Exiled in Modernity: Delacroix, Civilization, and Barbarism
Notions of civilization and barbarism were intrinsic to Eugène Delacroix's artistic practice: he wrote regularly about these concepts in his journal, and the tensions between the two were the subject of numerous paintings, including his most ambitious mural project, the ceiling of the Library o...
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| Sprache: | English |
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University Park, PA
Penn State University Press
[2021]
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| Zusammenfassung: | Notions of civilization and barbarism were intrinsic to Eugène Delacroix's artistic practice: he wrote regularly about these concepts in his journal, and the tensions between the two were the subject of numerous paintings, including his most ambitious mural project, the ceiling of the Library of the Chamber of Deputies in the Palais Bourbon. Exiled in Modernity delves deeply into these themes, revealing why Delacroix's disillusionment with modernity increasingly led him to seek spiritual release or epiphany in the sensual qualities of painting.While civilization implied a degree of control and the constraint of natural impulses for Delacroix, barbarism evoked something uncontrolled and impulsive. Seeing himself as part of a grand tradition extending back to ancient Greece, Delacroix was profoundly aware of the wealth and power that set nineteenth-century Europe apart from the rest of the world. Yet he was fascinated by civilization's chaotic underbelly. In analyzing Delacroix's art and prose, David O'Brien illuminates the artist's effort to reconcile the erudite, tradition-bound aspects of painting with a desire to reach viewers in a more direct, unrestrained manner. Focusing chiefly on Delacroix's musings about civilization in his famous journal, his major mural projects on the theme of civilization, and the place of civilization in his paintings of North Africa and of animals, O'Brien links Delacroix's increasingly pessimistic view of modernity to his desire to use his art to provide access to a more fulfilling experience.With more than one hundred illustrations, this original, astute analysis of Delacroix and his work explains why he became an inspiration for modernist painters over the half-century following his death. Art historians and scholars of modernism especially will find great value in O'Brien's work |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jul 2021) |
| Beschreibung: | 1 online resource (240 pages) 53 color/45 b&w illustrations |
| ISBN: | 9780271082691 |
| DOI: | 10.1515/9780271082691 |
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| spelling | O'Brien, David Verfasser aut Exiled in Modernity Delacroix, Civilization, and Barbarism David O'Brien University Park, PA Penn State University Press [2021] © 2018 1 online resource (240 pages) 53 color/45 b&w illustrations txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jul 2021) Notions of civilization and barbarism were intrinsic to Eugène Delacroix's artistic practice: he wrote regularly about these concepts in his journal, and the tensions between the two were the subject of numerous paintings, including his most ambitious mural project, the ceiling of the Library of the Chamber of Deputies in the Palais Bourbon. Exiled in Modernity delves deeply into these themes, revealing why Delacroix's disillusionment with modernity increasingly led him to seek spiritual release or epiphany in the sensual qualities of painting.While civilization implied a degree of control and the constraint of natural impulses for Delacroix, barbarism evoked something uncontrolled and impulsive. Seeing himself as part of a grand tradition extending back to ancient Greece, Delacroix was profoundly aware of the wealth and power that set nineteenth-century Europe apart from the rest of the world. Yet he was fascinated by civilization's chaotic underbelly. In analyzing Delacroix's art and prose, David O'Brien illuminates the artist's effort to reconcile the erudite, tradition-bound aspects of painting with a desire to reach viewers in a more direct, unrestrained manner. Focusing chiefly on Delacroix's musings about civilization in his famous journal, his major mural projects on the theme of civilization, and the place of civilization in his paintings of North Africa and of animals, O'Brien links Delacroix's increasingly pessimistic view of modernity to his desire to use his art to provide access to a more fulfilling experience.With more than one hundred illustrations, this original, astute analysis of Delacroix and his work explains why he became an inspiration for modernist painters over the half-century following his death. Art historians and scholars of modernism especially will find great value in O'Brien's work In English ART / History / Modern (late 19th Century to 1945) bisacsh Animals in art Civilization in art https://doi.org/10.1515/9780271082691 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | O'Brien, David Exiled in Modernity Delacroix, Civilization, and Barbarism ART / History / Modern (late 19th Century to 1945) bisacsh Animals in art Civilization in art |
| title | Exiled in Modernity Delacroix, Civilization, and Barbarism |
| title_auth | Exiled in Modernity Delacroix, Civilization, and Barbarism |
| title_exact_search | Exiled in Modernity Delacroix, Civilization, and Barbarism |
| title_exact_search_txtP | Exiled in Modernity Delacroix, Civilization, and Barbarism |
| title_full | Exiled in Modernity Delacroix, Civilization, and Barbarism David O'Brien |
| title_fullStr | Exiled in Modernity Delacroix, Civilization, and Barbarism David O'Brien |
| title_full_unstemmed | Exiled in Modernity Delacroix, Civilization, and Barbarism David O'Brien |
| title_short | Exiled in Modernity |
| title_sort | exiled in modernity delacroix civilization and barbarism |
| title_sub | Delacroix, Civilization, and Barbarism |
| topic | ART / History / Modern (late 19th Century to 1945) bisacsh Animals in art Civilization in art |
| topic_facet | ART / History / Modern (late 19th Century to 1945) Animals in art Civilization in art |
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