Streetwalking on a Ruined Map: Cultural Theory and the City Films of Elvira Notari
Emphasizing the importance of cultural theory for film history, Giuliana Bruno enriches our understanding of early Italian film as she guides us on a series of "inferential walks" through Italian culture in the first decades of this century. This innovative approach---the interweaving of e...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Princeton, NJ
Princeton University Press
[2021]
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| Schlagworte: | |
| Online-Zugang: | DE-1043 DE-1046 DE-858 DE-859 DE-860 DE-739 DE-473 URL des Erstveröffentlichers |
| Zusammenfassung: | Emphasizing the importance of cultural theory for film history, Giuliana Bruno enriches our understanding of early Italian film as she guides us on a series of "inferential walks" through Italian culture in the first decades of this century. This innovative approach---the interweaving of examples of cinema with architecture, art history, medical discourse, photography, and literature--addresses the challenge posed by feminism to film study while calling attention to marginalized artists. An object of this critical remapping is Elvira Notari (1875-1946), Italy's first and most prolific woman filmmaker, whose documentary-style work on street life in Naples, a forerunner of neorealism, was popularly acclaimed in Italy and the United States until its suppression during the Fascist regime. Since only fragments of Notari's films exist today, Bruno illuminates the filmmaker's contributions to early Italian cinematography by evoking the cultural terrain in which she operated. What emerges is an intertextual montage of urban film culture highlighting a woman's view on love, violence, poverty, desire, and death. This panorama ranges from the city's exteriors to the body's interiors. Reclaiming an alternative history of women's filmmaking and reception, Bruno draws a cultural history that persuasively argues for a spatial, corporal interpretation of film language |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jul 2021) |
| Beschreibung: | 1 online resource (436 pages) |
| ISBN: | 9781400843985 |
| DOI: | 10.1515/9781400843985 |
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| 520 | |a Emphasizing the importance of cultural theory for film history, Giuliana Bruno enriches our understanding of early Italian film as she guides us on a series of "inferential walks" through Italian culture in the first decades of this century. This innovative approach---the interweaving of examples of cinema with architecture, art history, medical discourse, photography, and literature--addresses the challenge posed by feminism to film study while calling attention to marginalized artists. An object of this critical remapping is Elvira Notari (1875-1946), Italy's first and most prolific woman filmmaker, whose documentary-style work on street life in Naples, a forerunner of neorealism, was popularly acclaimed in Italy and the United States until its suppression during the Fascist regime. Since only fragments of Notari's films exist today, Bruno illuminates the filmmaker's contributions to early Italian cinematography by evoking the cultural terrain in which she operated. What emerges is an intertextual montage of urban film culture highlighting a woman's view on love, violence, poverty, desire, and death. This panorama ranges from the city's exteriors to the body's interiors. Reclaiming an alternative history of women's filmmaking and reception, Bruno draws a cultural history that persuasively argues for a spatial, corporal interpretation of film language | ||
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| spelling | Bruno, Giuliana Verfasser aut Streetwalking on a Ruined Map Cultural Theory and the City Films of Elvira Notari Giuliana Bruno Princeton, NJ Princeton University Press [2021] © 1993 1 online resource (436 pages) txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jul 2021) Emphasizing the importance of cultural theory for film history, Giuliana Bruno enriches our understanding of early Italian film as she guides us on a series of "inferential walks" through Italian culture in the first decades of this century. This innovative approach---the interweaving of examples of cinema with architecture, art history, medical discourse, photography, and literature--addresses the challenge posed by feminism to film study while calling attention to marginalized artists. An object of this critical remapping is Elvira Notari (1875-1946), Italy's first and most prolific woman filmmaker, whose documentary-style work on street life in Naples, a forerunner of neorealism, was popularly acclaimed in Italy and the United States until its suppression during the Fascist regime. Since only fragments of Notari's films exist today, Bruno illuminates the filmmaker's contributions to early Italian cinematography by evoking the cultural terrain in which she operated. What emerges is an intertextual montage of urban film culture highlighting a woman's view on love, violence, poverty, desire, and death. This panorama ranges from the city's exteriors to the body's interiors. Reclaiming an alternative history of women's filmmaking and reception, Bruno draws a cultural history that persuasively argues for a spatial, corporal interpretation of film language In English PERFORMING ARTS / Film & Video / History & Criticism bisacsh City and town life in motion pictures Motion pictures for women Italy Motion pictures Italy History Women in motion pictures https://doi.org/10.1515/9781400843985 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Bruno, Giuliana Streetwalking on a Ruined Map Cultural Theory and the City Films of Elvira Notari PERFORMING ARTS / Film & Video / History & Criticism bisacsh City and town life in motion pictures Motion pictures for women Italy Motion pictures Italy History Women in motion pictures |
| title | Streetwalking on a Ruined Map Cultural Theory and the City Films of Elvira Notari |
| title_auth | Streetwalking on a Ruined Map Cultural Theory and the City Films of Elvira Notari |
| title_exact_search | Streetwalking on a Ruined Map Cultural Theory and the City Films of Elvira Notari |
| title_exact_search_txtP | Streetwalking on a Ruined Map Cultural Theory and the City Films of Elvira Notari |
| title_full | Streetwalking on a Ruined Map Cultural Theory and the City Films of Elvira Notari Giuliana Bruno |
| title_fullStr | Streetwalking on a Ruined Map Cultural Theory and the City Films of Elvira Notari Giuliana Bruno |
| title_full_unstemmed | Streetwalking on a Ruined Map Cultural Theory and the City Films of Elvira Notari Giuliana Bruno |
| title_short | Streetwalking on a Ruined Map |
| title_sort | streetwalking on a ruined map cultural theory and the city films of elvira notari |
| title_sub | Cultural Theory and the City Films of Elvira Notari |
| topic | PERFORMING ARTS / Film & Video / History & Criticism bisacsh City and town life in motion pictures Motion pictures for women Italy Motion pictures Italy History Women in motion pictures |
| topic_facet | PERFORMING ARTS / Film & Video / History & Criticism City and town life in motion pictures Motion pictures for women Italy Motion pictures Italy History Women in motion pictures |
| url | https://doi.org/10.1515/9781400843985 |
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