Configurations of Comparative Poetics: Three Perspectives on Western and Chinese Literary Criticism
This comprehensive comparative study of Western and Chinese poetics begins with broad examinations of the two traditions over more than two and a half millennia. From these parallel surveys, a series of important theoretical questions arises: How do Western and Chinese critics conceptualize the natu...
Gespeichert in:
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Honolulu
University of Hawaii Press
[2001]
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| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
| Zusammenfassung: | This comprehensive comparative study of Western and Chinese poetics begins with broad examinations of the two traditions over more than two and a half millennia. From these parallel surveys, a series of important theoretical questions arises: How do Western and Chinese critics conceptualize the nature, origin, and function of literature? What are the fundamental differences, if any, in their ways of thinking about literature? Can we account for these differences by examining Western truth-based and Chinese process-based cosmological paradigms? What are the major distinctive concepts of literature developed within Western and Chinese poetics? How have these concepts impacted the development of the two traditions at various times? After considering a wide range of major critical texts, Configurations of Comparative Poetics presents bold and cogent answers to these questions while shedding light on the distinctive orientations of Western and Chinese poetics. The second half of the book features four comparative case studies: Plato and Confucius on poetry; Wordsworth and Liu Xie on the creative process; the twentieth-century "Imagists" and their earlier Chinese counterparts on the relationship of the Chinese written character to poetics; and Derrida and the Madhyamika Buddhists on language and onto-theology. The author not only identifies an array of critical concerns shared by Western and Chinese critics, but also differentiates the conceptual models used by each and traces them to cosmological paradigms |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jul 2021) |
| Beschreibung: | 1 online resource (376 pages) |
| ISBN: | 9780824861964 |
| DOI: | 10.1515/9780824861964 |
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| 520 | |a This comprehensive comparative study of Western and Chinese poetics begins with broad examinations of the two traditions over more than two and a half millennia. From these parallel surveys, a series of important theoretical questions arises: How do Western and Chinese critics conceptualize the nature, origin, and function of literature? What are the fundamental differences, if any, in their ways of thinking about literature? Can we account for these differences by examining Western truth-based and Chinese process-based cosmological paradigms? What are the major distinctive concepts of literature developed within Western and Chinese poetics? How have these concepts impacted the development of the two traditions at various times? After considering a wide range of major critical texts, Configurations of Comparative Poetics presents bold and cogent answers to these questions while shedding light on the distinctive orientations of Western and Chinese poetics. The second half of the book features four comparative case studies: Plato and Confucius on poetry; Wordsworth and Liu Xie on the creative process; the twentieth-century "Imagists" and their earlier Chinese counterparts on the relationship of the Chinese written character to poetics; and Derrida and the Madhyamika Buddhists on language and onto-theology. The author not only identifies an array of critical concerns shared by Western and Chinese critics, but also differentiates the conceptual models used by each and traces them to cosmological paradigms | ||
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Datensatz im Suchindex
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| author | Cai, Zong-qi |
| author_facet | Cai, Zong-qi |
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| dewey-full | 809.1 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 809 - History, description & criticism |
| dewey-raw | 809.1 |
| dewey-search | 809.1 |
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| dewey-tens | 800 - Literature (Belles-lettres) and rhetoric |
| discipline | Literaturwissenschaft |
| discipline_str_mv | Literaturwissenschaft |
| doi_str_mv | 10.1515/9780824861964 |
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| index_date | 2024-07-03T17:55:39Z |
| indexdate | 2024-07-10T09:11:32Z |
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| isbn | 9780824861964 |
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| spelling | Cai, Zong-qi Verfasser aut Configurations of Comparative Poetics Three Perspectives on Western and Chinese Literary Criticism Zong-qi Cai Honolulu University of Hawaii Press [2001] © 2001 1 online resource (376 pages) txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jul 2021) This comprehensive comparative study of Western and Chinese poetics begins with broad examinations of the two traditions over more than two and a half millennia. From these parallel surveys, a series of important theoretical questions arises: How do Western and Chinese critics conceptualize the nature, origin, and function of literature? What are the fundamental differences, if any, in their ways of thinking about literature? Can we account for these differences by examining Western truth-based and Chinese process-based cosmological paradigms? What are the major distinctive concepts of literature developed within Western and Chinese poetics? How have these concepts impacted the development of the two traditions at various times? After considering a wide range of major critical texts, Configurations of Comparative Poetics presents bold and cogent answers to these questions while shedding light on the distinctive orientations of Western and Chinese poetics. The second half of the book features four comparative case studies: Plato and Confucius on poetry; Wordsworth and Liu Xie on the creative process; the twentieth-century "Imagists" and their earlier Chinese counterparts on the relationship of the Chinese written character to poetics; and Derrida and the Madhyamika Buddhists on language and onto-theology. The author not only identifies an array of critical concerns shared by Western and Chinese critics, but also differentiates the conceptual models used by each and traces them to cosmological paradigms In English LITERARY CRITICISM / Poetry bisacsh Comparative literature Chinese and Western Comparative literature Western and Chinese Poetics https://doi.org/10.1515/9780824861964 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Cai, Zong-qi Configurations of Comparative Poetics Three Perspectives on Western and Chinese Literary Criticism LITERARY CRITICISM / Poetry bisacsh Comparative literature Chinese and Western Comparative literature Western and Chinese Poetics |
| title | Configurations of Comparative Poetics Three Perspectives on Western and Chinese Literary Criticism |
| title_auth | Configurations of Comparative Poetics Three Perspectives on Western and Chinese Literary Criticism |
| title_exact_search | Configurations of Comparative Poetics Three Perspectives on Western and Chinese Literary Criticism |
| title_exact_search_txtP | Configurations of Comparative Poetics Three Perspectives on Western and Chinese Literary Criticism |
| title_full | Configurations of Comparative Poetics Three Perspectives on Western and Chinese Literary Criticism Zong-qi Cai |
| title_fullStr | Configurations of Comparative Poetics Three Perspectives on Western and Chinese Literary Criticism Zong-qi Cai |
| title_full_unstemmed | Configurations of Comparative Poetics Three Perspectives on Western and Chinese Literary Criticism Zong-qi Cai |
| title_short | Configurations of Comparative Poetics |
| title_sort | configurations of comparative poetics three perspectives on western and chinese literary criticism |
| title_sub | Three Perspectives on Western and Chinese Literary Criticism |
| topic | LITERARY CRITICISM / Poetry bisacsh Comparative literature Chinese and Western Comparative literature Western and Chinese Poetics |
| topic_facet | LITERARY CRITICISM / Poetry Comparative literature Chinese and Western Comparative literature Western and Chinese Poetics |
| url | https://doi.org/10.1515/9780824861964 |
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