Modanizumu: Modernist Fiction from Japan, 1913-1938
Remarkably little has been written on the subject of modernism in Japanese fiction. Until now there has been neither a comprehensive survey of Japanese modernist fiction nor an anthology of translations to provide a systematic introduction. Only recently have the terms "modernism" and &quo...
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Format: | Elektronisch E-Book |
Sprache: | English |
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Honolulu
University of Hawaii Press
[2008]
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Online-Zugang: | FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 URL des Erstveröffentlichers |
Zusammenfassung: | Remarkably little has been written on the subject of modernism in Japanese fiction. Until now there has been neither a comprehensive survey of Japanese modernist fiction nor an anthology of translations to provide a systematic introduction. Only recently have the terms "modernism" and "modernist" become part of the standard discourse in English on modern Japanese literature and doubts concerning their authenticity vis-a-vis Western European modernism remain. This anomaly is especially ironic in view of the decidedly modan prose crafted by such well-known Japanese writers as Kawabata Yasunari, Nagai Kafu, and Tanizaki Jun'ichiro. By contrast, scholars in the visual and fine arts, architecture, and poetry readily embraced modanizumu as a key concept for describing and analyzing Japanese culture in the 1920s and 1930s.This volume addresses this discrepancy by presenting in translation for the first time a collection of twenty-five stories and novellas representative of Japanese authors who worked in the modernist idiom from 1913 to 1938. Its prefatory materials provide a systematic overview of the literary movement's salient features-anti-naturalism, cosmopolitanism, the concept of the double self, and actionism-and describe how modanizumu evolved from its early "jagged edges" into a sophisticated yet popular expression of Japanese urban life in the first half of the twentieth century. The modanist style, characterized by youthful exuberance, a tongue-in-cheek tone, and narrative techniques like superimposition, is amply illustrated.Modanizumu introduces faces altogether new or relatively unknown: Abe Tomoji, Kajii Motojiro, Murayama Kaita, Osaki Midori, Tachibana Sotoo, Takeda Rintaro, Tani Joji, Yoshiyuki Eisuke, and Yumeno Kyusaku. It also revisits such luminaries as Kawabata, Tanizaki, and the detective novelist Edogawa Ranpo. Key works that it culls from the modernist repertoire include Funahashi Seiichi's Diving, Hagiwara Sakutaro's "Town of Cats," Ito Sei's Streets of Fiendish Ghosts, and Kawabata's film scenario Page of Madness. This volume moves beyond conventional views to place this important movement in Japanese fiction within a global context: an indigenous expression born of the fission of local creativity and the fusion of cross-cultural interaction |
Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jul 2021) |
Beschreibung: | 1 online resource (624 pages) 4 illus |
ISBN: | 9780824863661 |
DOI: | 10.1515/9780824863661 |
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520 | |a Remarkably little has been written on the subject of modernism in Japanese fiction. Until now there has been neither a comprehensive survey of Japanese modernist fiction nor an anthology of translations to provide a systematic introduction. Only recently have the terms "modernism" and "modernist" become part of the standard discourse in English on modern Japanese literature and doubts concerning their authenticity vis-a-vis Western European modernism remain. This anomaly is especially ironic in view of the decidedly modan prose crafted by such well-known Japanese writers as Kawabata Yasunari, Nagai Kafu, and Tanizaki Jun'ichiro. | ||
520 | |a By contrast, scholars in the visual and fine arts, architecture, and poetry readily embraced modanizumu as a key concept for describing and analyzing Japanese culture in the 1920s and 1930s.This volume addresses this discrepancy by presenting in translation for the first time a collection of twenty-five stories and novellas representative of Japanese authors who worked in the modernist idiom from 1913 to 1938. Its prefatory materials provide a systematic overview of the literary movement's salient features-anti-naturalism, cosmopolitanism, the concept of the double self, and actionism-and describe how modanizumu evolved from its early "jagged edges" into a sophisticated yet popular expression of Japanese urban life in the first half of the twentieth century. | ||
