Renaissance papers 2015:
Renaissance Papers collects the best scholarly essays submitted each year to the Southeastern Renaissance Conference. The 2015 volume features essays from the conference held at the Universityof North Carolina at Chapel Hill, as well as essays submitted directly to the journal. The volume opens with...
Gespeichert in:
| Körperschaft: | |
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| Weitere Verfasser: | , |
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Rochester, New York
Published for the Southeastern Renaissance Conference by Camden House
2016
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| Schriftenreihe: | Renaissance papers
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| Schlagworte: | |
| Online-Zugang: | BSB01 UBG01 Volltext |
| Zusammenfassung: | Renaissance Papers collects the best scholarly essays submitted each year to the Southeastern Renaissance Conference. The 2015 volume features essays from the conference held at the Universityof North Carolina at Chapel Hill, as well as essays submitted directly to the journal. The volume opens with a trio of reconsiderations of the impact of patronage on theater under the Stuarts, the role of the audience in Hamlet, and the role of King Arthur in The Faerie Queene. The heart of this year's journal is English drama, featuring essays on anxieties about nationhood in TheSpanish Tragedy, generic anomalies and Chaucerian echoes in All's Well That Ends Well, the inversion of the hagiographical tradition in Shakespeare's Richard III, and the complexities coalescing around authorial identity under the Stuarts. In the penultimate essay, the focus shifts to the non-dramatic with a reconsideration of Milton's Paradise Regained and its relationship to the court masque. The last offering is a historical essay on the intersection of the personal and the political in John Wray's The Pilgrim's Journal. The volume concludes with four book reviews. Contributors: David M. Bergeron, William A. Coulter, Timothy D. Crowley, Melissa Geil, Lainie Pomerleau, Robert Lanier Reid, Emily Stockard, Lewis Walker, John N. Wall. The journal is edited by Jim Pearce of North Carolina Central University and Ward Risvold of the University of Georgia |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 18 Jun 2021) |
| Beschreibung: | 1 Online-Ressource (138 Seiten) |
| ISBN: | 9781782048466 |
| DOI: | 10.1017/9781782048466 |
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| 520 | |a Renaissance Papers collects the best scholarly essays submitted each year to the Southeastern Renaissance Conference. The 2015 volume features essays from the conference held at the Universityof North Carolina at Chapel Hill, as well as essays submitted directly to the journal. The volume opens with a trio of reconsiderations of the impact of patronage on theater under the Stuarts, the role of the audience in Hamlet, and the role of King Arthur in The Faerie Queene. The heart of this year's journal is English drama, featuring essays on anxieties about nationhood in TheSpanish Tragedy, generic anomalies and Chaucerian echoes in All's Well That Ends Well, the inversion of the hagiographical tradition in Shakespeare's Richard III, and the complexities coalescing around authorial identity under the Stuarts. In the penultimate essay, the focus shifts to the non-dramatic with a reconsideration of Milton's Paradise Regained and its relationship to the court masque. The last offering is a historical essay on the intersection of the personal and the political in John Wray's The Pilgrim's Journal. The volume concludes with four book reviews. Contributors: David M. Bergeron, William A. Coulter, Timothy D. Crowley, Melissa Geil, Lainie Pomerleau, Robert Lanier Reid, Emily Stockard, Lewis Walker, John N. Wall. The journal is edited by Jim Pearce of North Carolina Central University and Ward Risvold of the University of Georgia | ||
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Datensatz im Suchindex
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| author_facet | Pearce, Jim ca. 20./21. Jh Risvold, Ward J. ca. 20./21. Jh Southeastern Renaissance Conference < 2015, University of North Carolina-Chapel Hill> |
| author_sort | Southeastern Renaissance Conference < 2015, University of North Carolina-Chapel Hill> |
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| dewey-full | 940.21 |
| dewey-hundreds | 900 - History & geography |
| dewey-ones | 940 - History of Europe |
| dewey-raw | 940.21 |
| dewey-search | 940.21 |
