press |c [2020] | |
264 | 4 | |c © 2020 | |
300 | |a 1 Online-Ressource (302 Seiten) |b Illustrationen | ||
336 | |b txt |2 rdacontent | ||
337 | |b c |2 rdamedia | ||
338 | |b cr |2 rdacarrier | ||
520 | |a As the cinematic experience becomes subsumed into ubiquitous technologies of seeing, contemporary artworks lift the cinematic from the immateriality of the film screen, separating it into its physical components within the gallery space. How do film theorists read these reformulations of the cinematic medium and their critique of what it is and has been? Theorizing Cinema through Contemporary Art: Expanding Cinema considers artworks that incorporate, restage, and re-present cinema's configurations of space, experience, presence/absence, production and consumption, technology, myth, perception, event, and temporality, thereby addressing the creation, appraisal, and evolution of film theory as channeled through contemporary art. Taking film theory as a blueprint for the moving image, and juxtaposing it with artworks that render cinema as a material object, this book unfolds a complex relationship between a theory and a practice that have often been seen as virtually incompatible, heightening our understanding of each and, more pertinently, their interactions | ||
650 | 4 | |a Art and motion pictures | |
650 | 4 | |a Motion pictures / Philosophy | |
650 | 0 | 7 | |a Kino |0 (DE-588)4129654-0 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Filmtheorie |0 (DE-588)4071216-3 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Kunst |0 (DE-588)4114333-4 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Ästhetik |0 (DE-588)4000626-8 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Film |g Motiv |0 (DE-588)4276347-2 |2 gnd |9 rswk-swf |
655 | 7 | |0 (DE-588)4143413-4 |a Aufsatzsammlung |2 gnd-content | |
689 | 0 | 0 | |a Kunst |0 (DE-588)4114333-4 |D s |
689 | 0 | 1 | |a Film |g Motiv |0 (DE-588)4276347-2 |D s |
689 | 0 | 2 | |a Filmtheorie |0 (DE-588)4071216-3 |D s |
689 | 0 | |5 DE-604 | |
689 | 1 | 0 | |a Filmtheorie |0 (DE-588)4071216-3 |D s |
689 | 1 | 1 | |a Ästhetik |0 (DE-588)4000626-8 |D s |
689 | 1 | 2 | |a Kunst |0 (DE-588)4114333-4 |D s |
689 | 1 | 3 | |a Kino |0 (DE-588)4129654-0 |D s |
689 | 1 | |5 DE-604 | |
700 | 1 | |a Murphy, Jill |d ca. 20./21. Jh. |0 (DE-588)123919594X |4 edt | |
700 | 1 | |a Rascaroli, Laura |d 1966- |0 (DE-588)1045062707 |4 edt | |
776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |z 978-94-6298-946-7 |
856 | 4 | 0 | |u https://doi.org/10.1017/9789048542024 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
912 | |a ZDB-20-CBO |a ZDB-23-DPK | ||
940 | 1 | |q ZDB-23-DPK20 | |
943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-032828505 | |
966 | e | |u https://doi.org/10.1017/9789048542024 |l DE-12 |p ZDB-20-CBO |q BSB_PDA_CBO |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1017/9789048542024 |l DE-12 |p ZDB-23_DPK |q BSB_DPK_AmsterdamUniversityPress |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1017/9789048542024 |l DE-473 |p ZDB-20-CBO |q UBG_PDA_CBO |x Verlag |3 Volltext |
Datensatz im Suchindex
_version_ | 1808047284088209408 |
---|---|
adam_text | |
adam_txt | |
any_adam_object | |
any_adam_object_boolean | |
author2 | Murphy, Jill ca. 20./21. Jh Rascaroli, Laura 1966- |
author2_role | edt edt |
author2_variant | j m jm l r lr |
author_GND | (DE-588)123919594X (DE-588)1045062707 |
author_facet | Murphy, Jill ca. 20./21. Jh Rascaroli, Laura 1966- |
building | Verbundindex |
bvnumber | BV047426008 |
classification_rvk | LH 65020 AP 47500 |
collection | ZDB-20-CBO ZDB-23-DPK |
ctrlnum | (ZDB-20-CBO)CR9789048542024 (ZDB-23-DPK)9789048542024 (OCoLC)1224009870 (DE-599)BVBBV047426008 |
dewey-full | 791.43657 |
dewey-hundreds | 700 - The arts |
dewey-ones | 791 - Public performances |
dewey-raw | 791.43657 |
dewey-search | 791.43657 |
dewey-sort | 3791.43657 |
dewey-tens | 790 - Recreational and performing arts |
discipline | Kunstgeschichte Allgemeines |
discipline_str_mv | Kunstgeschichte Allgemeines |
doi_str_mv | 10.1017/9789048542024 |
format | Electronic eBook |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nmm a2200000 c 4500</leader><controlfield tag="001">BV047426008</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20240312</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">210818s2020 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9789048542024</subfield><subfield code="c">Online</subfield><subfield code="9">978-90-485-4202-4</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1017/9789048542024</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-20-CBO)CR9789048542024</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-23-DPK)9789048542024</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1224009870</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV047426008</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-473</subfield><subfield