Recite and Refuse: Contemporary Chinese Prose Poetry
Chinese prose poetry today is engaged with a series of questions that are fundamental to the modern Chinese language: What is prose? What is it good for? How should it look and sound? Millions of Chinese readers encounter prose poetry every year, both in the most official of state-sponsored magazine...
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| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Honolulu
University of Hawaii Press
[2016]
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| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
| Zusammenfassung: | Chinese prose poetry today is engaged with a series of questions that are fundamental to the modern Chinese language: What is prose? What is it good for? How should it look and sound? Millions of Chinese readers encounter prose poetry every year, both in the most official of state-sponsored magazines and in the unorthodox, experimental work of the avant-garde. Recite and Refuse makes the answers to our questions about prose legible by translating, surveying, and interpreting prose poems, and by studying the people, politics, and contexts that surround the writing of prose poetry.Author Nick Admussen argues that unlike most genres, Chinese prose poems lack a distinct size or shape. Their similarity to other prose is the result of a distinct process in which a prose form is recited with some kind of meaningful difference-an imitation that refuses to fully resemble its source. This makes prose poetry a protean, ever-changing group of works, channeling the language of science, journalism, Communist Party politics, advertisements, and much more. The poems look vastly different as products, but are made with a similar process. Focusing on the composition process allows Admussen to rewrite the standard history of prose poetry, finding its origins not in 1918 but in the obedient socialist prose poetry of the 1950s.Recite and Refuse places the work of state-sponsored writers in mutual relationship to prose poems by unorthodox and avant-garde poets, from cadre writers like Ke Lan and Guo Feng to the border-crossing intellectual and poet Liu Zaifu to experimental artists such as Ouyang Jianghe and Xi Chuan. The volume features never-before seen English translations that range from the representative to the exceptional, culminating with Ouyang Jianghe's masterpiece "Hanging Coffin." Reading across the spectrum enables us to see the way that artists interact with each other, how they compete and cooperate, and how their interactions, as well as their creations, continuously reinvent both poetry and prose |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jul 2021) |
| Beschreibung: | 1 online resource (232 pages) 3 line art |
| ISBN: | 9780824856557 |
| DOI: | 10.1515/9780824856557 |
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| 520 | |a Chinese prose poetry today is engaged with a series of questions that are fundamental to the modern Chinese language: What is prose? What is it good for? How should it look and sound? Millions of Chinese readers encounter prose poetry every year, both in the most official of state-sponsored magazines and in the unorthodox, experimental work of the avant-garde. Recite and Refuse makes the answers to our questions about prose legible by translating, surveying, and interpreting prose poems, and by studying the people, politics, and contexts that surround the writing of prose poetry.Author Nick Admussen argues that unlike most genres, Chinese prose poems lack a distinct size or shape. Their similarity to other prose is the result of a distinct process in which a prose form is recited with some kind of meaningful difference-an imitation that refuses to fully resemble its source. | ||
| 520 | |a This makes prose poetry a protean, ever-changing group of works, channeling the language of science, journalism, Communist Party politics, advertisements, and much more. The poems look vastly different as products, but are made with a similar process. Focusing on the composition process allows Admussen to rewrite the standard history of prose poetry, finding its origins not in 1918 but in the obedient socialist prose poetry of the 1950s.Recite and Refuse places the work of state-sponsored writers in mutual relationship to prose poems by unorthodox and avant-garde poets, from cadre writers like Ke Lan and Guo Feng to the border-crossing intellectual and poet Liu Zaifu to experimental artists such as Ouyang Jianghe and Xi Chuan. | ||
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| spelling | Admussen, Nick Verfasser aut Recite and Refuse Contemporary Chinese Prose Poetry Nick Admussen Honolulu University of Hawaii Press [2016] © 2016 1 online resource (232 pages) 3 line art txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jul 2021) Chinese prose poetry today is engaged with a series of questions that are fundamental to the modern Chinese language: What is prose? What is it good for? How should it look and sound? Millions of Chinese readers encounter prose poetry every year, both in the most official of state-sponsored magazines and in the unorthodox, experimental work of the avant-garde. Recite and Refuse makes the answers to our questions about prose legible by translating, surveying, and interpreting prose poems, and by studying the people, politics, and contexts that surround the writing of prose poetry.Author Nick Admussen argues that unlike most genres, Chinese prose poems lack a distinct size or shape. Their similarity to other prose is the result of a distinct process in which a prose form is recited with some kind of meaningful difference-an imitation that refuses to fully resemble its source. This makes prose poetry a protean, ever-changing group of works, channeling the language of science, journalism, Communist Party politics, advertisements, and much more. The poems look vastly different as products, but are made with a similar process. Focusing on the composition process allows Admussen to rewrite the standard history of prose poetry, finding its origins not in 1918 but in the obedient socialist prose poetry of the 1950s.Recite and Refuse places the work of state-sponsored writers in mutual relationship to prose poems by unorthodox and avant-garde poets, from cadre writers like Ke Lan and Guo Feng to the border-crossing intellectual and poet Liu Zaifu to experimental artists such as Ouyang Jianghe and Xi Chuan. The volume features never-before seen English translations that range from the representative to the exceptional, culminating with Ouyang Jianghe's masterpiece "Hanging Coffin." Reading across the spectrum enables us to see the way that artists interact with each other, how they compete and cooperate, and how their interactions, as well as their creations, continuously reinvent both poetry and prose In English LITERARY CRITICISM / Asian / Chinese bisacsh Prose poems, Chinese Translations into English Prose poems, Chinese 20th century History and criticism Prose poems, Chinese 21st century History and criticism https://doi.org/10.1515/9780824856557 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Admussen, Nick Recite and Refuse Contemporary Chinese Prose Poetry LITERARY CRITICISM / Asian / Chinese bisacsh Prose poems, Chinese Translations into English Prose poems, Chinese 20th century History and criticism Prose poems, Chinese 21st century History and criticism |
| title | Recite and Refuse Contemporary Chinese Prose Poetry |
| title_auth | Recite and Refuse Contemporary Chinese Prose Poetry |
| title_exact_search | Recite and Refuse Contemporary Chinese Prose Poetry |
| title_exact_search_txtP | Recite and Refuse Contemporary Chinese Prose Poetry |
| title_full | Recite and Refuse Contemporary Chinese Prose Poetry Nick Admussen |
| title_fullStr | Recite and Refuse Contemporary Chinese Prose Poetry Nick Admussen |
| title_full_unstemmed | Recite and Refuse Contemporary Chinese Prose Poetry Nick Admussen |
| title_short | Recite and Refuse |
| title_sort | recite and refuse contemporary chinese prose poetry |
| title_sub | Contemporary Chinese Prose Poetry |
| topic | LITERARY CRITICISM / Asian / Chinese bisacsh Prose poems, Chinese Translations into English Prose poems, Chinese 20th century History and criticism Prose poems, Chinese 21st century History and criticism |
| topic_facet | LITERARY CRITICISM / Asian / Chinese Prose poems, Chinese Translations into English Prose poems, Chinese 20th century History and criticism Prose poems, Chinese 21st century History and criticism |
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