Parting the Mists: Discovering Japan and the Rise of National-Style Painting in Modern China
In Parting the Mists, Aida Yuen Wong makes a convincing argument that the forging of a national tradition in modern China was frequently pursued in association with rather than in rejection of Japan. The focus of her book is on Japan's integral role in the invention of "national-style pain...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Honolulu
University of Hawaii Press
[2006]
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| Schlagworte: | |
| Online-Zugang: | DE-1043 DE-1046 DE-858 DE-859 DE-860 DE-739 DE-473 URL des Erstveröffentlichers |
| Zusammenfassung: | In Parting the Mists, Aida Yuen Wong makes a convincing argument that the forging of a national tradition in modern China was frequently pursued in association with rather than in rejection of Japan. The focus of her book is on Japan's integral role in the invention of "national-style painting," or guohua, in early-twentieth-century China. Guohua, referring to brush paintings on traditional formats, is often misconstrued as a residual conservatism from the dynastic age that barricaded itself within classical traditions. Wong places this art form at the forefront of cross-cultural exchange. Notable proponents of guohua (e.g., Chen Hengke, Jin Cheng, Fu Baoshi, and Gao Jianfu) are discussed in connection with Japan, where they discovered stylistic and ideological paradigms consonant with the empowering of "Asian/Oriental" cultural practices against the backdrop of encroaching westernization. Not just a "window on the West," Japan stood as an informant of China modernism in its own right.The first book in English devoted to Sino-Japanese dialogues in modern art, Parting the Mists explores the sensitive phenomenon of Japanism in the practice and theory of Chinese painting. Wong carries out a methodologically agile study that sheds light on multiple spheres: stylistic and iconographic innovations, history writing, art theory, patronage and the market, geopolitics, the creation of artists' societies, and exhibitions. Without avoiding the dark history of Japanese imperialism, she provides a nuanced reading of Chinese views about Japan and the two countries' convergent, and often colliding, courses of nationalism |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jul 2021) |
| Beschreibung: | 1 online resource (232 pages) 64 illus., 30 in color |
| ISBN: | 9780824845360 |
| DOI: | 10.1515/9780824845360 |
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| 520 | |a In Parting the Mists, Aida Yuen Wong makes a convincing argument that the forging of a national tradition in modern China was frequently pursued in association with rather than in rejection of Japan. The focus of her book is on Japan's integral role in the invention of "national-style painting," or guohua, in early-twentieth-century China. Guohua, referring to brush paintings on traditional formats, is often misconstrued as a residual conservatism from the dynastic age that barricaded itself within classical traditions. Wong places this art form at the forefront of cross-cultural exchange. Notable proponents of guohua (e.g., Chen Hengke, Jin Cheng, Fu Baoshi, and Gao Jianfu) are discussed in connection with Japan, where they discovered stylistic and ideological paradigms consonant with the empowering of "Asian/Oriental" cultural practices against the backdrop of encroaching westernization. Not just a "window on the West," Japan stood as an informant of China modernism in its own right.The first book in English devoted to Sino-Japanese dialogues in modern art, Parting the Mists explores the sensitive phenomenon of Japanism in the practice and theory of Chinese painting. Wong carries out a methodologically agile study that sheds light on multiple spheres: stylistic and iconographic innovations, history writing, art theory, patronage and the market, geopolitics, the creation of artists' societies, and exhibitions. Without avoiding the dark history of Japanese imperialism, she provides a nuanced reading of Chinese views about Japan and the two countries' convergent, and often colliding, courses of nationalism | ||
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Datensatz im Suchindex
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| author | Wong, Aida Yuen |
| author_facet | Wong, Aida Yuen |
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| dewey-search | 759.95109/041 |
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| dewey-tens | 750 - Painting and paintings |
| discipline | Kunstgeschichte |
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| doi_str_mv | 10.1515/9780824845360 |
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| index_date | 2024-07-03T17:55:38Z |
| indexdate | 2025-02-19T17:31:06Z |
| institution | BVB |
| isbn | 9780824845360 |
| language | English |
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| spelling | Wong, Aida Yuen Verfasser aut Parting the Mists Discovering Japan and the Rise of National-Style Painting in Modern China Aida Yuen Wong Honolulu University of Hawaii Press [2006] © 2006 1 online resource (232 pages) 64 illus., 30 in color txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jul 2021) In Parting the Mists, Aida Yuen Wong makes a convincing argument that the forging of a national tradition in modern China was frequently pursued in association with rather than in rejection of Japan. The focus of her book is on Japan's integral role in the invention of "national-style painting," or guohua, in early-twentieth-century China. Guohua, referring to brush paintings on traditional formats, is often misconstrued as a residual conservatism from the dynastic age that barricaded itself within classical traditions. Wong places this art form at the forefront of cross-cultural exchange. Notable proponents of guohua (e.g., Chen Hengke, Jin Cheng, Fu Baoshi, and Gao Jianfu) are discussed in connection with Japan, where they discovered stylistic and ideological paradigms consonant with the empowering of "Asian/Oriental" cultural practices against the backdrop of encroaching westernization. Not just a "window on the West," Japan stood as an informant of China modernism in its own right.The first book in English devoted to Sino-Japanese dialogues in modern art, Parting the Mists explores the sensitive phenomenon of Japanism in the practice and theory of Chinese painting. Wong carries out a methodologically agile study that sheds light on multiple spheres: stylistic and iconographic innovations, history writing, art theory, patronage and the market, geopolitics, the creation of artists' societies, and exhibitions. Without avoiding the dark history of Japanese imperialism, she provides a nuanced reading of Chinese views about Japan and the two countries' convergent, and often colliding, courses of nationalism In English ART / Asian / General bisacsh Painting, Chinese Japanese influences Painting, Chinese 20th century https://doi.org/10.1515/9780824845360 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Wong, Aida Yuen Parting the Mists Discovering Japan and the Rise of National-Style Painting in Modern China ART / Asian / General bisacsh Painting, Chinese Japanese influences Painting, Chinese 20th century |
| title | Parting the Mists Discovering Japan and the Rise of National-Style Painting in Modern China |
| title_auth | Parting the Mists Discovering Japan and the Rise of National-Style Painting in Modern China |
| title_exact_search | Parting the Mists Discovering Japan and the Rise of National-Style Painting in Modern China |
| title_exact_search_txtP | Parting the Mists Discovering Japan and the Rise of National-Style Painting in Modern China |
| title_full | Parting the Mists Discovering Japan and the Rise of National-Style Painting in Modern China Aida Yuen Wong |
| title_fullStr | Parting the Mists Discovering Japan and the Rise of National-Style Painting in Modern China Aida Yuen Wong |
| title_full_unstemmed | Parting the Mists Discovering Japan and the Rise of National-Style Painting in Modern China Aida Yuen Wong |
| title_short | Parting the Mists |
| title_sort | parting the mists discovering japan and the rise of national style painting in modern china |
| title_sub | Discovering Japan and the Rise of National-Style Painting in Modern China |
| topic | ART / Asian / General bisacsh Painting, Chinese Japanese influences Painting, Chinese 20th century |
| topic_facet | ART / Asian / General Painting, Chinese Japanese influences Painting, Chinese 20th century |
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