code="a">DE-11</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">791.43657</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LH 65020</subfield><subfield code="0">(DE-625)94519:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">AP 47500</subfield><subfield code="0">(DE-625)7543:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Theorizing film through contemporary art</subfield><subfield code="b">expanding cinema</subfield><subfield code="c">edited by Jill Murphy and Laura Rascaroli</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Amsterdam</subfield><subfield code="b">Amsterdam University Press</subfield><subfield code="c">[2020]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2020</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (302 Seiten)</subfield><subfield code="b">Illustrationen</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">As the cinematic experience becomes subsumed into ubiquitous technologies of seeing, contemporary artworks lift the cinematic from the immateriality of the film screen, separating it into its physical components within the gallery space. How do film theorists read these reformulations of the cinematic medium and their critique of what it is and has been? Theorizing Cinema through Contemporary Art: Expanding Cinema considers artworks that incorporate, restage, and re-present cinema's configurations of space, experience, presence/absence, production and consumption, technology, myth, perception, event, and temporality, thereby addressing the creation, appraisal, and evolution of film theory as channeled through contemporary art. Taking film theory as a blueprint for the moving image, and juxtaposing it with artworks that render cinema as a material object, this book unfolds a complex relationship between a theory and a practice that have often been seen as virtually incompatible, heightening our understanding of each and, more pertinently, their interactions</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Art and motion pictures</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Motion pictures / Philosophy</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kino</subfield><subfield code="0">(DE-588)4129654-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Filmtheorie</subfield><subfield code="0">(DE-588)4071216-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kunst</subfield><subfield code="0">(DE-588)4114333-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Ästhetik</subfield><subfield code="0">(DE-588)4000626-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Film</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4276347-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4143413-4</subfield><subfield code="a">Aufsatzsammlung</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Kunst</subfield><subfield code="0">(DE-588)4114333-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Film</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4276347-2</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Filmtheorie</subfield><subfield code="0">(DE-588)4071216-3</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="1" ind2="0"><subfield code="a">Filmtheorie</subfield><subfield code="0">(DE-588)4071216-3</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="1"><subfield code="a">Ästhetik</subfield><subfield code="0">(DE-588)4000626-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="2"><subfield code="a">Kunst</subfield><subfield code="0">(DE-588)4114333-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="3"><subfield code="a">Kino</subfield><subfield code="0">(DE-588)4129654-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Murphy, Jill</subfield><subfield code="d">ca. 20./21. Jh.</subfield><subfield code="0">(DE-588)123919594X</subfield><subfield code="4">edt</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Rascaroli, Laura</subfield><subfield code="d">1966-</subfield><subfield code="0">(DE-588)1045062707</subfield><subfield code="4">edt</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe</subfield><subfield code="z">978-94-6298-946-7</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1017/9789048542024</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-20-CBO</subfield><subfield code="a">ZDB-23-DPK</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">ZDB-23-DPK20</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-032828505</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1017/9789048542024</subfield><subfield code="l">DE-12</subfield><subfield code="p">ZDB-20-CBO</subfield><subfield code="q">BSB_PDA_CBO</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1017/9789048542024</subfield><subfield code="l">DE-12</subfield><subfield code="p">ZDB-23_DPK</subfield><subfield code="q">BSB_DPK_AmsterdamUniversityPress</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1017/9789048542024</subfield><subfield code="l">DE-473</subfield><subfield code="p">ZDB-20-CBO</subfield><subfield code="q">UBG_PDA_CBO</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
