Photography: a cultural history
Gespeichert in:
| Vorheriger Titel: | Marien, Mary Warner Photography |
|---|---|
| 1. Verfasser: | |
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London
Laurence King Publishing
2021
|
| Ausgabe: | Fifth edition |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | XV, 552 Seiten Illustrationen (teilweise farbig) 30 cm |
| ISBN: | 9781786277855 |
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Datensatz im Suchindex
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| adam_text | CONTENTS Preface x CHAPTER TWO The Second Invention of Photography (1839-1854) 23 Introduction xm The Second Invention 23 Focus: Iron, Class, and Photography 27 Talbot and The Pencil of Nature 28 PART ONE Photography s Double Invention i Bayard: The Doubting Camera 29 Photography and the Sciences 30 The Microscope and the Telescope 30 Biology 32 CHAPTER ONE Anthropology and Medicine 33 The Origins of Photography (to 1839) 3 Focus: Photography, Race, and Slavery 36 Before Photography 4 Technological and Artistic Forebears 4 Performing Flistory? The Dr. Morton Controversy 37 Recording Events with the Camera 38 Focus: The First Photograph 8 War and Photography 40 The Invention of Photographies 9 Imaging War 40 Antoine Florence and the Question of Simultaneous Invention 9 Focus: The Mexican-American War 42 The Problem of Permanence: Wedgwood and Davy 9 British Conflicts in Asia 43 The Sun Writing of Niepce 10 The Collaboration of Niepce and Daguerre 12 Daguerre and the Latent Image 13 Expeditionary and Travel Photography 44 Egypt and the Holy Land 44 The Historic Monuments Commission 50 Responses to the Announcement of the Daguerreotype 16 Bayard s Direct Positive Process 17 Herschel s Photographic Specimens 17 Focus: The Stranger 18 Talbot’s Photogenic Drawing 19 Portraiture and the Camera 56 Coloring the Image 60 The Photography Studio 62 Celebrity Photography 63 The Firm of South worth and Hawes 63 The Politics of Invention 20 The Calotype Portrait: Hill and Adamson 64 Retake 21 Focus: The First Police Pictures? 68 The Reality Effect 69 Photography and Fiction 69
Retake 71 Philosophy and Practice: A Threat to Art? 72 CONTENTS I V
PART TWO The Expanding Domain (1854-1880) The Franco-Prussian War and the Paris Commune 112 74 Small Wars , Colonial Expansion, and Photography 114 India 115 China 118 CHAPTER THREE Popular Photography and the Aims of Art 77 Photographic Societies, Publications, and Exchange Clubs 77 Japan 122 Photography in the Middle East 124 Topographical Surveys and Photography 125 The Stereograph 78 The Abyssinian Campaign, or the Magdala Expedition The Carte-de-Visite 81 Désiré Charnay and Expeditionary Photography 127 127 The 49th Parallel Survey 128 Art and Photography 81 Art Reproduction 81 Government Surveys In the United States 129 Photography and the Transcontinental Railway 130 Photography as a Fine Art 82 Timothy O Sullivan and Survey Photography 131 High Art Photography 85 Preservation of the Wilderness: Yellowstone and Yosemite 133 War and the Photography of Native Americans 136 Women Behind the Camera 88 Women as Amateurs 88 Focus: Lewis Carroll s Photographs of Children 89 The Modoc War 136 The Fort Laramie Treaty 138 Little Big Horn 139 Portrait: Julia Margaret Cameron 92 Women as Professionals 94 Retake 139 Retake 95 CHAPTER FIVE Science and Social Science 141 CHAPTER FOUR Imaging of the Social World 97 Photography and the Social Sciences 141 Ethnographic Studies and Display 141 War and Photography 97 The Crimean War 98 Roger Fenton 98 Focus: The Valley of Death 99 James Robertson and other Crimean Photographers 101 The American Civil War 102 The Effect of the War on Photography 103 Orientalism 143 Dying Cultures 145 Popularizing Ethnic and Economic Types 146
Photographic Studies of Human Expression 149 Duchenne de Boulogne 150 Darwin 151 Charcot 152 Portrait: Mathew Brady 104 Portrait: Alexander Gardner 108 Photography in Medicine and Science 153 The Civil War and Remembrance 110 Photomicrography and Astronomical Photographs 154 Later Conflicts 111 Retake 157 The War of the Triple Alliance, South America 111 VI CONTENTS Philosophy and Practice: Superseded by Reality 158
