The Phantom Heroine: Ghosts and Gender in Seventeenth-Century Chinese Literature
The "phantom heroine"-in particular the fantasy of her resurrection through sex with a living man-is one of the most striking features of traditional Chinese literature. Even today the hypersexual female ghost continues to be a source of fascination in East Asian media, much like the sexua...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Honolulu
University of Hawaii Press
[2007]
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| Schlagworte: | |
| Online-Zugang: | DE-1043 DE-1046 DE-858 DE-859 DE-860 DE-739 DE-473 Volltext |
| Zusammenfassung: | The "phantom heroine"-in particular the fantasy of her resurrection through sex with a living man-is one of the most striking features of traditional Chinese literature. Even today the hypersexual female ghost continues to be a source of fascination in East Asian media, much like the sexually predatory vampire in American and European movies, TV, and novels. But while vampires can be of either gender, erotic Chinese ghosts are almost exclusively female. The significance of this gender asymmetry in Chinese literary history is the subject of Judith Zeitlin's elegantly written and meticulously researched new book.Zeitlin's study centers on the seventeenth century, one of the most interesting and creative periods of Chinese literature and politically one of the most traumatic, witnessing the overthrow of the Ming, the Manchu conquest, and the subsequent founding of the Qing. Drawing on fiction, drama, poetry, medical cases, and visual culture, the author departs from more traditional literary studies, which tend to focus on a single genre or author. Ranging widely across disciplines, she integrates detailed analyses of great literary works with insights drawn from the history of medicine, art history, comparative literature, anthropology, religion, and performance studies.The Phantom Heroine probes the complex literary and cultural roots of the Chinese ghost tradition. Zeitlin is the first to address its most remarkable feature: the phenomenon of verse attributed to phantom writers-that is, authors actually reputed to be spirits of the deceased. She also makes the case for the importance of lyric poetry in developing a ghostly aesthetics and image code. Most strikingly, Zeitlin shows that the representation of female ghosts, far from being a marginal preoccupation, expresses cultural concerns of central importance |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jul 2021) |
| Beschreibung: | 1 online resource (384 pages) 27 illustrations |
| ISBN: | 9780824864934 |
| DOI: | 10.1515/9780824864934 |
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| 520 | |a The "phantom heroine"-in particular the fantasy of her resurrection through sex with a living man-is one of the most striking features of traditional Chinese literature. Even today the hypersexual female ghost continues to be a source of fascination in East Asian media, much like the sexually predatory vampire in American and European movies, TV, and novels. But while vampires can be of either gender, erotic Chinese ghosts are almost exclusively female. The significance of this gender asymmetry in Chinese literary history is the subject of Judith Zeitlin's elegantly written and meticulously researched new book.Zeitlin's study centers on the seventeenth century, one of the most interesting and creative periods of Chinese literature and politically one of the most traumatic, witnessing the overthrow of the Ming, the Manchu conquest, and the subsequent founding of the Qing. Drawing on fiction, drama, poetry, medical cases, and visual culture, the author departs from more traditional literary studies, which tend to focus on a single genre or author. Ranging widely across disciplines, she integrates detailed analyses of great literary works with insights drawn from the history of medicine, art history, comparative literature, anthropology, religion, and performance studies.The Phantom Heroine probes the complex literary and cultural roots of the Chinese ghost tradition. Zeitlin is the first to address its most remarkable feature: the phenomenon of verse attributed to phantom writers-that is, authors actually reputed to be spirits of the deceased. She also makes the case for the importance of lyric poetry in developing a ghostly aesthetics and image code. Most strikingly, Zeitlin shows that the representation of female ghosts, far from being a marginal preoccupation, expresses cultural concerns of central importance | ||
