Parisian music-hall ballet, 1871-1913:
This pioneering study of Parisian music-hall ballet brings to light a vibrant dance culture that was central to the renewal of French ballet at the turn of the twentieth century. Long thought a lost period for ballet in France, the fin de siècle in fact saw a flourishing of choreographic activity....
Gespeichert in:
1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Rochester, NY
University of Rochester Press
2015
|
Schriftenreihe: | Eastman studies in music
123 |
Schlagworte: | |
Online-Zugang: | BSB01 UBG01 Volltext |
Zusammenfassung: | This pioneering study of Parisian music-hall ballet brings to light a vibrant dance culture that was central to the renewal of French ballet at the turn of the twentieth century. Long thought a lost period for ballet in France, the fin de siècle in fact saw a flourishing of choreographic activity. More than four hundred ballets were created to great acclaim, half of which were full-scale pantomime-ballets, with entertaining narratives, catchy music, titillating choreography, lavish sets and costumes, appealing corps girls, and star ballerinas. Most of these productions were staged not at the elite Paris Opéra but in the city's trendiest commercial venues: music halls. Between 1871 and 1913, the Folies-Bergère, the Olympia, and the Casino de Paris brought together the era's leading authors of light theatre and comic opera to produce a flurry of imaginative ballets that combined the conventional structures of high art with the popular idioms of mass entertainment. They also drew unprecedented numbers of people who had never before attended ballet. 'Parisian Music-Hall Ballet, 1871-1913' rediscovers this repertoire and culture, supplying a missing chapter in the history of French dance. Sarah Gutsche-Miller is assistant professor of musicology at the University of Toronto |
Beschreibung: | Title from publisher's bibliographic system (viewed on 11 Jun 2021) The venues and the shows -- Music halls for tout-Paris -- Creative artists : authors, composers, and choreographers -- The ballet-divertissement -- Real pantomime-ballets : the choreographic conventions of 1890s music-hall ballet -- Music as storyteller : the musical conventions of 1890s music-hall ballet -- As pleasing to the ear as to the eye : a popular musical style -- The stories of music-hall ballet : romance, flirtations, and other pleasures -- A delight to behold : glitter, glamour, and girls |
Beschreibung: | 1 Online-Ressource (x, 373 Seiten) |
ISBN: | 9781782045687 |
DOI: | 10.1017/9781782045687 |
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520 | |a This pioneering study of Parisian music-hall ballet brings to light a vibrant dance culture that was central to the renewal of French ballet at the turn of the twentieth century. Long thought a lost period for ballet in France, the fin de siècle in fact saw a flourishing of choreographic activity. More than four hundred ballets were created to great acclaim, half of which were full-scale pantomime-ballets, with entertaining narratives, catchy music, titillating choreography, lavish sets and costumes, appealing corps girls, and star ballerinas. Most of these productions were staged not at the elite Paris Opéra but in the city's trendiest commercial venues: music halls. Between 1871 and 1913, the Folies-Bergère, the Olympia, and the Casino de Paris brought together the era's leading authors of light theatre and comic opera to produce a flurry of imaginative ballets that combined the conventional structures of high art with the popular idioms of mass entertainment. They also drew unprecedented numbers of people who had never before attended ballet. 'Parisian Music-Hall Ballet, 1871-1913' rediscovers this repertoire and culture, supplying a missing chapter in the history of French dance. Sarah Gutsche-Miller is assistant professor of musicology at the University of Toronto | ||
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Datensatz im Suchindex
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author | Gutsche-Miller, Sarah 1977- |
author_GND | (DE-588)1078009902 |
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dewey-ones | 792 - Stage presentations |
dewey-raw | 792.80944/36109034 |
dewey-search | 792.80944/36109034 |
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dewey-tens | 790 - Recreational and performing arts |
discipline | Allgemeines Musikwissenschaft |
discipline_str_mv | Allgemeines Musikwissenschaft |
doi_str_mv | 10.1017/9781782045687 |
era | Geschichte 1871-1913 gnd |
era_facet | Geschichte 1871-1913 |
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geographic_facet | Frankreich Paris |
id | DE-604.BV047422024 |
illustrated | Not Illustrated |
index_date | 2024-07-03T17:56:57Z |
indexdate | 2024-07-10T09:11:44Z |
institution | BVB |
isbn | 9781782045687 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032824615 |
