A Beggar's Art: Scripting Modernity in Japanese Drama, 1900-1930
In the opening decades of the twentieth century in Japan, practically every major author wrote plays that were published and performed. The plays were seen not simply as the emergence of a new literary form but as a manifestation of modernity itself, transforming the stage into a site for the explor...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Honolulu
University of Hawaii Press
[2010]
|
Schlagworte: | |
Online-Zugang: | DE-1043 DE-1046 DE-858 DE-859 DE-860 DE-739 DE-473 Volltext |
Zusammenfassung: | In the opening decades of the twentieth century in Japan, practically every major author wrote plays that were published and performed. The plays were seen not simply as the emergence of a new literary form but as a manifestation of modernity itself, transforming the stage into a site for the exploration of new ideas and ways of being. A Beggar's Art is the first book in English to examine the full range of early twentieth-century Japanese drama. Accompanying his study, M. Cody Poulton provides his translations of representative one-act plays. Poulton looks at the emergence of drama as a modern literary and artistic form and chronicles the creation of modern Japanese drama as a reaction to both traditional (particularly kabuki) dramaturgy and European drama. Translations and productions of the latter became the model for the so-called New Theater (shingeki), where the question of how to be both modern and Japanese at the same time was hotly contested.Following introductory essays on the development of Japanese drama from the 1880s to the early 1930s, are translations of nine seminal one-act plays by nine dramatists, including two women, Okada Yachiyo and Hasegawa Shigure. The subject matter of these plays is that of modern drama everywhere: discord between men and women, between parents and children, and the resulting disintegration of marriages and families. Both the bourgeoisie and the proletariat make their appearances; modern pretensions are lampooned and modern predicaments lamented in equal measure. Realism (as evidenced in the plays of Kikuchi Kan and Tanaka Chikao) prevails as the mode of modernity, but other styles are presented: the symbolism of Izumi Kyoka, Suzuki Senzaburo's brittle melodrama, Kubota Mantaro's minimalistic lyricism, Akita Ujaku's politically incisive expressionism, and even a proto-absurdist work by Japan's master of prewar drama, Kishida Kunio.With its combination of new translations and informative and theoretically engaging essays, A Beggar's Art will prove invaluable for students and researchers in world theater and Japanese studies, particularly those with an interest in modern Japanese literature and culture |
Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jul 2021) |
Beschreibung: | 1 online resource (280 pages) 20 illus |
ISBN: | 9780824860745 |
DOI: | 10.1515/9780824860745 |
Internformat
MARC
LEADER | 00000nam a2200000zc 4500 | ||
---|---|---|---|
001 | BV047415679 | ||
003 | DE-604 | ||
007 | cr|uuu---uuuuu | ||
008 | 210812s2010 xx a||| o|||| 00||| eng d | ||
020 | |a 9780824860745 |9 978-0-8248-6074-5 | ||
024 | 7 | |a 10.1515/9780824860745 |2 doi | |
035 | |a (ZDB-23-DGG)9780824860745 | ||
035 | |a (OCoLC)1165568699 | ||
035 | |a (DE-599)BVBBV047415679 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-1043 |a DE-1046 |a DE-858 |a DE-859 |a DE-860 |a DE-473 |a DE-739 | ||
082 | 0 | |a 895.6/2409 |2 22 | |
100 | 1 | |a Poulton, M. Cody |e Verfasser |4 aut | |
245 | 1 | 0 | |a A Beggar's Art |b Scripting Modernity in Japanese Drama, 1900-1930 |c M. Cody Poulton |
264 | 1 | |a Honolulu |b University of Hawaii Press |c [2010] | |
264 | 4 | |c © 2010 | |
300 | |a 1 online resource (280 pages) |b 20 illus | ||
336 | |b txt |2 rdacontent | ||
337 | |b c |2 rdamedia | ||
338 | |b cr |2 rdacarrier | ||
500 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jul 2021) | ||
520 | |a In the opening decades of the twentieth century in Japan, practically every major author wrote plays that were published and performed. The plays were seen not simply as the emergence of a new literary form but as a manifestation of modernity itself, transforming the stage into a site for the exploration of new ideas and ways of being. A Beggar's Art is the first book in English to examine the full range of early twentieth-century Japanese drama. Accompanying his study, M. Cody Poulton provides his translations of representative one-act plays. Poulton looks at the emergence of drama as a modern literary and artistic form and chronicles the creation of modern Japanese drama as a reaction to both traditional (particularly kabuki) dramaturgy and European drama. | ||
