Body as medium, artwork as epicentre, theory as instrument: a response to the review of Migrating Art Historians on the Sacred Ways by Mateusz Kapustka, Umění LXVIII (2020), pp. 229-232
Gespeichert in:
| Hauptverfasser: | , , , |
|---|---|
| Format: | Artikel |
| Sprache: | English |
| Veröffentlicht: |
2020
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| Beschreibung: | Illustrationen |
| ISSN: | 0049-5123 |
Internformat
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| spelling | Foletti, Ivan 1980- Verfasser (DE-588)1100582037 aut Body as medium, artwork as epicentre, theory as instrument a response to the review of Migrating Art Historians on the Sacred Ways by Mateusz Kapustka, Umění LXVIII (2020), pp. 229-232 Ivan Foletti - Katarína Kravčíková - Adrien Palladino - Sabina Rosenbergová 2020 Illustrationen txt rdacontent n rdamedia nc rdacarrier Text englisch, Zusammenfassung in englischer und tschechischer Sprache Kravčíková, Katarína Verfasser (DE-588)1176448013 aut Palladino, Adrien 1990- Verfasser (DE-588)1118632621 aut Rosenbergová, Sabina Verfasser (DE-588)1176448196 aut volume:68 number:4 year:2020 pages:430-433 Umění Praha, 2020 Band 68, Heft 4 (2020), Seite 430-433 (DE-604)BV002565731 0049-5123 (DE-600)128632-8 |
| spellingShingle | Foletti, Ivan 1980- Kravčíková, Katarína Palladino, Adrien 1990- Rosenbergová, Sabina Body as medium, artwork as epicentre, theory as instrument a response to the review of Migrating Art Historians on the Sacred Ways by Mateusz Kapustka, Umění LXVIII (2020), pp. 229-232 |
| title | Body as medium, artwork as epicentre, theory as instrument a response to the review of Migrating Art Historians on the Sacred Ways by Mateusz Kapustka, Umění LXVIII (2020), pp. 229-232 |
| title_auth | Body as medium, artwork as epicentre, theory as instrument a response to the review of Migrating Art Historians on the Sacred Ways by Mateusz Kapustka, Umění LXVIII (2020), pp. 229-232 |
| title_exact_search | Body as medium, artwork as epicentre, theory as instrument a response to the review of Migrating Art Historians on the Sacred Ways by Mateusz Kapustka, Umění LXVIII (2020), pp. 229-232 |
| title_exact_search_txtP | Body as medium, artwork as epicentre, theory as instrument a response to the review of Migrating Art Historians on the Sacred Ways by Mateusz Kapustka, Umění LXVIII (2020), pp. 229-232 |
| title_full | Body as medium, artwork as epicentre, theory as instrument a response to the review of Migrating Art Historians on the Sacred Ways by Mateusz Kapustka, Umění LXVIII (2020), pp. 229-232 Ivan Foletti - Katarína Kravčíková - Adrien Palladino - Sabina Rosenbergová |
| title_fullStr | Body as medium, artwork as epicentre, theory as instrument a response to the review of Migrating Art Historians on the Sacred Ways by Mateusz Kapustka, Umění LXVIII (2020), pp. 229-232 Ivan Foletti - Katarína Kravčíková - Adrien Palladino - Sabina Rosenbergová |
| title_full_unstemmed | Body as medium, artwork as epicentre, theory as instrument a response to the review of Migrating Art Historians on the Sacred Ways by Mateusz Kapustka, Umění LXVIII (2020), pp. 229-232 Ivan Foletti - Katarína Kravčíková - Adrien Palladino - Sabina Rosenbergová |
| title_short | Body as medium, artwork as epicentre, theory as instrument |
| title_sort | body as medium artwork as epicentre theory as instrument a response to the review of migrating art historians on the sacred ways by mateusz kapustka umeni lxviii 2020 pp 229 232 |
| title_sub | a response to the review of Migrating Art Historians on the Sacred Ways by Mateusz Kapustka, Umění LXVIII (2020), pp. 229-232 |
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