Performative analysis: reimagining music theory for performance
This book proposes a new model for understanding the musical work, which includes interpretation -- both analysis- and performance-based -- as an integral component
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Rochester, NY
University of Rochester Press
2016
|
| Schriftenreihe: | Eastman studies in music
132 |
| Schlagworte: | |
| Online-Zugang: | BSB01 UBG01 Volltext |
| Zusammenfassung: | This book proposes a new model for understanding the musical work, which includes interpretation -- both analysis- and performance-based -- as an integral component |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 11 Jun 2021) A theory of musical interpretation. Analysis in the musical work ; Two interpretive roles -- Analytical essays. Schenkerian analysis as metaphor : Chopin, Nocturne in C minor, op. 48, no. 1 ; An analytical dialogue : Beethoven, String quartet in C minor, op. 18, no. 4, First movement ; Musical structure(s) as subtext : resisting Schumann's "Ring" |
| Beschreibung: | 1 Online-Ressource (263 Seiten) |
| ISBN: | 9781782046998 |
| DOI: | 10.1017/9781782046998 |
Internformat
MARC
| LEADER | 00000nmm a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV047421952 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 210816s2021 |||| o||u| ||||||eng d | ||
| 020 | |a 9781782046998 |c Online |9 978-1-78204-699-8 | ||
| 024 | 7 | |a 10.1017/9781782046998 |2 doi | |
| 035 | |a (ZDB-20-CBO)CR9781782046998 | ||
| 035 | |a (OCoLC)1264259412 | ||
| 035 | |a (DE-599)BVBBV047421952 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 |a DE-473 | ||
| 082 | 0 | |a 781.1/7 | |
| 084 | |a MUS |q DE-12 |2 fid | ||
| 084 | |a LR 56000 |0 (DE-625)109784:13528 |2 rvk | ||
| 084 | |a LR 55520 |0 (DE-625)109765:13528 |2 rvk | ||
| 084 | |a LR 55570 |0 (DE-625)109767:13528 |2 rvk | ||
| 100 | 1 | |a Swinkin, Jeffrey |d ca. 20./21. Jh. |0 (DE-588)1037771834 |4 aut | |
| 245 | 1 | 0 | |a Performative analysis |b reimagining music theory for performance |c Jeffrey Swinkin |
| 264 | 1 | |a Rochester, NY |b University of Rochester Press |c 2016 | |
| 300 | |a 1 Online-Ressource (263 Seiten) | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 490 | 0 | |a Eastman studies in music | |
| 490 | 0 | |a 132 | |
| 500 | |a Title from publisher's bibliographic system (viewed on 11 Jun 2021) | ||
| 500 | |a A theory of musical interpretation. Analysis in the musical work ; Two interpretive roles -- Analytical essays. Schenkerian analysis as metaphor : Chopin, Nocturne in C minor, op. 48, no. 1 ; An analytical dialogue : Beethoven, String quartet in C minor, op. 18, no. 4, First movement ; Musical structure(s) as subtext : resisting Schumann's "Ring" | ||
| 520 | |a This book proposes a new model for understanding the musical work, which includes interpretation -- both analysis- and performance-based -- as an integral component | ||
| 650 | 4 | |a Musical analysis | |
| 650 | 4 | |a Music / Performance / Psychological aspects | |
| 650 | 4 | |a Music / Interpretation (Phrasing, dynamics, etc.) | |
| 650 | 0 | 7 | |a Musikalische Analyse |0 (DE-588)4040814-0 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Interpretation |0 (DE-588)4072905-9 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Musikalische Aufführungspraxis |0 (DE-588)4170800-3 |2 gnd |9 rswk-swf |
| 655 | 7 | |0 (DE-588)4113937-9 |a Hochschulschrift |2 gnd-content | |
| 689 | 0 | 0 | |a Musikalische Analyse |0 (DE-588)4040814-0 |D s |
| 689 | 0 | 1 | |a Interpretation |0 (DE-588)4072905-9 |D s |
| 689 | 0 | 2 | |a Musikalische Aufführungspraxis |0 (DE-588)4170800-3 |D s |
| 689 | 0 | |5 DE-604 | |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |z 978-1-58046-526-7 |
| 856 | 4 | 0 | |u https://doi.org/10.1017/9781782046998 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
| 912 | |a ZDB-20-CBO | ||
| 999 | |a oai:aleph.bib-bvb.de:BVB01-032824548 | ||
| 966 | e | |u https://doi.org/10.1017/9781782046998 |l BSB01 |p ZDB-20-CBO |q BSB_PDA_CBO |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1017/9781782046998 |l UBG01 |p ZDB-20-CBO |q UBG_PDA_CBO |x Verlag |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1804182701235765248 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author | Swinkin, Jeffrey ca. 20./21. Jh |
| author_GND | (DE-588)1037771834 |
| author_facet | Swinkin, Jeffrey ca. 20./21. Jh |
| author_role | aut |
| author_sort | Swinkin, Jeffrey ca. 20./21. Jh |
| author_variant | j s js |
| building | Verbundindex |