oclc_num | 1264262913 |
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physical | 1 Online-Ressource (x, 373 Seiten) |
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publishDate | 2015 |
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publisher | University of Rochester Press |
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series2 | Eastman studies in music 123 |
spelling | Gutsche-Miller, Sarah 1977- (DE-588)1078009902 aut Parisian music-hall ballet, 1871-1913 Sarah Gutsche-Miller Rochester, NY University of Rochester Press 2015 1 Online-Ressource (x, 373 Seiten) txt rdacontent c rdamedia cr rdacarrier Eastman studies in music 123 Title from publisher's bibliographic system (viewed on 11 Jun 2021) The venues and the shows -- Music halls for tout-Paris -- Creative artists : authors, composers, and choreographers -- The ballet-divertissement -- Real pantomime-ballets : the choreographic conventions of 1890s music-hall ballet -- Music as storyteller : the musical conventions of 1890s music-hall ballet -- As pleasing to the ear as to the eye : a popular musical style -- The stories of music-hall ballet : romance, flirtations, and other pleasures -- A delight to behold : glitter, glamour, and girls This pioneering study of Parisian music-hall ballet brings to light a vibrant dance culture that was central to the renewal of French ballet at the turn of the twentieth century. Long thought a lost period for ballet in France, the fin de siècle in fact saw a flourishing of choreographic activity. More than four hundred ballets were created to great acclaim, half of which were full-scale pantomime-ballets, with entertaining narratives, catchy music, titillating choreography, lavish sets and costumes, appealing corps girls, and star ballerinas. Most of these productions were staged not at the elite Paris Opéra but in the city's trendiest commercial venues: music halls. Between 1871 and 1913, the Folies-Bergère, the Olympia, and the Casino de Paris brought together the era's leading authors of light theatre and comic opera to produce a flurry of imaginative ballets that combined the conventional structures of high art with the popular idioms of mass entertainment. They also drew unprecedented numbers of people who had never before attended ballet. 'Parisian Music-Hall Ballet, 1871-1913' rediscovers this repertoire and culture, supplying a missing chapter in the history of French dance. Sarah Gutsche-Miller is assistant professor of musicology at the University of Toronto Geschichte 1871-1913 gnd rswk-swf Ballet / France / Paris / History / 19th century Ballets / France / Paris / History and criticism / 20th century Ballets / France / Paris / History and criticism / 19th century Ballet / France / Paris / History / 20th century Ballett (DE-588)4004351-4 gnd rswk-swf Varieté (DE-588)4187421-3 gnd rswk-swf Frankreich (DE-588)4018145-5 gnd rswk-swf Paris (DE-588)4044660-8 gnd rswk-swf Frankreich (DE-588)4018145-5 g Paris (DE-588)4044660-8 g Varieté (DE-588)4187421-3 s Ballett (DE-588)4004351-4 s Geschichte 1871-1913 z DE-604 Erscheint auch als Druck-Ausgabe 978-1-58046-442-0 https://doi.org/10.1017/9781782045687 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Gutsche-Miller, Sarah 1977- Parisian music-hall ballet, 1871-1913 Ballet / France / Paris / History / 19th century Ballets / France / Paris / History and criticism / 20th century Ballets / France / Paris / History and criticism / 19th century Ballet / France / Paris / History / 20th century Ballett (DE-588)4004351-4 gnd Varieté (DE-588)4187421-3 gnd |
subject_GND | (DE-588)4004351-4 (DE-588)4187421-3 (DE-588)4018145-5 (DE-588)4044660-8 |
title | Parisian music-hall ballet, 1871-1913 |
title_auth | Parisian music-hall ballet, 1871-1913 |
title_exact_search | Parisian music-hall ballet, 1871-1913 |
title_exact_search_txtP | Parisian music-hall ballet, 1871-1913 |
title_full | Parisian music-hall ballet, 1871-1913 Sarah Gutsche-Miller |
title_fullStr | Parisian music-hall ballet, 1871-1913 Sarah Gutsche-Miller |
title_full_unstemmed | Parisian music-hall ballet, 1871-1913 Sarah Gutsche-Miller |
title_short | Parisian music-hall ballet, 1871-1913 |
title_sort | parisian music hall ballet 1871 1913 |
topic | Ballet / France / Paris / History / 19th century Ballets / France / Paris / History and criticism / 20th century Ballets / France / Paris / History and criticism / 19th century Ballet / France / Paris / History / 20th century Ballett (DE-588)4004351-4 gnd Varieté (DE-588)4187421-3 gnd |
topic_facet | Ballet / France / Paris / History / 19th century Ballets / France / Paris / History and criticism / 20th century Ballets / France / Paris / History and criticism / 19th century Ballet / France / Paris / History / 20th century Ballett Varieté Frankreich Paris |
url | https://doi.org/10.1017/9781782045687 |
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