Panic and Deaf: Two Modern Satires
Educated Youth. The Lost Generation. They served Maos Cultural Revolution as Red Guards in the late 1960s, only to be sacrificed to that same revolution a decade later when they were rusticated to desolate communes and the wastelands of northern China. When they were allowed to return to the cities...
Gespeichert in:
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Honolulu
University of Hawaii Press
[2001]
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| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
| Zusammenfassung: | Educated Youth. The Lost Generation. They served Maos Cultural Revolution as Red Guards in the late 1960s, only to be sacrificed to that same revolution a decade later when they were rusticated to desolate communes and the wastelands of northern China. When they were allowed to return to the cities, they found themselves dislocated once again, this time by the social and economic upheavals of the post-Mao era. A former Red Guard and one of Chinas most accomplished satirists, Liang Xiaosheng follows his compatriots as they make their way through the morass of petty corruption, bureaucratic back-biting, and opportunism that is the new New China. In a tone deceptively light and humorous, Liang expresses the financial and sexual frustration, pathetic mediocrity, and impotent resentment of aging educated youth trapped in a public sector rendered increasingly superfluous by the brash econonic dynamism of Chinas new entrepreneurial class. Mordant and absurdist touches abound in Panic, a hilarious, often heartrending comedy of manners from Chinas Roaring Nineties. Liang depicts modern, dysfunctional man as being hopelessly badgered by hypercapitalist performance ratings while Marx and Lenin look on. Deaf, likewise, is high comedy, spinning multiple allegories of truth, faith, and the human condition. Fluently and gracefully translated, these two stories capture the spiritual chaos of todays China, a place as far removed from the exotic Qing Dynasty court as it is from the political and social turmoil of the Cultural Revolution |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jul 2021) |
| Beschreibung: | 1 online resource (168 pages) |
| ISBN: | 9780824863852 |
| DOI: | 10.1515/9780824863852 |
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Datensatz im Suchindex
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| author | Xiaosheng, Liang |
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| author_facet | Xiaosheng, Liang Belcher, James O. |
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| discipline | Außereuropäische Sprachen und Literaturen |
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| isbn | 9780824863852 |
| language | English |
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| spelling | Xiaosheng, Liang Verfasser aut Panic and Deaf Two Modern Satires Liang Xiaosheng; ed. by James O. Belcher Honolulu University of Hawaii Press [2001] © 2001 1 online resource (168 pages) txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jul 2021) Educated Youth. The Lost Generation. They served Maos Cultural Revolution as Red Guards in the late 1960s, only to be sacrificed to that same revolution a decade later when they were rusticated to desolate communes and the wastelands of northern China. When they were allowed to return to the cities, they found themselves dislocated once again, this time by the social and economic upheavals of the post-Mao era. A former Red Guard and one of Chinas most accomplished satirists, Liang Xiaosheng follows his compatriots as they make their way through the morass of petty corruption, bureaucratic back-biting, and opportunism that is the new New China. In a tone deceptively light and humorous, Liang expresses the financial and sexual frustration, pathetic mediocrity, and impotent resentment of aging educated youth trapped in a public sector rendered increasingly superfluous by the brash econonic dynamism of Chinas new entrepreneurial class. Mordant and absurdist touches abound in Panic, a hilarious, often heartrending comedy of manners from Chinas Roaring Nineties. Liang depicts modern, dysfunctional man as being hopelessly badgered by hypercapitalist performance ratings while Marx and Lenin look on. Deaf, likewise, is high comedy, spinning multiple allegories of truth, faith, and the human condition. Fluently and gracefully translated, these two stories capture the spiritual chaos of todays China, a place as far removed from the exotic Qing Dynasty court as it is from the political and social turmoil of the Cultural Revolution In English LITERARY CRITICISM / Asian / Chinese bisacsh Belcher, James O. edt Chen, Hanming Sonstige oth https://doi.org/10.1515/9780824863852 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Xiaosheng, Liang Panic and Deaf Two Modern Satires LITERARY CRITICISM / Asian / Chinese bisacsh |
| title | Panic and Deaf Two Modern Satires |
| title_auth | Panic and Deaf Two Modern Satires |
| title_exact_search | Panic and Deaf Two Modern Satires |
| title_exact_search_txtP | Panic and Deaf Two Modern Satires |
| title_full | Panic and Deaf Two Modern Satires Liang Xiaosheng; ed. by James O. Belcher |
| title_fullStr | Panic and Deaf Two Modern Satires Liang Xiaosheng; ed. by James O. Belcher |
| title_full_unstemmed | Panic and Deaf Two Modern Satires Liang Xiaosheng; ed. by James O. Belcher |
| title_short | Panic and Deaf |
| title_sort | panic and deaf two modern satires |
| title_sub | Two Modern Satires |
| topic | LITERARY CRITICISM / Asian / Chinese bisacsh |
| topic_facet | LITERARY CRITICISM / Asian / Chinese |
| url | https://doi.org/10.1515/9780824863852 |
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