PART THREE Photography and Modernity (1880-1918) CHAPTER SEVEN 160 Modern Life 201 The Modern City 201 CHAPTER SIX Social Reform Photography 202 The Great Divide 163 Portrait: Jacob Riis 204 Mass Media and Mass Markets 163 Portrait: Lewis Hine 205 “You press the button-We do the rest 166 The Ideal City 207 The Postcard Craze 167 Science and Photography 208 The Challenge for Art Photography 168 The Photography of Movement 208 Naturalistic Photography 168 Focus: Photography and Futurism 210 Pictorialism 170 The X-Ray 212 Movements and Magazines 172 Focus: Worker Efficiency: The Giibreths Time and Motion Studies 213 Photography and the Invention of Moving Pictures 212 The Photo-Secession 179 Portrait: Alfred Stieglitz 180 Photography, Social Science, and Exploration 214 Portrait: Edward Steichen 182 Photographing Africa 215 The Nude and Pictorialism 185 Focus: The National Geographic 217 Women in the Pictorialist Movement 185 Photographing the Pacific Paradise: Samoa 218 Portrait: Gertrude Käsebier 188 Criminal Likenesses 218 Anthropological Pictorialism War and Revolution 222 190 Non-Pictorialist Visions 192 The Spanish-American War 222 Pictorialism: A Conservative Avant-Garde 194 World War I 224 Retake 199 The Russian Revolution 226 Retake Til Philosophy and Practice: The Real Thing 228 CONTENTS I VII
PART FOUR A New Vision (1918-1945) 230 PART FIVE Through the Lens of Culture (1945-1975) Art and the Age of Mass Media 233 CHAPTER TEN The Human Family 311 Photojournalism 233 The Family of Man 311 Revolutionary Art: The Soviet Photograph 236 Cultural Relativism and Cultural Resistance 312 Focus: Making an Icon of Revolution 314 Central and South America 315 Brazil and Argentina 318 Mexico 319 CHAPTER EIGHT Dada and After 240 Moholy-Nagy and the Bauhaus 243 Focus: Photomontage or Photocollage 244 Paris-Berlin-Prague 247 Dada and Paris 248 Dada and the Machine Age in New York 248 Surrealist Photography 251 Experimental Photography and Advertising 258 Focus: Film and Photography 260 Portrait: August Sander 262 Experimental Photography as Style 263 Africa 321 Portrait: Manuel Álvarez Bravo 322 Asia 325 India 325 Japan 328 Photographing the Atomic Bomb 328 Portrait: Shomei Tomatsu 332 Retake 335 California Modern 266 Retake 275 CHAPTER ELEVEN The Cold War Era 337 CHAPTER NINE Annihilation, Alienation, Abstraction: America 339 The Americans 342 Documentary Expression and Popular Photography 277 The Origins of Documentary 277 The Farm Security Administration 278 Portrait: Margaret Bourke-White 284 Other Documents 286 Transforming the Social Documentary 287 Focus: Worker Photography in Europe 289 Popular Science/Popular Art 294 World War II 297 War and Photography 300 Retake 306 Philosophy and Practice: The Common Man and the End of Media Utopia 307 VIII I CONTENTS On the Streets 342 The Social Landscape 348 Suburbia 354 Technology and Media in Postwar America 358 Color
Photography and the Polaroid Process 358 Television, Photojournalism, and National Events 364 Photography in Art 372 Portrait: Ed Ruscha 379 The Czar s Pantheon 383 Retake 389 Philosophy and Practice: Purity and Diversity 390 308
PART SIX Convergences (1975 to the Present) 392 CHAPTER TWELVE Globalism, Technology, and Social Change 395 CHAPTER FOURTEEN Into the Twenty-First Century 493 War and Photography 493 An Era of Uncertainty 495 Focus: China 496 Photography and the Global Experience 395 The Medium of the Moment 498 Photography, Nature, and Science 401 Post-Photography 405 The End 405 The Past in the Present 499 Found Photographs 499 Black-and-white Photography Now 500 Face Value 406 Everything Old Is New Again 409 Rematerializing Photography 503 The Predicaments of Social Concern 416 Youth and Beauty 506 Focus: The Selfie 508 The Color of Concern 422 Neutral Vision 423 Portrait: Sebastião Salgado 426 Science and Society 509 Aerial Photography and Drones 513 Focus: The Cambodian Genocide Photographic Database 433 Trends and Continuations in the Twenty-first Century 514 The Look of Politics 434 Retake 517 Retake 435 Philosophy and Practice: Re-Membering 518 CHAPTER THIRTEEN The Culture of Critique 437 The New Social Documentary 437 Thinking Photography 440 Epilogue: The Future of Photography? 519 Glossary 520 The Postmodern Era 441 Postmodernist Photography 442 Picture Credits 524 Art Photography and Photography-by-Artists 444 Blurring the Subject 444 Timeline 526 Feminism and Postmodern Photography 450 Constructed Realities and the Directional Mode 452 Notes 531 Focus: Culture Wars 454 Family Pictures 462 Bibliography 541 Extended Family 466 Focus: Looking at Children 474 Index 545 Nature and the Body Politic 477 Enter Fashion 486 The Passing of Postmodernism 490 Retake 491 CONTENTS IX