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| discipline | Außereuropäische Sprachen und Literaturen |
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| spelling | Zeitlin, Judith T. Verfasser aut The Phantom Heroine Ghosts and Gender in Seventeenth-Century Chinese Literature Judith T. Zeitlin Honolulu University of Hawaii Press [2007] © 2007 1 online resource (384 pages) 27 illustrations txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jul 2021) The "phantom heroine"-in particular the fantasy of her resurrection through sex with a living man-is one of the most striking features of traditional Chinese literature. Even today the hypersexual female ghost continues to be a source of fascination in East Asian media, much like the sexually predatory vampire in American and European movies, TV, and novels. But while vampires can be of either gender, erotic Chinese ghosts are almost exclusively female. The significance of this gender asymmetry in Chinese literary history is the subject of Judith Zeitlin's elegantly written and meticulously researched new book.Zeitlin's study centers on the seventeenth century, one of the most interesting and creative periods of Chinese literature and politically one of the most traumatic, witnessing the overthrow of the Ming, the Manchu conquest, and the subsequent founding of the Qing. Drawing on fiction, drama, poetry, medical cases, and visual culture, the author departs from more traditional literary studies, which tend to focus on a single genre or author. Ranging widely across disciplines, she integrates detailed analyses of great literary works with insights drawn from the history of medicine, art history, comparative literature, anthropology, religion, and performance studies.The Phantom Heroine probes the complex literary and cultural roots of the Chinese ghost tradition. Zeitlin is the first to address its most remarkable feature: the phenomenon of verse attributed to phantom writers-that is, authors actually reputed to be spirits of the deceased. She also makes the case for the importance of lyric poetry in developing a ghostly aesthetics and image code. Most strikingly, Zeitlin shows that the representation of female ghosts, far from being a marginal preoccupation, expresses cultural concerns of central importance In English LITERARY CRITICISM / Asian / Chinese bisacsh Chinese literature Ming dynasty, 1368-1644 History and criticism Chinese literature Qing dynasty, 1644-1912 History and criticism Gender identity in literature Ghosts in literature https://doi.org/10.1515/9780824864934 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Zeitlin, Judith T. The Phantom Heroine Ghosts and Gender in Seventeenth-Century Chinese Literature LITERARY CRITICISM / Asian / Chinese bisacsh Chinese literature Ming dynasty, 1368-1644 History and criticism Chinese literature Qing dynasty, 1644-1912 History and criticism Gender identity in literature Ghosts in literature |
| title | The Phantom Heroine Ghosts and Gender in Seventeenth-Century Chinese Literature |
| title_auth | The Phantom Heroine Ghosts and Gender in Seventeenth-Century Chinese Literature |
| title_exact_search | The Phantom Heroine Ghosts and Gender in Seventeenth-Century Chinese Literature |
| title_exact_search_txtP | The Phantom Heroine Ghosts and Gender in Seventeenth-Century Chinese Literature |
| title_full | The Phantom Heroine Ghosts and Gender in Seventeenth-Century Chinese Literature Judith T. Zeitlin |
| title_fullStr | The Phantom Heroine Ghosts and Gender in Seventeenth-Century Chinese Literature Judith T. Zeitlin |
| title_full_unstemmed | The Phantom Heroine Ghosts and Gender in Seventeenth-Century Chinese Literature Judith T. Zeitlin |
| title_short | The Phantom Heroine |
| title_sort | the phantom heroine ghosts and gender in seventeenth century chinese literature |
| title_sub | Ghosts and Gender in Seventeenth-Century Chinese Literature |
| topic | LITERARY CRITICISM / Asian / Chinese bisacsh Chinese literature Ming dynasty, 1368-1644 History and criticism Chinese literature Qing dynasty, 1644-1912 History and criticism Gender identity in literature Ghosts in literature |
| topic_facet | LITERARY CRITICISM / Asian / Chinese Chinese literature Ming dynasty, 1368-1644 History and criticism Chinese literature Qing dynasty, 1644-1912 History and criticism Gender identity in literature Ghosts in literature |
| url | https://doi.org/10.1515/9780824864934 |
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