Cosmopolitan Dreams: The Making of Modern Urdu Literary Culture in Colonial South Asia
In late nineteenth-century South Asia, the arrival of print fostered a dynamic and interactive literary culture. There, within the pages of Urdu-language periodicals and newspapers, readers found a public sphere that not only catered to their interests but encouraged their reactions to featured cont...
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Honolulu
University of Hawaii Press
[2018]
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Schlagworte: | |
Online-Zugang: | FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 URL des Erstveröffentlichers |
Zusammenfassung: | In late nineteenth-century South Asia, the arrival of print fostered a dynamic and interactive literary culture. There, within the pages of Urdu-language periodicals and newspapers, readers found a public sphere that not only catered to their interests but encouraged their reactions to featured content. Cosmopolitan Dreams brings this culture to light, showing how literature became a site in which modern daily life could be portrayed and satirized, the protocols of modernity challenged, and new futures imagined.Drawing on never-before-translated Urdu fiction and prose and focusing on the novel and satire, Jennifer Dubrow shows that modern Urdu literature was defined by its practice of self-critique and parody. Urdu writers resisted the cultural models offered by colonialism, creating instead a global community of imagination in which literary models could freely circulate and be readapted, mixed, and drawn upon to develop alternative lines of thinking. Highlighting the participation of readers and writers from diverse social and religious backgrounds, the book reveals an Urdu cosmopolis where lively debates thrived in newspapers, literary journals, and letters to the editor, shedding fresh light on the role of readers in shaping vernacular literary culture. Arguing against current understandings of Urdu as an exclusively Muslim language, Dubrow demonstrates that in the late nineteenth century, Urdu was a cosmopolitan language spoken by a transregional, transnational community that eschewed identities of religion, caste, and class.The Urdu cosmopolis pictured here was soon fractured by the forces of nationalism and communalism. Even so, Dubrow is able to establish the persistence of Urdu cosmopolitanism into the present and shows that Urdu's strong tradition as a language of secular, critical modernity did not end in the late nineteenth century but continues to flourish in film, television, and on line. In lucid prose, Dubrow makes the dynamic world of colonial Urdu print culture come to life in a way that will interest scholars of modern Asian literatures, South Asian literature and history, cosmopolitanism, and the history of print culture |
Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jul 2021) |
Beschreibung: | 1 online resource (192 pages) 3 b&w illustrations, 1 map |
ISBN: | 9780824876692 |
DOI: | 10.1515/9780824876692 |
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520 | |a In late nineteenth-century South Asia, the arrival of print fostered a dynamic and interactive literary culture. There, within the pages of Urdu-language periodicals and newspapers, readers found a public sphere that not only catered to their interests but encouraged their reactions to featured content. Cosmopolitan Dreams brings this culture to light, showing how literature became a site in which modern daily life could be portrayed and satirized, the protocols of modernity challenged, and new futures imagined.Drawing on never-before-translated Urdu fiction and prose and focusing on the novel and satire, Jennifer Dubrow shows that modern Urdu literature was defined by its practice of self-critique and parody. Urdu writers resisted the cultural models offered by colonialism, creating instead a global community of imagination in which literary models could freely circulate and be readapted, mixed, and drawn upon to develop alternative lines of thinking. | ||
520 | |a Highlighting the participation of readers and writers from diverse social and religious backgrounds, the book reveals an Urdu cosmopolis where lively debates thrived in newspapers, literary journals, and letters to the editor, shedding fresh light on the role of readers in shaping vernacular literary culture. Arguing against current understandings of Urdu as an exclusively Muslim language, Dubrow demonstrates that in the late nineteenth century, Urdu was a cosmopolitan language spoken by a transregional, transnational community that eschewed identities of religion, caste, and class.The Urdu cosmopolis pictured here was soon fractured by the forces of nationalism and communalism. Even so, Dubrow is able to establish the persistence of Urdu cosmopolitanism into the present and shows that Urdu's strong tradition as a language of secular, critical modernity did not end in the late nineteenth century but continues to flourish in film, television, and on line. | ||