520 | |a The modanist style, characterized by youthful exuberance, a tongue-in-cheek tone, and narrative techniques like superimposition, is amply illustrated.Modanizumu introduces faces altogether new or relatively unknown: Abe Tomoji, Kajii Motojiro, Murayama Kaita, Osaki Midori, Tachibana Sotoo, Takeda Rintaro, Tani Joji, Yoshiyuki Eisuke, and Yumeno Kyusaku. It also revisits such luminaries as Kawabata, Tanizaki, and the detective novelist Edogawa Ranpo. Key works that it culls from the modernist repertoire include Funahashi Seiichi's Diving, Hagiwara Sakutaro's "Town of Cats," Ito Sei's Streets of Fiendish Ghosts, and Kawabata's film scenario Page of Madness. This volume moves beyond conventional views to place this important movement in Japanese fiction within a global context: an indigenous expression born of the fission of local creativity and the fusion of cross-cultural interaction | ||
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spelling | Modanizumu Modernist Fiction from Japan, 1913-1938 ed. by William J. Tyler Honolulu University of Hawaii Press [2008] © 2008 1 online resource (624 pages) 4 illus txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jul 2021) Remarkably little has been written on the subject of modernism in Japanese fiction. Until now there has been neither a comprehensive survey of Japanese modernist fiction nor an anthology of translations to provide a systematic introduction. Only recently have the terms "modernism" and "modernist" become part of the standard discourse in English on modern Japanese literature and doubts concerning their authenticity vis-a-vis Western European modernism remain. This anomaly is especially ironic in view of the decidedly modan prose crafted by such well-known Japanese writers as Kawabata Yasunari, Nagai Kafu, and Tanizaki Jun'ichiro. By contrast, scholars in the visual and fine arts, architecture, and poetry readily embraced modanizumu as a key concept for describing and analyzing Japanese culture in the 1920s and 1930s.This volume addresses this discrepancy by presenting in translation for the first time a collection of twenty-five stories and novellas representative of Japanese authors who worked in the modernist idiom from 1913 to 1938. Its prefatory materials provide a systematic overview of the literary movement's salient features-anti-naturalism, cosmopolitanism, the concept of the double self, and actionism-and describe how modanizumu evolved from its early "jagged edges" into a sophisticated yet popular expression of Japanese urban life in the first half of the twentieth century. The modanist style, characterized by youthful exuberance, a tongue-in-cheek tone, and narrative techniques like superimposition, is amply illustrated.Modanizumu introduces faces altogether new or relatively unknown: Abe Tomoji, Kajii Motojiro, Murayama Kaita, Osaki Midori, Tachibana Sotoo, Takeda Rintaro, Tani Joji, Yoshiyuki Eisuke, and Yumeno Kyusaku. It also revisits such luminaries as Kawabata, Tanizaki, and the detective novelist Edogawa Ranpo. Key works that it culls from the modernist repertoire include Funahashi Seiichi's Diving, Hagiwara Sakutaro's "Town of Cats," Ito Sei's Streets of Fiendish Ghosts, and Kawabata's film scenario Page of Madness. This volume moves beyond conventional views to place this important movement in Japanese fiction within a global context: an indigenous expression born of the fission of local creativity and the fusion of cross-cultural interaction In English LITERARY CRITICISM / Asian / Japanese bisacsh Japanese fiction 20th century Translations into English Modernism (Literature) Japan Tyler, William J. edt https://doi.org/10.1515/9780824863661 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Modanizumu Modernist Fiction from Japan, 1913-1938 LITERARY CRITICISM / Asian / Japanese bisacsh Japanese fiction 20th century Translations into English Modernism (Literature) Japan |
title | Modanizumu Modernist Fiction from Japan, 1913-1938 |
title_auth | Modanizumu Modernist Fiction from Japan, 1913-1938 |
title_exact_search | Modanizumu Modernist Fiction from Japan, 1913-1938 |
title_exact_search_txtP | Modanizumu Modernist Fiction from Japan, 1913-1938 |
title_full | Modanizumu Modernist Fiction from Japan, 1913-1938 ed. by William J. Tyler |
title_fullStr | Modanizumu Modernist Fiction from Japan, 1913-1938 ed. by William J. Tyler |
title_full_unstemmed | Modanizumu Modernist Fiction from Japan, 1913-1938 ed. by William J. Tyler |
title_short | Modanizumu |
title_sort | modanizumu modernist fiction from japan 1913 1938 |
title_sub | Modernist Fiction from Japan, 1913-1938 |
topic | LITERARY CRITICISM / Asian / Japanese bisacsh Japanese fiction 20th century Translations into English Modernism (Literature) Japan |
topic_facet | LITERARY CRITICISM / Asian / Japanese Japanese fiction 20th century Translations into English Modernism (Literature) Japan |
url | https://doi.org/10.1515/9780824863661 |
work_keys_str_mv | AT tylerwilliamj modanizumumodernistfictionfromjapan19131938 |