Transcultural Cinema:
David MacDougall is a pivotal figure in the development of ethnographic cinema and visual anthropology. As a filmmaker, he has directed in Africa, Australia, India, and Europe. His prize-winning films (many made jointly with his wife, Judith MacDougall) include The Wedding Camels, Lorang's Way,...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Princeton, NJ
Princeton University Press
[2021]
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| Online-Zugang: | FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
| Zusammenfassung: | David MacDougall is a pivotal figure in the development of ethnographic cinema and visual anthropology. As a filmmaker, he has directed in Africa, Australia, India, and Europe. His prize-winning films (many made jointly with his wife, Judith MacDougall) include The Wedding Camels, Lorang's Way, To Live with Herds, A Wife among Wives, Takeover, PhotoWallahs, and Tempus de Baristas. As a theorist, he articulates central issues in the relation of film to anthropology, and is one of the few documentary filmmakers who writes extensively on these concerns. The essays collected here address, for instance, the difference between films and written texts and between the position of the filmmaker and that of the anthropological writer.In fact, these works provide an overview of the history of visual anthropology, as well as commentaries on specific subjects, such as point-of-view and subjectivity, reflexivity, the use of subtitles, and the role of the cinema subject. Refreshingly free of jargon, each piece belongs very much to the tradition of the essay in its personal engagement with exploring difficult issues. The author ultimately disputes the view that ethnographic filmmaking is merely a visual form of anthropology, maintaining instead that it is a radical anthropological practice, which challenges many of the basic assumptions of the discipline of anthropology itself. Although influential among filmmakers and critics, some of these essays were published in small journals and have been until now difficult to find. The three longest pieces, including the title essay, are new |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jul 2021) |
| Beschreibung: | 1 online resource (328 pages) 25 halftones |
| ISBN: | 9781400851812 |
| DOI: | 10.1515/9781400851812 |
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| indexdate | 2024-07-10T09:11:33Z |
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| isbn | 9781400851812 |
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| spelling | MacDougall, David Verfasser aut Transcultural Cinema David MacDougall; ed. by Lucien Taylor Princeton, NJ Princeton University Press [2021] © 1999 1 online resource (328 pages) 25 halftones txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jul 2021) David MacDougall is a pivotal figure in the development of ethnographic cinema and visual anthropology. As a filmmaker, he has directed in Africa, Australia, India, and Europe. His prize-winning films (many made jointly with his wife, Judith MacDougall) include The Wedding Camels, Lorang's Way, To Live with Herds, A Wife among Wives, Takeover, PhotoWallahs, and Tempus de Baristas. As a theorist, he articulates central issues in the relation of film to anthropology, and is one of the few documentary filmmakers who writes extensively on these concerns. The essays collected here address, for instance, the difference between films and written texts and between the position of the filmmaker and that of the anthropological writer.In fact, these works provide an overview of the history of visual anthropology, as well as commentaries on specific subjects, such as point-of-view and subjectivity, reflexivity, the use of subtitles, and the role of the cinema subject. Refreshingly free of jargon, each piece belongs very much to the tradition of the essay in its personal engagement with exploring difficult issues. The author ultimately disputes the view that ethnographic filmmaking is merely a visual form of anthropology, maintaining instead that it is a radical anthropological practice, which challenges many of the basic assumptions of the discipline of anthropology itself. Although influential among filmmakers and critics, some of these essays were published in small journals and have been until now difficult to find. The three longest pieces, including the title essay, are new In English PERFORMING ARTS / Film & Video / History & Criticism bisacsh Taylor, Lucien ctb Taylor, Lucien edt https://doi.org/10.1515/9781400851812 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | MacDougall, David Transcultural Cinema PERFORMING ARTS / Film & Video / History & Criticism bisacsh |
| title | Transcultural Cinema |
| title_auth | Transcultural Cinema |
| title_exact_search | Transcultural Cinema |
| title_exact_search_txtP | Transcultural Cinema |
| title_full | Transcultural Cinema David MacDougall; ed. by Lucien Taylor |
| title_fullStr | Transcultural Cinema David MacDougall; ed. by Lucien Taylor |
| title_full_unstemmed | Transcultural Cinema David MacDougall; ed. by Lucien Taylor |
| title_short | Transcultural Cinema |
| title_sort | transcultural cinema |
| topic | PERFORMING ARTS / Film & Video / History & Criticism bisacsh |
| topic_facet | PERFORMING ARTS / Film & Video / History & Criticism |
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