Monastery, Monument, Museum: Sites and Artifacts of Thai Cultural Memory
Ranging across the longue durée of Thailand's history, Monastery, Monument, Museum is an eminently readable and original contribution to the study of the kingdom's art and culture. Eschewing issues of dating, style, and iconography, historian Maurizio Peleggi addresses distinct types of ar...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Honolulu
University of Hawaii Press
[2017]
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| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
| Zusammenfassung: | Ranging across the longue durée of Thailand's history, Monastery, Monument, Museum is an eminently readable and original contribution to the study of the kingdom's art and culture. Eschewing issues of dating, style, and iconography, historian Maurizio Peleggi addresses distinct types of artifacts and artworks as both the products and vehicles of cultural memory. From the temples of Chiangmai to the Emerald Buddha, from the National Museum of Bangkok to the prehistoric culture of Northeast Thailand, and from the civic monuments of the 1930s to the political artworks of the late twentieth century, even well-known artworks and monuments reveal new meanings when approached from this perspective.Part I, "Sacred Geographies," focuses on the premodern era, when religious credence informed the cultural alteration of landscape, and devotional sites and artifacts, including visual representation of the Buddhist cosmology, were created. Part II, "Antiquities and National History," covers the 1830s through the 1970s, when antiquarianism, and eventually archaeology, emerged and developed in the kingdom, partly the result of a shift in the elites' worldview and partly a response to colonial and neocolonial projects of knowledge. Part III, "Discordant Mnemoscapes," deals with civic monuments and artworks that anchor memory of twentieth-century political events and provide stages for both their commemoration and counter-commemoration by evoking the country's embattled political present.Monastery, Monument, Museum shows us how cultural memory represents a kind of palimpsest, the result of multiple inscriptions, reworkings, and manipulations over time. The book will be a rewarding read for historians, art historians, anthropologists, and Buddhism scholars working on Thailand and Southeast Asia generally, as well as for academic and general readers with an interest in memory and material culture |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jul 2021) |
| Beschreibung: | 1 online resource (272 pages) 9 color, 27 b&w illustrations |
| ISBN: | 9780824866099 |
| DOI: | 10.1515/9780824866099 |
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| 520 | |a Ranging across the longue durée of Thailand's history, Monastery, Monument, Museum is an eminently readable and original contribution to the study of the kingdom's art and culture. Eschewing issues of dating, style, and iconography, historian Maurizio Peleggi addresses distinct types of artifacts and artworks as both the products and vehicles of cultural memory. From the temples of Chiangmai to the Emerald Buddha, from the National Museum of Bangkok to the prehistoric culture of Northeast Thailand, and from the civic monuments of the 1930s to the political artworks of the late twentieth century, even well-known artworks and monuments reveal new meanings when approached from this perspective.Part I, "Sacred Geographies," focuses on the premodern era, when religious credence informed the cultural alteration of landscape, and devotional sites and artifacts, including visual representation of the Buddhist cosmology, were created. Part II, "Antiquities and National History," covers the 1830s through the 1970s, when antiquarianism, and eventually archaeology, emerged and developed in the kingdom, partly the result of a shift in the elites' worldview and partly a response to colonial and neocolonial projects of knowledge. Part III, "Discordant Mnemoscapes," deals with civic monuments and artworks that anchor memory of twentieth-century political events and provide stages for both their commemoration and counter-commemoration by evoking the country's embattled political present.Monastery, Monument, Museum shows us how cultural memory represents a kind of palimpsest, the result of multiple inscriptions, reworkings, and manipulations over time. The book will be a rewarding read for historians, art historians, anthropologists, and Buddhism scholars working on Thailand and Southeast Asia generally, as well as for academic and general readers with an interest in memory and material culture | ||
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| index_date | 2024-07-03T17:55:40Z |
| indexdate | 2024-07-10T09:11:33Z |
| institution | BVB |
| isbn | 9780824866099 |
| language | English |
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| spelling | Peleggi, Maurizio Verfasser aut Monastery, Monument, Museum Sites and Artifacts of Thai Cultural Memory Maurizio Peleggi Honolulu University of Hawaii Press [2017] © 2017 1 online resource (272 pages) 9 color, 27 b&w illustrations txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jul 2021) Ranging across the longue durée of Thailand's history, Monastery, Monument, Museum is an eminently readable and original contribution to the study of the kingdom's art and culture. Eschewing issues of dating, style, and iconography, historian Maurizio Peleggi addresses distinct types of artifacts and artworks as both the products and vehicles of cultural memory. From the temples of Chiangmai to the Emerald Buddha, from the National Museum of Bangkok to the prehistoric culture of Northeast Thailand, and from the civic monuments of the 1930s to the political artworks of the late twentieth century, even well-known artworks and monuments reveal new meanings when approached from this perspective.Part I, "Sacred Geographies," focuses on the premodern era, when religious credence informed the cultural alteration of landscape, and devotional sites and artifacts, including visual representation of the Buddhist cosmology, were created. Part II, "Antiquities and National History," covers the 1830s through the 1970s, when antiquarianism, and eventually archaeology, emerged and developed in the kingdom, partly the result of a shift in the elites' worldview and partly a response to colonial and neocolonial projects of knowledge. Part III, "Discordant Mnemoscapes," deals with civic monuments and artworks that anchor memory of twentieth-century political events and provide stages for both their commemoration and counter-commemoration by evoking the country's embattled political present.Monastery, Monument, Museum shows us how cultural memory represents a kind of palimpsest, the result of multiple inscriptions, reworkings, and manipulations over time. The book will be a rewarding read for historians, art historians, anthropologists, and Buddhism scholars working on Thailand and Southeast Asia generally, as well as for academic and general readers with an interest in memory and material culture In English HISTORY / Asia / Southeast Asia bisacsh Art and society Thailand Art, Thai Buddhist art Thailand Collective memory Thailand Monuments Thailand https://doi.org/10.1515/9780824866099 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Peleggi, Maurizio Monastery, Monument, Museum Sites and Artifacts of Thai Cultural Memory HISTORY / Asia / Southeast Asia bisacsh Art and society Thailand Art, Thai Buddhist art Thailand Collective memory Thailand Monuments Thailand |
| title | Monastery, Monument, Museum Sites and Artifacts of Thai Cultural Memory |
| title_auth | Monastery, Monument, Museum Sites and Artifacts of Thai Cultural Memory |
| title_exact_search | Monastery, Monument, Museum Sites and Artifacts of Thai Cultural Memory |
| title_exact_search_txtP | Monastery, Monument, Museum Sites and Artifacts of Thai Cultural Memory |
| title_full | Monastery, Monument, Museum Sites and Artifacts of Thai Cultural Memory Maurizio Peleggi |
| title_fullStr | Monastery, Monument, Museum Sites and Artifacts of Thai Cultural Memory Maurizio Peleggi |
| title_full_unstemmed | Monastery, Monument, Museum Sites and Artifacts of Thai Cultural Memory Maurizio Peleggi |
| title_short | Monastery, Monument, Museum |
| title_sort | monastery monument museum sites and artifacts of thai cultural memory |
| title_sub | Sites and Artifacts of Thai Cultural Memory |
| topic | HISTORY / Asia / Southeast Asia bisacsh Art and society Thailand Art, Thai Buddhist art Thailand Collective memory Thailand Monuments Thailand |
| topic_facet | HISTORY / Asia / Southeast Asia Art and society Thailand Art, Thai Buddhist art Thailand Collective memory Thailand Monuments Thailand |
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