|
| adam_txt |
CONTENTS Preface x CHAPTER TWO The Second Invention of Photography (1839-1854) 23 Introduction xm The Second Invention 23 Focus: Iron, Class, and Photography 27 Talbot and The Pencil of Nature 28 PART ONE Photography's Double Invention i Bayard: The Doubting Camera 29 Photography and the Sciences 30 The Microscope and the Telescope 30 Biology 32 CHAPTER ONE Anthropology and Medicine 33 The Origins of Photography (to 1839) 3 Focus: Photography, Race, and Slavery 36 Before Photography 4 Technological and Artistic Forebears 4 Performing Flistory? The Dr. Morton Controversy 37 Recording Events with the Camera 38 Focus: The First Photograph 8 War and Photography 40 The Invention of "Photographies" 9 Imaging War 40 Antoine Florence and the Question of Simultaneous Invention 9 Focus: The Mexican-American War 42 The Problem of Permanence: Wedgwood and Davy 9 British Conflicts in Asia 43 The "Sun Writing" of Niepce 10 The Collaboration of Niepce and Daguerre 12 Daguerre and the Latent Image 13 Expeditionary and Travel Photography 44 Egypt and the Holy Land 44 The Historic Monuments Commission 50 Responses to the Announcement of the Daguerreotype 16 Bayard's Direct Positive Process 17 Herschel's "Photographic Specimens" 17 Focus: The Stranger 18 Talbot’s Photogenic Drawing 19 Portraiture and the Camera 56 Coloring the Image 60 The Photography Studio 62 Celebrity Photography 63 The Firm of South worth and Hawes 63 The Politics of Invention 20 The Calotype Portrait: Hill and Adamson 64 Retake 21 Focus: The First Police Pictures? 68 The Reality Effect 69 Photography and Fiction 69
Retake 71 Philosophy and Practice: A Threat to Art? 72 CONTENTS I V
PART TWO The Expanding Domain (1854-1880) The Franco-Prussian War and the Paris Commune 112 74 "Small Wars',' Colonial Expansion, and Photography 114 India 115 China 118 CHAPTER THREE Popular Photography and the Aims of Art 77 Photographic Societies, Publications, and Exchange Clubs 77 Japan 122 Photography in the Middle East 124 Topographical Surveys and Photography 125 The Stereograph 78 The Abyssinian Campaign, or the Magdala Expedition The Carte-de-Visite 81 Désiré Charnay and Expeditionary Photography 127 127 The 49th Parallel Survey 128 Art and Photography 81 Art Reproduction 81 Government Surveys In the United States 129 Photography and the Transcontinental Railway 130 Photography as a Fine Art 82 Timothy O'Sullivan and Survey Photography 131 High Art Photography 85 Preservation of the Wilderness: Yellowstone and Yosemite 133 War and the Photography of Native Americans 136 Women Behind the Camera 88 Women as Amateurs 88 Focus: Lewis Carroll's Photographs of Children 89 The Modoc War 136 The Fort Laramie Treaty 138 Little Big Horn 139 Portrait: Julia Margaret Cameron 92 Women as Professionals 94 Retake 139 Retake 95 CHAPTER FIVE Science and Social Science 141 CHAPTER FOUR Imaging of the Social World 97 Photography and the Social Sciences 141 Ethnographic Studies and Display 141 War and Photography 97 The Crimean War 98 Roger Fenton 98 Focus: The Valley of Death 99 James Robertson and other Crimean Photographers 101 The American Civil War 102 The Effect of the War on Photography 103 Orientalism 143 "Dying Cultures" 145 Popularizing Ethnic and Economic Types 146
Photographic Studies of Human Expression 149 Duchenne de Boulogne 150 Darwin 151 Charcot 152 Portrait: Mathew Brady 104 Portrait: Alexander Gardner 108 Photography in Medicine and Science 153 The Civil War and Remembrance 110 Photomicrography and Astronomical Photographs 154 Later Conflicts 111 Retake 157 The War of the Triple Alliance, South America 111 VI CONTENTS Philosophy and Practice: "Superseded by Reality" 158