| dewey-sort | 3940.21 |
| dewey-tens | 940 - History of Europe |
| discipline | Geschichte |
| discipline_str_mv | Geschichte |
| doi_str_mv | 10.1017/9781782048466 |
| format | Electronic eBook |
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| geographic_facet | Great Britain / Civilization / 16th century / Congresses |
| id | DE-604.BV047425162 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T17:57:49Z |
| indexdate | 2024-07-10T09:11:49Z |
| institution | BVB |
| isbn | 9781782048466 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032827672 |
| oclc_num | 1268175742 |
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| physical | 1 Online-Ressource (138 Seiten) |
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| publishDate | 2016 |
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| publisher | Published for the Southeastern Renaissance Conference by Camden House |
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| series2 | Renaissance papers |
| spelling | Southeastern Renaissance Conference < 2015, University of North Carolina-Chapel Hill> Verfasser aut Renaissance papers 2015 editors, Jim Pearce and Ward J. Risvold ; assistant editors, Nathan Dixon and Barry Shelton Rochester, New York Published for the Southeastern Renaissance Conference by Camden House 2016 1 Online-Ressource (138 Seiten) txt rdacontent c rdamedia cr rdacarrier Renaissance papers Title from publisher's bibliographic system (viewed on 18 Jun 2021) Renaissance Papers collects the best scholarly essays submitted each year to the Southeastern Renaissance Conference. The 2015 volume features essays from the conference held at the Universityof North Carolina at Chapel Hill, as well as essays submitted directly to the journal. The volume opens with a trio of reconsiderations of the impact of patronage on theater under the Stuarts, the role of the audience in Hamlet, and the role of King Arthur in The Faerie Queene. The heart of this year's journal is English drama, featuring essays on anxieties about nationhood in TheSpanish Tragedy, generic anomalies and Chaucerian echoes in All's Well That Ends Well, the inversion of the hagiographical tradition in Shakespeare's Richard III, and the complexities coalescing around authorial identity under the Stuarts. In the penultimate essay, the focus shifts to the non-dramatic with a reconsideration of Milton's Paradise Regained and its relationship to the court masque. The last offering is a historical essay on the intersection of the personal and the political in John Wray's The Pilgrim's Journal. The volume concludes with four book reviews. Contributors: David M. Bergeron, William A. Coulter, Timothy D. Crowley, Melissa Geil, Lainie Pomerleau, Robert Lanier Reid, Emily Stockard, Lewis Walker, John N. Wall. The journal is edited by Jim Pearce of North Carolina Central University and Ward Risvold of the University of Georgia English literature / Early modern, 1500-1700 / History and criticism / Congresses Renaissance / Congresses Great Britain / Civilization / 16th century / Congresses Pearce, Jim ca. 20./21. Jh. (DE-588)1197087540 edt Risvold, Ward J. ca. 20./21. Jh. (DE-588)1197087605 edt Erscheint auch als Druck-Ausgabe 978-1-57113-964-1 https://doi.org/10.1017/9781782048466 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Renaissance papers 2015 English literature / Early modern, 1500-1700 / History and criticism / Congresses Renaissance / Congresses |
| title | Renaissance papers 2015 |
| title_auth | Renaissance papers 2015 |
| title_exact_search | Renaissance papers 2015 |
| title_exact_search_txtP | Renaissance papers 2015 |
| title_full | Renaissance papers 2015 editors, Jim Pearce and Ward J. Risvold ; assistant editors, Nathan Dixon and Barry Shelton |
| title_fullStr | Renaissance papers 2015 editors, Jim Pearce and Ward J. Risvold ; assistant editors, Nathan Dixon and Barry Shelton |
| title_full_unstemmed | Renaissance papers 2015 editors, Jim Pearce and Ward J. Risvold ; assistant editors, Nathan Dixon and Barry Shelton |
| title_short | Renaissance papers 2015 |
| title_sort | renaissance papers 2015 |
| topic | English literature / Early modern, 1500-1700 / History and criticism / Congresses Renaissance / Congresses |
| topic_facet | English literature / Early modern, 1500-1700 / History and criticism / Congresses Renaissance / Congresses Great Britain / Civilization / 16th century / Congresses |
| url | https://doi.org/10.1017/9781782048466 |
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