520 | |a Translations and productions of the latter became the model for the so-called New Theater (shingeki), where the question of how to be both modern and Japanese at the same time was hotly contested.Following introductory essays on the development of Japanese drama from the 1880s to the early 1930s, are translations of nine seminal one-act plays by nine dramatists, including two women, Okada Yachiyo and Hasegawa Shigure. The subject matter of these plays is that of modern drama everywhere: discord between men and women, between parents and children, and the resulting disintegration of marriages and families. Both the bourgeoisie and the proletariat make their appearances; modern pretensions are lampooned and modern predicaments lamented in equal measure. | ||
520 | |a Realism (as evidenced in the plays of Kikuchi Kan and Tanaka Chikao) prevails as the mode of modernity, but other styles are presented: the symbolism of Izumi Kyoka, Suzuki Senzaburo's brittle melodrama, Kubota Mantaro's minimalistic lyricism, Akita Ujaku's politically incisive expressionism, and even a proto-absurdist work by Japan's master of prewar drama, Kishida Kunio.With its combination of new translations and informative and theoretically engaging essays, A Beggar's Art will prove invaluable for students and researchers in world theater and Japanese studies, particularly those with an interest in modern Japanese literature and culture | ||
546 | |a In English | ||
650 | 7 | |a DRAMA / Asian / Japanese |2 bisacsh | |
650 | 4 | |a Japanese drama |x History and criticism |y 20th century | |
650 | 4 | |a Japanese drama |y 20th century |x History and criticism | |
650 | 4 | |a One-act plays, Japanese |v Translations into English | |
856 | 4 | 0 | |u https://doi.org/10.1515/9780824860745 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
912 | |a ZDB-23-DGG | ||
943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-032816558 | |
966 | e | |u https://doi.org/10.1515/9780824860745 |l DE-1043 |p ZDB-23-DGG |q FAB_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9780824860745 |l DE-1046 |p ZDB-23-DGG |q FAW_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9780824860745 |l DE-858 |p ZDB-23-DGG |q FCO_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9780824860745 |l DE-859 |p ZDB-23-DGG |q FKE_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9780824860745 |l DE-860 |p ZDB-23-DGG |q FLA_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9780824860745 |l DE-739 |p ZDB-23-DGG |q UPA_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9780824860745 |l DE-473 |p ZDB-23-DGG |q UBG_PDA_DGG |x Verlag |3 Volltext |
Datensatz im Suchindex
_version_ | 1824507850489069568 |
---|---|
adam_text | |
adam_txt | |
any_adam_object | |
any_adam_object_boolean | |
author | Poulton, M. Cody |
author_facet | Poulton, M. Cody |
author_role | aut |
author_sort | Poulton, M. Cody |
author_variant | m c p mc mcp |
building | Verbundindex |
bvnumber | BV047415679 |
collection | ZDB-23-DGG |
ctrlnum | (ZDB-23-DGG)9780824860745 (OCoLC)1165568699 (DE-599)BVBBV047415679 |
dewey-full | 895.6/2409 |
dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
dewey-ones | 895 - Literatures of East and Southeast Asia |
dewey-raw | 895.6/2409 |
dewey-search | 895.6/2409 |
dewey-sort | 3895.6 42409 |
dewey-tens | 890 - Literatures of other languages |
discipline | Außereuropäische Sprachen und Literaturen |
discipline_str_mv | Außereuropäische Sprachen und Literaturen |
doi_str_mv | 10.1515/9780824860745 |
format | Electronic eBook |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nam a2200000zc 4500</leader><controlfield tag="001">BV047415679</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">210812s2010 xx a||| o|||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780824860745</subfield><subfield code="9">978-0-8248-6074-5</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1515/9780824860745</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-23-DGG)9780824860745</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1165568699</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV047415679</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-1043</subfield><subfield code="a">DE-1046</subfield><subfield code="a">DE-858</subfield><subfield code="a">DE-859</subfield><subfield code="a">DE-860</subfield><subfield code="a">DE-473</subfield><subfield code="a">DE-739</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">895.6/2409</subfield><subfield code="2">22</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Poulton, M. Cody</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">A Beggar's Art</subfield><subfield code="b">Scripting Modernity in Japanese Drama, 1900-1930</subfield><subfield code="c">M. Cody Poulton</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Honolulu</subfield><subfield code="b">University of Hawaii Press</subfield><subfield