God Pictures in Korean Contexts: The Ownership and Meaning of Shaman Paintings
Shamans walking on knives, fairies riding on clouds, kings with dragon mounts: They are gods and they are paper images. Some are repulsed and unsettled by shaman paintings, some cannot stop collecting them, and some use them as sites of veneration. Laurel Kendall, Jongsung Yang, and Yul Soo Yoon exp...
Gespeichert in:
| Hauptverfasser: | , , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Honolulu
University of Hawaii Press
[2015]
|
| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
| Zusammenfassung: | Shamans walking on knives, fairies riding on clouds, kings with dragon mounts: They are gods and they are paper images. Some are repulsed and unsettled by shaman paintings, some cannot stop collecting them, and some use them as sites of veneration. Laurel Kendall, Jongsung Yang, and Yul Soo Yoon explore what it is that makes a Korean shaman painting magical or sacred. How does a picture carry the trace of a god and can it ever be "just a painting" again? How have shaman paintings been revalued as art? Do artfulness and magic ever intersect? Does it matter, as a matter of market value, that the painting was once a sacred thing? Navigating the journey shaman paintings make from painters' studios to shaman shrines to private collections and museums, the three authors deftly traverse the borderland between scholarly interests in the material dimension of religious practice and the circulation of art. Illustrated with sixty images in color and black and white, the book offers a new vantage point on "the social life of things." This is not a story of a collecting West and a disposing rest; the primary collectors and commentators on Korean shaman paintings are South Koreans re-imagining their own past in light of their own modernist sensibility. It is a tale told with an awareness of both recent South Korean history and the problematic question of how the paintings are understood by different South Korean actors, most particularly the shamans and collectors who share a common language and sometimes meet face-to-face |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jul 2021) |
| Beschreibung: | 1 online resource (184 pages) 47 black & white images, 10 color images |
| ISBN: | 9780824857097 |
| DOI: | 10.1515/9780824857097 |
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Datensatz im Suchindex
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| index_date | 2024-07-03T17:55:38Z |
| indexdate | 2024-07-10T09:11:31Z |
| institution | BVB |
| isbn | 9780824857097 |
| language | English |
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| spelling | Kendall, Laurel Verfasser aut God Pictures in Korean Contexts The Ownership and Meaning of Shaman Paintings Laurel Kendall, Yul Soo Yoon, Jongsung Yang Honolulu University of Hawaii Press [2015] © 2015 1 online resource (184 pages) 47 black & white images, 10 color images txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jul 2021) Shamans walking on knives, fairies riding on clouds, kings with dragon mounts: They are gods and they are paper images. Some are repulsed and unsettled by shaman paintings, some cannot stop collecting them, and some use them as sites of veneration. Laurel Kendall, Jongsung Yang, and Yul Soo Yoon explore what it is that makes a Korean shaman painting magical or sacred. How does a picture carry the trace of a god and can it ever be "just a painting" again? How have shaman paintings been revalued as art? Do artfulness and magic ever intersect? Does it matter, as a matter of market value, that the painting was once a sacred thing? Navigating the journey shaman paintings make from painters' studios to shaman shrines to private collections and museums, the three authors deftly traverse the borderland between scholarly interests in the material dimension of religious practice and the circulation of art. Illustrated with sixty images in color and black and white, the book offers a new vantage point on "the social life of things." This is not a story of a collecting West and a disposing rest; the primary collectors and commentators on Korean shaman paintings are South Koreans re-imagining their own past in light of their own modernist sensibility. It is a tale told with an awareness of both recent South Korean history and the problematic question of how the paintings are understood by different South Korean actors, most particularly the shamans and collectors who share a common language and sometimes meet face-to-face In English ART / Subjects & Themes / Religious bisacsh Art, Shamanistic Collectors and collecting Korea (South) Art, Shamanistic Korea Painting, Korean Collectors and collecting Korea (South) Painting, Korean Yang, Jongsung aut Yoon, Yul Soo aut https://doi.org/10.1515/9780824857097 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Kendall, Laurel Yang, Jongsung Yoon, Yul Soo God Pictures in Korean Contexts The Ownership and Meaning of Shaman Paintings ART / Subjects & Themes / Religious bisacsh Art, Shamanistic Collectors and collecting Korea (South) Art, Shamanistic Korea Painting, Korean Collectors and collecting Korea (South) Painting, Korean |
| title | God Pictures in Korean Contexts The Ownership and Meaning of Shaman Paintings |
| title_auth | God Pictures in Korean Contexts The Ownership and Meaning of Shaman Paintings |
| title_exact_search | God Pictures in Korean Contexts The Ownership and Meaning of Shaman Paintings |
| title_exact_search_txtP | God Pictures in Korean Contexts The Ownership and Meaning of Shaman Paintings |
| title_full | God Pictures in Korean Contexts The Ownership and Meaning of Shaman Paintings Laurel Kendall, Yul Soo Yoon, Jongsung Yang |
| title_fullStr | God Pictures in Korean Contexts The Ownership and Meaning of Shaman Paintings Laurel Kendall, Yul Soo Yoon, Jongsung Yang |
| title_full_unstemmed | God Pictures in Korean Contexts The Ownership and Meaning of Shaman Paintings Laurel Kendall, Yul Soo Yoon, Jongsung Yang |
| title_short | God Pictures in Korean Contexts |
| title_sort | god pictures in korean contexts the ownership and meaning of shaman paintings |
| title_sub | The Ownership and Meaning of Shaman Paintings |
| topic | ART / Subjects & Themes / Religious bisacsh Art, Shamanistic Collectors and collecting Korea (South) Art, Shamanistic Korea Painting, Korean Collectors and collecting Korea (South) Painting, Korean |
| topic_facet | ART / Subjects & Themes / Religious Art, Shamanistic Collectors and collecting Korea (South) Art, Shamanistic Korea Painting, Korean Collectors and collecting Korea (South) Painting, Korean |
| url | https://doi.org/10.1515/9780824857097 |
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