| bvnumber | BV047421952 |
| classification_rvk | LR 56000 LR 55520 LR 55570 |
| collection | ZDB-20-CBO |
| ctrlnum | (ZDB-20-CBO)CR9781782046998 (OCoLC)1264259412 (DE-599)BVBBV047421952 |
| dewey-full | 781.1/7 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.1/7 |
| dewey-search | 781.1/7 |
| dewey-sort | 3781.1 17 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| discipline_str_mv | Musikwissenschaft |
| doi_str_mv | 10.1017/9781782046998 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>02866nmm a2200589zc 4500</leader><controlfield tag="001">BV047421952</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">210816s2021 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781782046998</subfield><subfield code="c">Online</subfield><subfield code="9">978-1-78204-699-8</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1017/9781782046998</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-20-CBO)CR9781782046998</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1264259412</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV047421952</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-473</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">781.1/7</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">MUS</subfield><subfield code="q">DE-12</subfield><subfield code="2">fid</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LR 56000</subfield><subfield code="0">(DE-625)109784:13528</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LR 55520</subfield><subfield code="0">(DE-625)109765:13528</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LR 55570</subfield><subfield code="0">(DE-625)109767:13528</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Swinkin, Jeffrey</subfield><subfield code="d">ca. 20./21. Jh.</subfield><subfield code="0">(DE-588)1037771834</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Performative analysis</subfield><subfield code="b">reimagining music theory for performance</subfield><subfield code="c">Jeffrey Swinkin</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Rochester, NY</subfield><subfield code="b">University of Rochester Press</subfield><subfield code="c">2016</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (263 Seiten)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Eastman studies in music</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">132</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Title from publisher's bibliographic system (viewed on 11 Jun 2021)</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">A theory of musical interpretation. Analysis in the musical work ; Two interpretive roles -- Analytical essays. Schenkerian analysis as metaphor : Chopin, Nocturne in C minor, op. 48, no. 1 ; An analytical dialogue : Beethoven, String quartet in C minor, op. 18, no. 4, First movement ; Musical structure(s) as subtext : resisting Schumann's "Ring"</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">This book proposes a new model for understanding the musical work, which includes interpretation -- both analysis- and performance-based -- as an integral component</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Musical analysis</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Music / Performance / Psychological aspects</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Music / Interpretation (Phrasing, dynamics, etc.)</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Musikalische Analyse</subfield><subfield code="0">(DE-588)4040814-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Interpretation</subfield><subfield code="0">(DE-588)4072905-9</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Musikalische Aufführungspraxis</subfield><subfield code="0">(DE-588)4170800-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4113937-9</subfield><subfield code="a">Hochschulschrift</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Musikalische Analyse</subfield><subfield code="0">(DE-588)4040814-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Interpretation</subfield><subfield code="0">(DE-588)4072905-9</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Musikalische Aufführungspraxis</subfield><subfield code="0">(DE-588)4170800-3</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe</subfield><subfield code="z">978-1-58046-526-7</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1017/9781782046998</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-20-CBO</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-032824548</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1017/9781782046998</subfield><subfield code="l">BSB01</subfield><subfield code="p">ZDB-20-CBO</subfield><subfield code="q">BSB_PDA_CBO</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1017/9781782046998</subfield><subfield code="l">UBG01</subfield><subfield code="p">ZDB-20-CBO</subfield><subfield code="q">UBG_PDA_CBO</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| genre | (DE-588)4113937-9 Hochschulschrift gnd-content |