code="c">[2010]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2010</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (280 pages)</subfield><subfield code="b">20 illus</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jul 2021)</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">In the opening decades of the twentieth century in Japan, practically every major author wrote plays that were published and performed. The plays were seen not simply as the emergence of a new literary form but as a manifestation of modernity itself, transforming the stage into a site for the exploration of new ideas and ways of being. A Beggar's Art is the first book in English to examine the full range of early twentieth-century Japanese drama. Accompanying his study, M. Cody Poulton provides his translations of representative one-act plays. Poulton looks at the emergence of drama as a modern literary and artistic form and chronicles the creation of modern Japanese drama as a reaction to both traditional (particularly kabuki) dramaturgy and European drama.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Translations and productions of the latter became the model for the so-called New Theater (shingeki), where the question of how to be both modern and Japanese at the same time was hotly contested.Following introductory essays on the development of Japanese drama from the 1880s to the early 1930s, are translations of nine seminal one-act plays by nine dramatists, including two women, Okada Yachiyo and Hasegawa Shigure. The subject matter of these plays is that of modern drama everywhere: discord between men and women, between parents and children, and the resulting disintegration of marriages and families. Both the bourgeoisie and the proletariat make their appearances; modern pretensions are lampooned and modern predicaments lamented in equal measure.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Realism (as evidenced in the plays of Kikuchi Kan and Tanaka Chikao) prevails as the mode of modernity, but other styles are presented: the symbolism of Izumi Kyoka, Suzuki Senzaburo's brittle melodrama, Kubota Mantaro's minimalistic lyricism, Akita Ujaku's politically incisive expressionism, and even a proto-absurdist work by Japan's master of prewar drama, Kishida Kunio.With its combination of new translations and informative and theoretically engaging essays, A Beggar's Art will prove invaluable for students and researchers in world theater and Japanese studies, particularly those with an interest in modern Japanese literature and culture</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">DRAMA / Asian / Japanese</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Japanese drama</subfield><subfield code="x">History and criticism</subfield><subfield code="y">20th century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Japanese drama</subfield><subfield code="y">20th century</subfield><subfield code="x">History and criticism</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">One-act plays, Japanese</subfield><subfield code="v">Translations into English</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1515/9780824860745</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-23-DGG</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-032816558</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780824860745</subfield><subfield code="l">DE-1043</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FAB_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780824860745</subfield><subfield code="l">DE-1046</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FAW_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780824860745</subfield><subfield code="l">DE-858</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FCO_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780824860745</subfield><subfield code="l">DE-859</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FKE_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780824860745</subfield><subfield code="l">DE-860</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FLA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780824860745</subfield><subfield code="l">DE-739</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UPA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780824860745</subfield><subfield code="l">DE-473</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UBG_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
id | DE-604.BV047415679 |
illustrated | Illustrated |
index_date | 2024-07-03T17:55:39Z |
indexdate | 2025-02-19T17:31:16Z |
institution | BVB |
isbn | 9780824860745 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032816558 |
oclc_num | 1165568699 |
open_access_boolean | |
owner | DE-1043 DE-1046 DE-858 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 |
