The Routledge companion to English folk performance:
This broad-based collection of essays is an introduction both to the concerns of contemporary folklore scholarship and to the variety of forms that folk performance has taken throughout English history. Combining case studies of specific folk practices with discussion of the various different lenses...
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| Weitere Verfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
Routledge, Taylor & Francis Group
2021
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| Schriftenreihe: | Routledge theatre and performance companions
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | This broad-based collection of essays is an introduction both to the concerns of contemporary folklore scholarship and to the variety of forms that folk performance has taken throughout English history. Combining case studies of specific folk practices with discussion of the various different lenses through which they have been viewed since becoming the subject of concerted study in Victorian times, this book builds on the latest work in an ever-growing body of contemporary folklore scholarship. Many of the contributing scholars are also practicing performers and bring experience and understanding of performance to their analyses and critiques. Chapters range across the spectrum of folk song, music, drama and dance, but maintain a focus on the key defining characteristics of folk performance - custom and tradition - in a full range of performances, from carol singing and sword dancing to playground rhymes and mummers' plays. As well as being an essential reference for folklorists and scholars of traditional performance and local history, this is a valuable resource for readers in all disciplines of dance, drama, song and music whose work coincides with English folk traditions. |
| Beschreibung: | xvi, 596 Seiten Illustrationen, Notenbeispiele |
| ISBN: | 9780367279929 9781032021966 |
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Datensatz im Suchindex
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| adam_text | CONTENTS List offigures List of contributors xii Introduction 1 X Peter Harrop and Steve Roud PARTI Folk drama, theatre and performance 9 Peter Harrop 1 Towards an anatomy of English customary drama: theatre, stage, play 16 Thomas Pettitt 2 Performing calendrical pressures: Shrovetide processions and shroving perambulations in premodern England 44 Taylor Aucoin 3 Robin Hood folk-performance in fifteenth- and sixteenth-century England 64 John Marshall 4 Alongside the mummers’ plays: customary elements in amateur and semi-professional theatre 1730—1850 77 Peter Harrop 5 The Alderley Mummers’ play: a story of longevity Duncan Broomhead vii 101
Contents 6 A performance bestiary 120 Mike Pearson 7 Performing community: village life and the spectacle of worship in the work of Charles Marson 145 Katie Palmer Heathman 8 Boxing Day fancy dress in Wigan 158 Anna FC Smith PART II Folk dance 177 Peter Harrop 9 Merry neets and bridewains: contemporary commentaries on folk music, dance and song in the Lake Counties during the Romantic period 184 Sue Allan 10 Sword dancing in England: texts and sources from the eighteenth and nineteenth centuries 203 Stephen D. Corrsin 11 From country gardens to British festivals: the morris dance revival, 1886-1951 225 Matt Simons 12 The English country dance, Cecil Sharp and authenticity 248 Derek Schofield 13 Douglas Kennedy and folk dance in English schools 261 Chloe Middleton-Metcalfe 14 Fancy footwork: reviewing the English clog and step dance revival 277 Alexandra Fisher 15 Expanding a repertoire: Leicester Morrismen and the Border morris 295 John Swift 16 Dancing with tradition: clog, step and short sword rapper in the twenty first century Libby Worth viii 315
Contents 17 ‘Sequins, bows and pointed toes’: girls’ carnival morris—the ‘other’ morris dancing community Lucy Wright 336 PART III Folk song and music Steve Roud 355 18 Re֊crafting love and murder: print and memory in the mediation of a murdered sweetheart ballad Thomas Pettitt 19 Burlesquing the ballad Steve Qardham 362 384 20 The rise and fall of the west gallery: popular religious music in the eighteenth and nineteenth centuries Vic Gammon 408 21 The drive for an English identity in music and the foundation of the Folk-Song Society Arthur Knevett 441 22 ‘No art more dangerous’ - Eve Maxwell-Lyte and folk song Martin Graebe 464 23 Creativity versus authenticity in the English folk song revival Brian Peters 473 24 Folk choirs: their origins and contribution to the living tradition Paul Wilson and Marilyn Tucker 498 25 ‘Past Performances on Paper’: a case study of the manuscript tunebook of Thomas Hampton Rebecca Dellow 528 26 The performers in the playground: children’s musical practices in play Julia Bishop 550 Index 585 ix
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CONTENTS List offigures List of contributors xii Introduction 1 X Peter Harrop and Steve Roud PARTI Folk drama, theatre and performance 9 Peter Harrop 1 Towards an anatomy of English customary drama: theatre, stage, play 16 Thomas Pettitt 2 Performing calendrical pressures: Shrovetide processions and shroving perambulations in premodern England 44 Taylor Aucoin 3 Robin Hood folk-performance in fifteenth- and sixteenth-century England 64 John Marshall 4 Alongside the mummers’ plays: customary elements in amateur and semi-professional theatre 1730—1850 77 Peter Harrop 5 The Alderley Mummers’ play: a story of longevity Duncan Broomhead vii 101
Contents 6 A performance bestiary 120 Mike Pearson 7 Performing community: village life and the spectacle of worship in the work of Charles Marson 145 Katie Palmer Heathman 8 Boxing Day fancy dress in Wigan 158 Anna FC Smith PART II Folk dance 177 Peter Harrop 9 Merry neets and bridewains: contemporary commentaries on folk music, dance and song in the Lake Counties during the Romantic period 184 Sue Allan 10 Sword dancing in England: texts and sources from the eighteenth and nineteenth centuries 203 Stephen D. Corrsin 11 From country gardens to British festivals: the morris dance revival, 1886-1951 225 Matt Simons 12 The English country dance, Cecil Sharp and authenticity 248 Derek Schofield 13 Douglas Kennedy and folk dance in English schools 261 Chloe Middleton-Metcalfe 14 Fancy footwork: reviewing the English clog and step dance revival 277 Alexandra Fisher 15 Expanding a repertoire: Leicester Morrismen and the Border morris 295 John Swift 16 Dancing with tradition: clog, step and short sword rapper in the twenty first century Libby Worth viii 315
Contents 17 ‘Sequins, bows and pointed toes’: girls’ carnival morris—the ‘other’ morris dancing community Lucy Wright 336 PART III Folk song and music Steve Roud 355 18 Re֊crafting love and murder: print and memory in the mediation of a murdered sweetheart ballad Thomas Pettitt 19 Burlesquing the ballad Steve Qardham 362 384 20 The rise and fall of the west gallery: popular religious music in the eighteenth and nineteenth centuries Vic Gammon 408 21 The drive for an English identity in music and the foundation of the Folk-Song Society Arthur Knevett 441 22 ‘No art more dangerous’ - Eve Maxwell-Lyte and folk song Martin Graebe 464 23 Creativity versus authenticity in the English folk song revival Brian Peters 473 24 Folk choirs: their origins and contribution to the living tradition Paul Wilson and Marilyn Tucker 498 25 ‘Past Performances on Paper’: a case study of the manuscript tunebook of Thomas Hampton Rebecca Dellow 528 26 The performers in the playground: children’s musical practices in play Julia Bishop 550 Index 585 ix |
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