520 | |a In lucid prose, Dubrow makes the dynamic world of colonial Urdu print culture come to life in a way that will interest scholars of modern Asian literatures, South Asian literature and history, cosmopolitanism, and the history of print culture | ||
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author | Dubrow, Jennifer |
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isbn | 9780824876692 |
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spelling | Dubrow, Jennifer Verfasser aut Cosmopolitan Dreams The Making of Modern Urdu Literary Culture in Colonial South Asia Jennifer Dubrow Honolulu University of Hawaii Press [2018] © 2018 1 online resource (192 pages) 3 b&w illustrations, 1 map txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jul 2021) In late nineteenth-century South Asia, the arrival of print fostered a dynamic and interactive literary culture. There, within the pages of Urdu-language periodicals and newspapers, readers found a public sphere that not only catered to their interests but encouraged their reactions to featured content. Cosmopolitan Dreams brings this culture to light, showing how literature became a site in which modern daily life could be portrayed and satirized, the protocols of modernity challenged, and new futures imagined.Drawing on never-before-translated Urdu fiction and prose and focusing on the novel and satire, Jennifer Dubrow shows that modern Urdu literature was defined by its practice of self-critique and parody. Urdu writers resisted the cultural models offered by colonialism, creating instead a global community of imagination in which literary models could freely circulate and be readapted, mixed, and drawn upon to develop alternative lines of thinking. Highlighting the participation of readers and writers from diverse social and religious backgrounds, the book reveals an Urdu cosmopolis where lively debates thrived in newspapers, literary journals, and letters to the editor, shedding fresh light on the role of readers in shaping vernacular literary culture. Arguing against current understandings of Urdu as an exclusively Muslim language, Dubrow demonstrates that in the late nineteenth century, Urdu was a cosmopolitan language spoken by a transregional, transnational community that eschewed identities of religion, caste, and class.The Urdu cosmopolis pictured here was soon fractured by the forces of nationalism and communalism. Even so, Dubrow is able to establish the persistence of Urdu cosmopolitanism into the present and shows that Urdu's strong tradition as a language of secular, critical modernity did not end in the late nineteenth century but continues to flourish in film, television, and on line. In lucid prose, Dubrow makes the dynamic world of colonial Urdu print culture come to life in a way that will interest scholars of modern Asian literatures, South Asian literature and history, cosmopolitanism, and the history of print culture In English HISTORY / Asia / India & South Asia bisacsh Literature and society South Asia History 19th century Urdu literature 19th century History and criticism https://doi.org/10.1515/9780824876692 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Dubrow, Jennifer Cosmopolitan Dreams The Making of Modern Urdu Literary Culture in Colonial South Asia HISTORY / Asia / India & South Asia bisacsh Literature and society South Asia History 19th century Urdu literature 19th century History and criticism |
title | Cosmopolitan Dreams The Making of Modern Urdu Literary Culture in Colonial South Asia |
title_auth | Cosmopolitan Dreams The Making of Modern Urdu Literary Culture in Colonial South Asia |
title_exact_search | Cosmopolitan Dreams The Making of Modern Urdu Literary Culture in Colonial South Asia |
title_exact_search_txtP | Cosmopolitan Dreams The Making of Modern Urdu Literary Culture in Colonial South Asia |
title_full | Cosmopolitan Dreams The Making of Modern Urdu Literary Culture in Colonial South Asia Jennifer Dubrow |
title_fullStr | Cosmopolitan Dreams The Making of Modern Urdu Literary Culture in Colonial South Asia Jennifer Dubrow |
title_full_unstemmed | Cosmopolitan Dreams The Making of Modern Urdu Literary Culture in Colonial South Asia Jennifer Dubrow |
title_short | Cosmopolitan Dreams |
title_sort | cosmopolitan dreams the making of modern urdu literary culture in colonial south asia |
title_sub | The Making of Modern Urdu Literary Culture in Colonial South Asia |
topic | HISTORY / Asia / India & South Asia bisacsh Literature and society South Asia History 19th century Urdu literature 19th century History and criticism |
topic_facet | HISTORY / Asia / India & South Asia Literature and society South Asia History 19th century Urdu literature 19th century History and criticism |
url | https://doi.org/10.1515/9780824876692 |
work_keys_str_mv | AT dubrowjennifer cosmopolitandreamsthemakingofmodernurduliterarycultureincolonialsouthasia |