genre | (DE-588)4143413-4 Aufsatzsammlung gnd-content |
genre_facet | Aufsatzsammlung |
id | DE-604.BV047426008 |
illustrated | Not Illustrated |
index_date | 2024-07-03T17:58:00Z |
indexdate | 2024-08-22T00:57:37Z |
institution | BVB |
isbn | 9789048542024 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032828505 |
oclc_num | 1224009870 |
open_access_boolean | |
owner | DE-12 DE-473 DE-BY-UBG DE-11 |
owner_facet | DE-12 DE-473 DE-BY-UBG DE-11 |
physical | 1 Online-Ressource (302 Seiten) Illustrationen |
psigel | ZDB-20-CBO ZDB-23-DPK ZDB-23-DPK20 ZDB-20-CBO BSB_PDA_CBO ZDB-23_DPK BSB_DPK_AmsterdamUniversityPress ZDB-20-CBO UBG_PDA_CBO |
publishDate | 2020 |
publishDateSearch | 2020 |
publishDateSort | 2020 |
publisher | Amsterdam University Press |
record_format | marc |
spelling | Theorizing film through contemporary art expanding cinema edited by Jill Murphy and Laura Rascaroli Amsterdam Amsterdam University Press [2020] © 2020 1 Online-Ressource (302 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier As the cinematic experience becomes subsumed into ubiquitous technologies of seeing, contemporary artworks lift the cinematic from the immateriality of the film screen, separating it into its physical components within the gallery space. How do film theorists read these reformulations of the cinematic medium and their critique of what it is and has been? Theorizing Cinema through Contemporary Art: Expanding Cinema considers artworks that incorporate, restage, and re-present cinema's configurations of space, experience, presence/absence, production and consumption, technology, myth, perception, event, and temporality, thereby addressing the creation, appraisal, and evolution of film theory as channeled through contemporary art. Taking film theory as a blueprint for the moving image, and juxtaposing it with artworks that render cinema as a material object, this book unfolds a complex relationship between a theory and a practice that have often been seen as virtually incompatible, heightening our understanding of each and, more pertinently, their interactions Art and motion pictures Motion pictures / Philosophy Kino (DE-588)4129654-0 gnd rswk-swf Filmtheorie (DE-588)4071216-3 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf Film Motiv (DE-588)4276347-2 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Kunst (DE-588)4114333-4 s Film Motiv (DE-588)4276347-2 s Filmtheorie (DE-588)4071216-3 s DE-604 Ästhetik (DE-588)4000626-8 s Kino (DE-588)4129654-0 s Murphy, Jill ca. 20./21. Jh. (DE-588)123919594X edt Rascaroli, Laura 1966- (DE-588)1045062707 edt Erscheint auch als Druck-Ausgabe 978-94-6298-946-7 https://doi.org/10.1017/9789048542024 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Theorizing film through contemporary art expanding cinema Art and motion pictures Motion pictures / Philosophy Kino (DE-588)4129654-0 gnd Filmtheorie (DE-588)4071216-3 gnd Kunst (DE-588)4114333-4 gnd Ästhetik (DE-588)4000626-8 gnd Film Motiv (DE-588)4276347-2 gnd |
subject_GND | (DE-588)4129654-0 (DE-588)4071216-3 (DE-588)4114333-4 (DE-588)4000626-8 (DE-588)4276347-2 (DE-588)4143413-4 |
title | Theorizing film through contemporary art expanding cinema |
title_auth | Theorizing film through contemporary art expanding cinema |
title_exact_search | Theorizing film through contemporary art expanding cinema |
title_exact_search_txtP | Theorizing film through contemporary art expanding cinema |
title_full | Theorizing film through contemporary art expanding cinema edited by Jill Murphy and Laura Rascaroli |
title_fullStr | Theorizing film through contemporary art expanding cinema edited by Jill Murphy and Laura Rascaroli |
title_full_unstemmed | Theorizing film through contemporary art expanding cinema edited by Jill Murphy and Laura Rascaroli |
title_short | Theorizing film through contemporary art |
title_sort | theorizing film through contemporary art expanding cinema |
title_sub | expanding cinema |
topic | Art and motion pictures Motion pictures / Philosophy Kino (DE-588)4129654-0 gnd Filmtheorie (DE-588)4071216-3 gnd Kunst (DE-588)4114333-4 gnd Ästhetik (DE-588)4000626-8 gnd Film Motiv (DE-588)4276347-2 gnd |
topic_facet | Art and motion pictures Motion pictures / Philosophy Kino Filmtheorie Kunst Ästhetik Film Motiv Aufsatzsammlung |
url | https://doi.org/10.1017/9789048542024 |
work_keys_str_mv | AT murphyjill theorizingfilmthroughcontemporaryartexpandingcinema AT rascarolilaura theorizingfilmthroughcontemporaryartexpandingcinema |