| genre_facet | Hochschulschrift |
| id | DE-604.BV047421952 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T17:56:55Z |
| indexdate | 2024-07-10T09:11:44Z |
| institution | BVB |
| isbn | 9781782046998 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032824548 |
| oclc_num | 1264259412 |
| open_access_boolean | |
| owner | DE-12 DE-473 DE-BY-UBG |
| owner_facet | DE-12 DE-473 DE-BY-UBG |
| physical | 1 Online-Ressource (263 Seiten) |
| psigel | ZDB-20-CBO ZDB-20-CBO BSB_PDA_CBO ZDB-20-CBO UBG_PDA_CBO |
| publishDate | 2016 |
| publishDateSearch | 2021 |
| publishDateSort | 2021 |
| publisher | University of Rochester Press |
| record_format | marc |
| series2 | Eastman studies in music 132 |
| spelling | Swinkin, Jeffrey ca. 20./21. Jh. (DE-588)1037771834 aut Performative analysis reimagining music theory for performance Jeffrey Swinkin Rochester, NY University of Rochester Press 2016 1 Online-Ressource (263 Seiten) txt rdacontent c rdamedia cr rdacarrier Eastman studies in music 132 Title from publisher's bibliographic system (viewed on 11 Jun 2021) A theory of musical interpretation. Analysis in the musical work ; Two interpretive roles -- Analytical essays. Schenkerian analysis as metaphor : Chopin, Nocturne in C minor, op. 48, no. 1 ; An analytical dialogue : Beethoven, String quartet in C minor, op. 18, no. 4, First movement ; Musical structure(s) as subtext : resisting Schumann's "Ring" This book proposes a new model for understanding the musical work, which includes interpretation -- both analysis- and performance-based -- as an integral component Musical analysis Music / Performance / Psychological aspects Music / Interpretation (Phrasing, dynamics, etc.) Musikalische Analyse (DE-588)4040814-0 gnd rswk-swf Interpretation (DE-588)4072905-9 gnd rswk-swf Musikalische Aufführungspraxis (DE-588)4170800-3 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content Musikalische Analyse (DE-588)4040814-0 s Interpretation (DE-588)4072905-9 s Musikalische Aufführungspraxis (DE-588)4170800-3 s DE-604 Erscheint auch als Druck-Ausgabe 978-1-58046-526-7 https://doi.org/10.1017/9781782046998 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Swinkin, Jeffrey ca. 20./21. Jh Performative analysis reimagining music theory for performance Musical analysis Music / Performance / Psychological aspects Music / Interpretation (Phrasing, dynamics, etc.) Musikalische Analyse (DE-588)4040814-0 gnd Interpretation (DE-588)4072905-9 gnd Musikalische Aufführungspraxis (DE-588)4170800-3 gnd |
| subject_GND | (DE-588)4040814-0 (DE-588)4072905-9 (DE-588)4170800-3 (DE-588)4113937-9 |
| title | Performative analysis reimagining music theory for performance |
| title_auth | Performative analysis reimagining music theory for performance |
| title_exact_search | Performative analysis reimagining music theory for performance |
| title_exact_search_txtP | Performative analysis reimagining music theory for performance |
| title_full | Performative analysis reimagining music theory for performance Jeffrey Swinkin |
| title_fullStr | Performative analysis reimagining music theory for performance Jeffrey Swinkin |
| title_full_unstemmed | Performative analysis reimagining music theory for performance Jeffrey Swinkin |
| title_short | Performative analysis |
| title_sort | performative analysis reimagining music theory for performance |
| title_sub | reimagining music theory for performance |
| topic | Musical analysis Music / Performance / Psychological aspects Music / Interpretation (Phrasing, dynamics, etc.) Musikalische Analyse (DE-588)4040814-0 gnd Interpretation (DE-588)4072905-9 gnd Musikalische Aufführungspraxis (DE-588)4170800-3 gnd |
| topic_facet | Musical analysis Music / Performance / Psychological aspects Music / Interpretation (Phrasing, dynamics, etc.) Musikalische Analyse Interpretation Musikalische Aufführungspraxis Hochschulschrift |
| url | https://doi.org/10.1017/9781782046998 |
| work_keys_str_mv | AT swinkinjeffrey performativeanalysisreimaginingmusictheoryforperformance |