The Zoomorphic Imagination in Chinese Art and Culture:
China has an age-old zoomorphic tradition. The First Emperor was famously said to have had the heart of a tiger and a wolf. The names of foreign tribes were traditionally written with characters that included animal radicals. In modern times, the communist government frequently referred to Nationali...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
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Honolulu
University of Hawaii Press
[2016]
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| Online-Zugang: | FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
| Zusammenfassung: | China has an age-old zoomorphic tradition. The First Emperor was famously said to have had the heart of a tiger and a wolf. The names of foreign tribes were traditionally written with characters that included animal radicals. In modern times, the communist government frequently referred to Nationalists as "running dogs," and President Xi Jinping, vowing to quell corruption at all levels, pledged to capture both "the tigers" and "the flies." Splendidly illustrated with works ranging from Bronze Age vessels to twentieth-century conceptual pieces, this volume is a wide-ranging look at zoomorphic and anthropomorphic imagery in Chinese art. The contributors, leading scholars in Chinese art history and related fields, consider depictions of animals not as simple, one-for-one symbolic equivalents: they pursue in depth, in complexity, and in multiple dimensions the ways that Chinese have used animals from earliest times to the present day to represent and rhetorically stage complex ideas about the world around them, examining what this means about China, past and present.In each chapter, a specific example or theme based on real or mythic creatures is derived from religious, political, or other sources, providing the detailed and learned examination needed to understand the means by which such imagery was embedded in Chinese cultural life. Bronze Age taotie motifs, calendrical animals, zoomorphic modes in Tantric Buddhist art, Song dragons and their painters, animal rebuses, Heaven-sent auspicious horses and foreign-sent tribute giraffes, the fantastic specimens depicted in the Qing Manual of Sea Oddities, the weirdly indeterminate creatures found in the contemporary art of Huang Yong Ping-these and other notable examples reveal Chinese attitudes over time toward the animal realm, explore Chinese psychology and patterns of imagination, and explain some of the critical means and motives of Chinese visual culture.The Zoomorphic Imagination in Chinese Art and Culture will find a ready audience among East Asian art and visual culture specialists and those with an interest in literary or visual rhetoric.Contributors: Sarah Allan, Qianshen Bai, Susan Bush, Daniel Greenberg, Carmelita (Carma) Hinton, Judy Chungwa Ho, Kristina Kleutghen, Kathlyn Liscomb, Jennifer Purtle, Jerome Silbergeld, Henrik Sørensen, and Eugene Y. Wang |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jul 2021) |
| Beschreibung: | 1 online resource (472 pages) 124 color and 90 b&w illustrations |
| ISBN: | 9780824872564 |
| DOI: | 10.1515/9780824872564 |
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| 520 | |a China has an age-old zoomorphic tradition. The First Emperor was famously said to have had the heart of a tiger and a wolf. The names of foreign tribes were traditionally written with characters that included animal radicals. In modern times, the communist government frequently referred to Nationalists as "running dogs," and President Xi Jinping, vowing to quell corruption at all levels, pledged to capture both "the tigers" and "the flies." Splendidly illustrated with works ranging from Bronze Age vessels to twentieth-century conceptual pieces, this volume is a wide-ranging look at zoomorphic and anthropomorphic imagery in Chinese art. | ||
| 520 | |a The contributors, leading scholars in Chinese art history and related fields, consider depictions of animals not as simple, one-for-one symbolic equivalents: they pursue in depth, in complexity, and in multiple dimensions the ways that Chinese have used animals from earliest times to the present day to represent and rhetorically stage complex ideas about the world around them, examining what this means about China, past and present.In each chapter, a specific example or theme based on real or mythic creatures is derived from religious, political, or other sources, providing the detailed and learned examination needed to understand the means by which such imagery was embedded in Chinese cultural life. | ||
| 520 | |a Bronze Age taotie motifs, calendrical animals, zoomorphic modes in Tantric Buddhist art, Song dragons and their painters, animal rebuses, Heaven-sent auspicious horses and foreign-sent tribute giraffes, the fantastic specimens depicted in the Qing Manual of Sea Oddities, the weirdly indeterminate creatures found in the contemporary art of Huang Yong Ping-these and other notable examples reveal Chinese attitudes over time toward the animal realm, explore Chinese psychology and patterns of imagination, and explain some of the critical means and motives of Chinese visual culture.The Zoomorphic Imagination in Chinese Art and Culture will find a ready audience among East Asian art and visual culture specialists and those with an interest in literary or visual rhetoric.Contributors: Sarah Allan, Qianshen Bai, Susan Bush, Daniel Greenberg, Carmelita (Carma) Hinton, Judy Chungwa Ho, Kristina Kleutghen, Kathlyn Liscomb, Jennifer Purtle, Jerome Silbergeld, Henrik Sørensen, and Eugene Y. Wang | ||
