Drawing Boundaries: Architectural Images in Qing China
Qing China (1644-1912) witnessed a resurgence in architectural painting, a traditional subject category known as jiehua, or boundary painting. Drawing Boundaries concerns itself with the symbolic implications of this impressive and little studied reflorescence. Beginning with a concise and well-illu...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Honolulu
University of Hawaii Press
[2004]
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| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 URL des Erstveröffentlichers |
| Zusammenfassung: | Qing China (1644-1912) witnessed a resurgence in architectural painting, a traditional subject category known as jiehua, or boundary painting. Drawing Boundaries concerns itself with the symbolic implications of this impressive and little studied reflorescence. Beginning with a concise and well-illustrated history of the evolution of the tradition, this exciting new study reveals how these images were deployed in the Manchu (Qing) imperial court to define political, social, or cultural boundaries. Characterized by grand conception and regal splendor, the paintings served to enhance the imperial authority of rulers and, to a segment of the elite, to advertise social status. Drawing Boundaries thus speaks to both issues of painting and architectural style and the discourse of powerful cultural forms. In addition to the analysis of how the style of image construction suggests these political and social motivations, the book identifies another aspect of traditional architectural representation unique to the Qing: the use of architectural representation to render form and space. Anita Chung makes the fascinating observation that these renderings create an overwhelming sense of "being there," a characteristic, she argues, that underscores the Qing concern for the substance of things-a sensibility toward the physical world characteristic of the period and emblematic of a new worldview |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jul 2021) |
| Beschreibung: | 1 online resource (224 pages) color & b/w illus |
| ISBN: | 9780824862268 |
| DOI: | 10.1515/9780824862268 |
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Datensatz im Suchindex
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| author | Chung, Anita |
| author_facet | Chung, Anita |
| author_role | aut |
| author_sort | Chung, Anita |
| author_variant | a c ac |
| building | Verbundindex |
| bvnumber | BV047415785 |
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| dewey-full | 758/.7/09510903 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 758 - Nature, cityscapes & other subjects |
| dewey-raw | 758/.7/09510903 |
| dewey-search | 758/.7/09510903 |
| dewey-sort | 3758 17 79510903 |
| dewey-tens | 750 - Painting and paintings |
| discipline | Kunstgeschichte |
| discipline_str_mv | Kunstgeschichte |
| doi_str_mv | 10.1515/9780824862268 |
| format | Electronic eBook |
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| indexdate | 2024-07-10T09:11:32Z |
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| isbn | 9780824862268 |
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| spelling | Chung, Anita Verfasser aut Drawing Boundaries Architectural Images in Qing China Anita Chung Honolulu University of Hawaii Press [2004] © 2004 1 online resource (224 pages) color & b/w illus txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jul 2021) Qing China (1644-1912) witnessed a resurgence in architectural painting, a traditional subject category known as jiehua, or boundary painting. Drawing Boundaries concerns itself with the symbolic implications of this impressive and little studied reflorescence. Beginning with a concise and well-illustrated history of the evolution of the tradition, this exciting new study reveals how these images were deployed in the Manchu (Qing) imperial court to define political, social, or cultural boundaries. Characterized by grand conception and regal splendor, the paintings served to enhance the imperial authority of rulers and, to a segment of the elite, to advertise social status. Drawing Boundaries thus speaks to both issues of painting and architectural style and the discourse of powerful cultural forms. In addition to the analysis of how the style of image construction suggests these political and social motivations, the book identifies another aspect of traditional architectural representation unique to the Qing: the use of architectural representation to render form and space. Anita Chung makes the fascinating observation that these renderings create an overwhelming sense of "being there," a characteristic, she argues, that underscores the Qing concern for the substance of things-a sensibility toward the physical world characteristic of the period and emblematic of a new worldview In English ART / Reference bisacsh https://doi.org/10.1515/9780824862268 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Chung, Anita Drawing Boundaries Architectural Images in Qing China ART / Reference bisacsh |
| title | Drawing Boundaries Architectural Images in Qing China |
| title_auth | Drawing Boundaries Architectural Images in Qing China |
| title_exact_search | Drawing Boundaries Architectural Images in Qing China |
| title_exact_search_txtP | Drawing Boundaries Architectural Images in Qing China |
| title_full | Drawing Boundaries Architectural Images in Qing China Anita Chung |
| title_fullStr | Drawing Boundaries Architectural Images in Qing China Anita Chung |
| title_full_unstemmed | Drawing Boundaries Architectural Images in Qing China Anita Chung |
| title_short | Drawing Boundaries |
| title_sort | drawing boundaries architectural images in qing china |
| title_sub | Architectural Images in Qing China |
| topic | ART / Reference bisacsh |
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