Japanese Mandalas: Representations of Sacred Geography
The first broad study of Japanese mandalas to appear in a Western language, this volume interprets mandalas as sanctified realms where identification between the human and the sacred occurs. The author investigates eighth- to seventeenth-century paintings from three traditions: Esoteric Buddhism, Pu...
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Format: | Elektronisch E-Book |
Sprache: | English |
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Honolulu
University of Hawaii Press
[1998]
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Online-Zugang: | FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 URL des Erstveröffentlichers |
Zusammenfassung: | The first broad study of Japanese mandalas to appear in a Western language, this volume interprets mandalas as sanctified realms where identification between the human and the sacred occurs. The author investigates eighth- to seventeenth-century paintings from three traditions: Esoteric Buddhism, Pure Land Buddhism, and the kami-worshipping (Shinto) tradition. It is generally recognized that many of these mandalas are connected with texts and images from India and the Himalayas. A pioneering theme of this study is that, in addition to the South Asian connections, certain paradigmatic Japanese mandalas reflect pre-Buddhist Chinese concepts, including geographical concepts. In convincing and lucid prose, ten Grotenhuis chronicles an intermingling of visual, doctrinal, ritual, and literary elements in these mandalas that has come to be seen as characteristic of the Japanese religious tradition as a whole. This beautifully illustrated work begins in the first millennium B.C.E. in China with an introduction to the Book of Documents and ends in present-day Japan at the sacred site of Kumano. Ten Grotenhuis focuses on the Diamond and Womb World mandalas of Esoteric Buddhist tradition, on the Taima mandala and other related mandalas from the Pure Land Buddhist tradition, and on mandalas associated with the kami-worshipping sites of Kasuga and Kumano. She identifies specific sacred places in Japan with sacred places in India and with Buddhist cosmic diagrams. Through these identifications, the realm of the buddhas is identified with the realms of the kami and of human beings, and Japanese geographical areas are identified with Buddhist sacred geography. Explaining why certain fundamental Japanese mandalas look the way they do and how certain visual forms came to embody the sacred, ten Grotenhuis presents works that show a complex mixture of Indian Buddhist elements, pre-Buddhist Chinese elements, Chinese Buddhist elements, and indigenous Japanese elements |
Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jul 2021) |
Beschreibung: | 1 online resource (240 pages) |
ISBN: | 9780824863111 |
DOI: | 10.1515/9780824863111 |
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Datensatz im Suchindex
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author | ten Grotenhuis, Elizabeth |
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doi_str_mv | 10.1515/9780824863111 |
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illustrated | Not Illustrated |
index_date | 2024-07-03T17:55:39Z |
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institution | BVB |
isbn | 9780824863111 |
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spelling | ten Grotenhuis, Elizabeth Verfasser aut Japanese Mandalas Representations of Sacred Geography Elizabeth ten Grotenhuis Honolulu University of Hawaii Press [1998] © 1998 1 online resource (240 pages) txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jul 2021) The first broad study of Japanese mandalas to appear in a Western language, this volume interprets mandalas as sanctified realms where identification between the human and the sacred occurs. The author investigates eighth- to seventeenth-century paintings from three traditions: Esoteric Buddhism, Pure Land Buddhism, and the kami-worshipping (Shinto) tradition. It is generally recognized that many of these mandalas are connected with texts and images from India and the Himalayas. A pioneering theme of this study is that, in addition to the South Asian connections, certain paradigmatic Japanese mandalas reflect pre-Buddhist Chinese concepts, including geographical concepts. In convincing and lucid prose, ten Grotenhuis chronicles an intermingling of visual, doctrinal, ritual, and literary elements in these mandalas that has come to be seen as characteristic of the Japanese religious tradition as a whole. This beautifully illustrated work begins in the first millennium B.C.E. in China with an introduction to the Book of Documents and ends in present-day Japan at the sacred site of Kumano. Ten Grotenhuis focuses on the Diamond and Womb World mandalas of Esoteric Buddhist tradition, on the Taima mandala and other related mandalas from the Pure Land Buddhist tradition, and on mandalas associated with the kami-worshipping sites of Kasuga and Kumano. She identifies specific sacred places in Japan with sacred places in India and with Buddhist cosmic diagrams. Through these identifications, the realm of the buddhas is identified with the realms of the kami and of human beings, and Japanese geographical areas are identified with Buddhist sacred geography. Explaining why certain fundamental Japanese mandalas look the way they do and how certain visual forms came to embody the sacred, ten Grotenhuis presents works that show a complex mixture of Indian Buddhist elements, pre-Buddhist Chinese elements, Chinese Buddhist elements, and indigenous Japanese elements In English DESIGN / Book bisacsh Buddhist art and symbolism Japan Mandala (Buddhism) https://doi.org/10.1515/9780824863111 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | ten Grotenhuis, Elizabeth Japanese Mandalas Representations of Sacred Geography DESIGN / Book bisacsh Buddhist art and symbolism Japan Mandala (Buddhism) |
title | Japanese Mandalas Representations of Sacred Geography |
title_auth | Japanese Mandalas Representations of Sacred Geography |
title_exact_search | Japanese Mandalas Representations of Sacred Geography |
title_exact_search_txtP | Japanese Mandalas Representations of Sacred Geography |
title_full | Japanese Mandalas Representations of Sacred Geography Elizabeth ten Grotenhuis |
title_fullStr | Japanese Mandalas Representations of Sacred Geography Elizabeth ten Grotenhuis |
title_full_unstemmed | Japanese Mandalas Representations of Sacred Geography Elizabeth ten Grotenhuis |
title_short | Japanese Mandalas |
title_sort | japanese mandalas representations of sacred geography |
title_sub | Representations of Sacred Geography |
topic | DESIGN / Book bisacsh Buddhist art and symbolism Japan Mandala (Buddhism) |
topic_facet | DESIGN / Book Buddhist art and symbolism Japan Mandala (Buddhism) |
url | https://doi.org/10.1515/9780824863111 |
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