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| author2 | Allan, Sarah Bai, Qianshen Bush, Susan Greenberg, Daniel Hinton, Carmelita Ho, Judy Chungwa Kleutghen, Kristina Liscomb, Kathlyn Purtle, Jennifer Silbergeld, Jerome Silbergeld, Jerome Sørensen, Henrik H. |
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| id | DE-604.BV047416071 |
| illustrated | Illustrated |
| index_date | 2024-07-03T17:55:40Z |
| indexdate | 2024-07-10T09:11:33Z |
| institution | BVB |
| isbn | 9780824872564 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032816950 |
| oclc_num | 1165603154 |
| open_access_boolean | |
| owner | DE-1043 DE-1046 DE-858 DE-Aug4 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 |
| owner_facet | DE-1043 DE-1046 DE-858 DE-Aug4 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 |
| physical | 1 online resource (472 pages) 124 color and 90 b&w illustrations |
| psigel | ZDB-23-DGG ZDB-23-DGG FAB_PDA_DGG ZDB-23-DGG FAW_PDA_DGG ZDB-23-DGG FCO_PDA_DGG ZDB-23-DGG FHA_PDA_DGG ZDB-23-DGG FKE_PDA_DGG ZDB-23-DGG FLA_PDA_DGG ZDB-23-DGG UPA_PDA_DGG ZDB-23-DGG UBG_PDA_DGG |
| publishDate | 2016 |
| publishDateSearch | 2016 |
| publishDateSort | 2016 |
| publisher | University of Hawaii Press |
| record_format | marc |
| spelling | The Zoomorphic Imagination in Chinese Art and Culture ed. by Jerome Silbergeld, Eugene Y. Wang Honolulu University of Hawaii Press [2016] © 2016 1 online resource (472 pages) 124 color and 90 b&w illustrations txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jul 2021) China has an age-old zoomorphic tradition. The First Emperor was famously said to have had the heart of a tiger and a wolf. The names of foreign tribes were traditionally written with characters that included animal radicals. In modern times, the communist government frequently referred to Nationalists as "running dogs," and President Xi Jinping, vowing to quell corruption at all levels, pledged to capture both "the tigers" and "the flies." Splendidly illustrated with works ranging from Bronze Age vessels to twentieth-century conceptual pieces, this volume is a wide-ranging look at zoomorphic and anthropomorphic imagery in Chinese art. The contributors, leading scholars in Chinese art history and related fields, consider depictions of animals not as simple, one-for-one symbolic equivalents: they pursue in depth, in complexity, and in multiple dimensions the ways that Chinese have used animals from earliest times to the present day to represent and rhetorically stage complex ideas about the world around them, examining what this means about China, past and present.In each chapter, a specific example or theme based on real or mythic creatures is derived from religious, political, or other sources, providing the detailed and learned examination needed to understand the means by which such imagery was embedded in Chinese cultural life. Bronze Age taotie motifs, calendrical animals, zoomorphic modes in Tantric Buddhist art, Song dragons and their painters, animal rebuses, Heaven-sent auspicious horses and foreign-sent tribute giraffes, the fantastic specimens depicted in the Qing Manual of Sea Oddities, the weirdly indeterminate creatures found in the contemporary art of Huang Yong Ping-these and other notable examples reveal Chinese attitudes over time toward the animal realm, explore Chinese psychology and patterns of imagination, and explain some of the critical means and motives of Chinese visual culture.The Zoomorphic Imagination in Chinese Art and Culture will find a ready audience among East Asian art and visual culture specialists and those with an interest in literary or visual rhetoric.Contributors: Sarah Allan, Qianshen Bai, Susan Bush, Daniel Greenberg, Carmelita (Carma) Hinton, Judy Chungwa Ho, Kristina Kleutghen, Kathlyn Liscomb, Jennifer Purtle, Jerome Silbergeld, Henrik Sørensen, and Eugene Y. Wang In English ART / Asian / General bisacsh Animals in art Art, Chinese Allan, Sarah ctb Allan, Sarah Sonstige oth Bai, Qianshen ctb Bai, Qianshen Sonstige oth Bush, Susan ctb Bush, Susan Sonstige oth Greenberg, Daniel ctb Greenberg, Daniel Sonstige oth Hinton, Carmelita (Carma) Sonstige oth Hinton, Carmelita ctb Ho, Judy Chungwa ctb Ho, Judy Chungwa Sonstige oth Kleutghen, Kristina ctb Kleutghen, Kristina Sonstige oth Liscomb, Kathlyn ctb Liscomb, Kathlyn Sonstige oth Purtle, Jennifer ctb Purtle, Jennifer Sonstige oth Silbergeld, Jerome ctb Silbergeld, Jerome edt Sørensen, Henrik H. ctb Sørensen, Henrik Sonstige oth Wang, Eugene Y.XXecontributorXX4ctbXX4https://id.loc.gov/vocabulary/relators/ctb Sonstige oth Wang, Eugene Y.XXeeditorXX4edtXX4http://id.loc.gov/vocabulary/relators/edt Sonstige oth https://doi.org/10.1515/9780824872564 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | The Zoomorphic Imagination in Chinese Art and Culture ART / Asian / General bisacsh Animals in art Art, Chinese |
| title | The Zoomorphic Imagination in Chinese Art and Culture |
| title_auth | The Zoomorphic Imagination in Chinese Art and Culture |
| title_exact_search | The Zoomorphic Imagination in Chinese Art and Culture |
| title_exact_search_txtP | The Zoomorphic Imagination in Chinese Art and Culture |
| title_full | The Zoomorphic Imagination in Chinese Art and Culture ed. by Jerome Silbergeld, Eugene Y. Wang |
| title_fullStr | The Zoomorphic Imagination in Chinese Art and Culture ed. by Jerome Silbergeld, Eugene Y. Wang |
| title_full_unstemmed | The Zoomorphic Imagination in Chinese Art and Culture ed. by Jerome Silbergeld, Eugene Y. Wang |
| title_short | The Zoomorphic Imagination in Chinese Art and Culture |
| title_sort | the zoomorphic imagination in chinese art and culture |
| topic | ART / Asian / General bisacsh Animals in art Art, Chinese |
| topic_facet | ART / Asian / General Animals in art Art, Chinese |
| url | https://doi.org/10.1515/9780824872564 |
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