PART THREE Photography and Modernity (1880-1918) CHAPTER SEVEN 160 Modern Life 201 The Modern City 201 CHAPTER SIX Social Reform Photography 202 The Great Divide 163 Portrait: Jacob Riis 204 Mass Media and Mass Markets 163 Portrait: Lewis Hine 205 “You press the button-We do the rest" 166 The Ideal City 207 The Postcard Craze 167 Science and Photography 208 The Challenge for Art Photography 168 The Photography of Movement 208 Naturalistic Photography 168 Focus: Photography and Futurism 210 Pictorialism 170 The X-Ray 212 Movements and Magazines 172 Focus: Worker Efficiency: The Giibreths' Time and Motion Studies 213 Photography and the Invention of Moving Pictures 212 The Photo-Secession 179 Portrait: Alfred Stieglitz 180 Photography, Social Science, and Exploration 214 Portrait: Edward Steichen 182 Photographing Africa 215 The Nude and Pictorialism 185 Focus: The National Geographic 217 Women in the Pictorialist Movement 185 Photographing the Pacific Paradise: Samoa 218 Portrait: Gertrude Käsebier 188 Criminal Likenesses 218 Anthropological Pictorialism War and Revolution 222 190 Non-Pictorialist Visions 192 The Spanish-American War 222 Pictorialism: A Conservative Avant-Garde 194 World War I 224 Retake 199 The Russian Revolution 226 Retake Til Philosophy and Practice: The Real Thing 228 CONTENTS I VII
PART FOUR A New Vision (1918-1945) 230 PART FIVE Through the Lens of Culture (1945-1975) Art and the Age of Mass Media 233 CHAPTER TEN The Human Family 311 Photojournalism 233 The Family of Man 311 Revolutionary Art: The Soviet Photograph 236 Cultural Relativism and Cultural Resistance 312 Focus: Making an Icon of Revolution 314 Central and South America 315 Brazil and Argentina 318 Mexico 319 CHAPTER EIGHT Dada and After 240 Moholy-Nagy and the Bauhaus 243 Focus: Photomontage or Photocollage 244 Paris-Berlin-Prague 247 Dada and Paris 248 Dada and the Machine Age in New York 248 Surrealist Photography 251 Experimental Photography and Advertising 258 Focus: Film and Photography 260 Portrait: August Sander 262 Experimental Photography as Style 263 Africa 321 Portrait: Manuel Álvarez Bravo 322 Asia 325 India 325 Japan 328 Photographing the Atomic Bomb 328 Portrait: Shomei Tomatsu 332 Retake 335 California Modern 266 Retake 275 CHAPTER ELEVEN The Cold War Era 337 CHAPTER NINE Annihilation, Alienation, Abstraction: America 339 The Americans 342 Documentary Expression and Popular Photography 277 The Origins of Documentary 277 The Farm Security Administration 278 Portrait: Margaret Bourke-White 284 Other Documents 286 Transforming the Social Documentary 287 Focus: Worker Photography in Europe 289 Popular Science/Popular Art 294 World War II 297 War and Photography 300 Retake 306 Philosophy and Practice: The "Common Man" and the End of Media Utopia 307 VIII I CONTENTS On the Streets 342 The Social Landscape 348 Suburbia 354 Technology and Media in Postwar America 358 Color
Photography and the Polaroid Process 358 Television, Photojournalism, and National Events 364 Photography in Art 372 Portrait: Ed Ruscha 379 The Czar's Pantheon 383 Retake 389 Philosophy and Practice: Purity and Diversity 390 308
PART SIX Convergences (1975 to the Present) 392 CHAPTER TWELVE Globalism, Technology, and Social Change 395 CHAPTER FOURTEEN Into the Twenty-First Century 493 War and Photography 493 An Era of Uncertainty 495 Focus: China 496 Photography and the Global Experience 395 The Medium of the Moment 498 Photography, Nature, and Science 401 Post-Photography 405 The End 405 The Past in the Present 499 Found Photographs 499 Black-and-white Photography Now 500 Face Value 406 Everything Old Is New Again 409 Rematerializing Photography 503 The Predicaments of Social Concern 416 Youth and Beauty 506 Focus: The Selfie 508 The Color of Concern 422 Neutral Vision 423 Portrait: Sebastião Salgado 426 Science and Society 509 Aerial Photography and Drones 513 Focus: The Cambodian Genocide Photographic Database 433 Trends and Continuations in the Twenty-first Century 514 The Look of Politics 434 Retake 517 Retake 435 Philosophy and Practice: Re-Membering 518 CHAPTER THIRTEEN The Culture of Critique 437 The New Social Documentary 437 Thinking Photography 440 Epilogue: The Future of Photography? 519 Glossary 520 The Postmodern Era 441 Postmodernist Photography 442 Picture Credits 524 Art Photography and Photography-by-Artists 444 Blurring the Subject 444 Timeline 526 Feminism and Postmodern Photography 450 Constructed Realities and the Directional Mode 452 Notes 531 Focus: Culture Wars 454 Family Pictures 462 Bibliography 541 Extended Family 466 Focus: Looking at Children 474 Index 545 Nature and the Body Politic 477 Enter Fashion 486 The Passing of Postmodernism 490 Retake 491 CONTENTS IX |
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| index_date | 2024-07-03T17:56:49Z |
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