owner_facet | DE-1043 DE-1046 DE-858 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 |
physical | 1 online resource (280 pages) 20 illus |
psigel | ZDB-23-DGG ZDB-23-DGG FAB_PDA_DGG ZDB-23-DGG FAW_PDA_DGG ZDB-23-DGG FCO_PDA_DGG ZDB-23-DGG FKE_PDA_DGG ZDB-23-DGG FLA_PDA_DGG ZDB-23-DGG UPA_PDA_DGG ZDB-23-DGG UBG_PDA_DGG |
publishDate | 2010 |
publishDateSearch | 2010 |
publishDateSort | 2010 |
publisher | University of Hawaii Press |
record_format | marc |
spelling | Poulton, M. Cody Verfasser aut A Beggar's Art Scripting Modernity in Japanese Drama, 1900-1930 M. Cody Poulton Honolulu University of Hawaii Press [2010] © 2010 1 online resource (280 pages) 20 illus txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jul 2021) In the opening decades of the twentieth century in Japan, practically every major author wrote plays that were published and performed. The plays were seen not simply as the emergence of a new literary form but as a manifestation of modernity itself, transforming the stage into a site for the exploration of new ideas and ways of being. A Beggar's Art is the first book in English to examine the full range of early twentieth-century Japanese drama. Accompanying his study, M. Cody Poulton provides his translations of representative one-act plays. Poulton looks at the emergence of drama as a modern literary and artistic form and chronicles the creation of modern Japanese drama as a reaction to both traditional (particularly kabuki) dramaturgy and European drama. Translations and productions of the latter became the model for the so-called New Theater (shingeki), where the question of how to be both modern and Japanese at the same time was hotly contested.Following introductory essays on the development of Japanese drama from the 1880s to the early 1930s, are translations of nine seminal one-act plays by nine dramatists, including two women, Okada Yachiyo and Hasegawa Shigure. The subject matter of these plays is that of modern drama everywhere: discord between men and women, between parents and children, and the resulting disintegration of marriages and families. Both the bourgeoisie and the proletariat make their appearances; modern pretensions are lampooned and modern predicaments lamented in equal measure. Realism (as evidenced in the plays of Kikuchi Kan and Tanaka Chikao) prevails as the mode of modernity, but other styles are presented: the symbolism of Izumi Kyoka, Suzuki Senzaburo's brittle melodrama, Kubota Mantaro's minimalistic lyricism, Akita Ujaku's politically incisive expressionism, and even a proto-absurdist work by Japan's master of prewar drama, Kishida Kunio.With its combination of new translations and informative and theoretically engaging essays, A Beggar's Art will prove invaluable for students and researchers in world theater and Japanese studies, particularly those with an interest in modern Japanese literature and culture In English DRAMA / Asian / Japanese bisacsh Japanese drama History and criticism 20th century Japanese drama 20th century History and criticism One-act plays, Japanese Translations into English https://doi.org/10.1515/9780824860745 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Poulton, M. Cody A Beggar's Art Scripting Modernity in Japanese Drama, 1900-1930 DRAMA / Asian / Japanese bisacsh Japanese drama History and criticism 20th century Japanese drama 20th century History and criticism One-act plays, Japanese Translations into English |
title | A Beggar's Art Scripting Modernity in Japanese Drama, 1900-1930 |
title_auth | A Beggar's Art Scripting Modernity in Japanese Drama, 1900-1930 |
title_exact_search | A Beggar's Art Scripting Modernity in Japanese Drama, 1900-1930 |
title_exact_search_txtP | A Beggar's Art Scripting Modernity in Japanese Drama, 1900-1930 |
title_full | A Beggar's Art Scripting Modernity in Japanese Drama, 1900-1930 M. Cody Poulton |
title_fullStr | A Beggar's Art Scripting Modernity in Japanese Drama, 1900-1930 M. Cody Poulton |
title_full_unstemmed | A Beggar's Art Scripting Modernity in Japanese Drama, 1900-1930 M. Cody Poulton |
title_short | A Beggar's Art |
title_sort | a beggar s art scripting modernity in japanese drama 1900 1930 |
title_sub | Scripting Modernity in Japanese Drama, 1900-1930 |
topic | DRAMA / Asian / Japanese bisacsh Japanese drama History and criticism 20th century Japanese drama 20th century History and criticism One-act plays, Japanese Translations into English |
topic_facet | DRAMA / Asian / Japanese Japanese drama History and criticism 20th century Japanese drama 20th century History and criticism One-act plays, Japanese Translations into English |
url | https://doi.org/10.1515/9780824860745 |
work_keys_str_mv | AT poultonmcody abeggarsartscriptingmodernityinjapanesedrama19001930 |