Buying Baroque: Italian Seventeenth-Century Paintings Come to America
Although Americans have shown interest in Italian Baroque art since the eighteenth century-Thomas Jefferson bought copies of works by Salvator Rosa and Guido Reni for his art gallery at Monticello, and the seventeenth-century Bolognese school was admired by painters Benjamin West and John Singleton...
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| Weitere Verfasser: | , , , , , , , , , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
University Park, PA
Penn State University Press
[2021]
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| Schriftenreihe: | The Frick Collection Studies in the History of Art Collecting in America
3 |
| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
| Zusammenfassung: | Although Americans have shown interest in Italian Baroque art since the eighteenth century-Thomas Jefferson bought copies of works by Salvator Rosa and Guido Reni for his art gallery at Monticello, and the seventeenth-century Bolognese school was admired by painters Benjamin West and John Singleton Copley-a widespread appetite for it only took hold in the early to mid-twentieth century. Buying Baroque tells this history through the personalities involved and the culture of collecting in the United States.The distinguished contributors to this volume examine the dealers, auction houses, and commercial galleries that provided access to Baroque paintings, as well as the collectors, curators, and museum directors who acquired and shaped American perceptions about these works, including Charles Eliot Norton, John W. Ringling, A. Everett Austin Jr., and Samuel H. Kress. These essays explore aesthetic trends and influences to show why Americans developed an increasingly sophisticated taste for Baroque art between the late eighteenth century and the 1920s, and they trace the fervent peak of interest during the 1950s and 1960s.A wide-ranging, in-depth look at the collecting of seventeenth- and eighteenth-century Italian paintings in America, this volume sheds new light on the cultural conditions that led collectors to value Baroque art and the significant effects of their efforts on America's greatest museums and galleries.In addition to the editor, contributors include Andrea Bayer, Virginia Brilliant, Andria Derstine, Marco Grassi, Ian Kennedy, J. Patrice Marandel, Pablo Pérez d'Ors, Richard E. Spear, and Eric M. Zafran |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jul 2021) |
| Beschreibung: | 1 online resource (204 pages) 43 color/15 b&w illustrations |
| ISBN: | 9780271079462 |
| DOI: | 10.1515/9780271079462 |
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| 520 | |a Although Americans have shown interest in Italian Baroque art since the eighteenth century-Thomas Jefferson bought copies of works by Salvator Rosa and Guido Reni for his art gallery at Monticello, and the seventeenth-century Bolognese school was admired by painters Benjamin West and John Singleton Copley-a widespread appetite for it only took hold in the early to mid-twentieth century. Buying Baroque tells this history through the personalities involved and the culture of collecting in the United States.The distinguished contributors to this volume examine the dealers, auction houses, and commercial galleries that provided access to Baroque paintings, as well as the collectors, curators, and museum directors who acquired and shaped American perceptions about these works, including Charles Eliot Norton, John W. Ringling, A. Everett Austin Jr., and Samuel H. Kress. These essays explore aesthetic trends and influences to show why Americans developed an increasingly sophisticated taste for Baroque art between the late eighteenth century and the 1920s, and they trace the fervent peak of interest during the 1950s and 1960s.A wide-ranging, in-depth look at the collecting of seventeenth- and eighteenth-century Italian paintings in America, this volume sheds new light on the cultural conditions that led collectors to value Baroque art and the significant effects of their efforts on America's greatest museums and galleries.In addition to the editor, contributors include Andrea Bayer, Virginia Brilliant, Andria Derstine, Marco Grassi, Ian Kennedy, J. Patrice Marandel, Pablo Pérez d'Ors, Richard E. Spear, and Eric M. Zafran | ||
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| illustrated | Illustrated |
| index_date | 2024-07-03T17:55:37Z |
| indexdate | 2024-07-10T09:11:30Z |
| institution | BVB |
| isbn | 9780271079462 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032816016 |
| oclc_num | 1264260860 |
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| physical | 1 online resource (204 pages) 43 color/15 b&w illustrations |
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| series2 | The Frick Collection Studies in the History of Art Collecting in America |
| spelling | Buying Baroque Italian Seventeenth-Century Paintings Come to America ed. by Edgar Peters Bowron University Park, PA Penn State University Press [2021] © 2017 1 online resource (204 pages) 43 color/15 b&w illustrations txt rdacontent c rdamedia cr rdacarrier The Frick Collection Studies in the History of Art Collecting in America 3 Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jul 2021) Although Americans have shown interest in Italian Baroque art since the eighteenth century-Thomas Jefferson bought copies of works by Salvator Rosa and Guido Reni for his art gallery at Monticello, and the seventeenth-century Bolognese school was admired by painters Benjamin West and John Singleton Copley-a widespread appetite for it only took hold in the early to mid-twentieth century. Buying Baroque tells this history through the personalities involved and the culture of collecting in the United States.The distinguished contributors to this volume examine the dealers, auction houses, and commercial galleries that provided access to Baroque paintings, as well as the collectors, curators, and museum directors who acquired and shaped American perceptions about these works, including Charles Eliot Norton, John W. Ringling, A. Everett Austin Jr., and Samuel H. Kress. These essays explore aesthetic trends and influences to show why Americans developed an increasingly sophisticated taste for Baroque art between the late eighteenth century and the 1920s, and they trace the fervent peak of interest during the 1950s and 1960s.A wide-ranging, in-depth look at the collecting of seventeenth- and eighteenth-century Italian paintings in America, this volume sheds new light on the cultural conditions that led collectors to value Baroque art and the significant effects of their efforts on America's greatest museums and galleries.In addition to the editor, contributors include Andrea Bayer, Virginia Brilliant, Andria Derstine, Marco Grassi, Ian Kennedy, J. Patrice Marandel, Pablo Pérez d'Ors, Richard E. Spear, and Eric M. Zafran In English ART / History / Baroque & Rococo bisacsh Painting Collectors and collecting History 19th century United States Painting Collectors and collecting History 20th century United States Painting Collectors and collecting United States History 19th century Painting Collectors and collecting United States History 20th century Painting, Baroque Italy Painting, Italian 17th century United States Italy History Painting, Italian 17th century Painting, Italian United States Italy 17th century History Bayer, Andrea ctb Bowron, Edgar Peters ctb Bowron, Edgar Peters edt Brilliant, Virginia ctb Derstine, Andria ctb Grassi, Marco ctb Kennedy, Ian ctb Marandel, J. Patrice ctb Spear, Richard E. ctb Zafran, Eric M. ctb d'Ors, Pablo Pérez ctb https://doi.org/10.1515/9780271079462 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Buying Baroque Italian Seventeenth-Century Paintings Come to America ART / History / Baroque & Rococo bisacsh Painting Collectors and collecting History 19th century United States Painting Collectors and collecting History 20th century United States Painting Collectors and collecting United States History 19th century Painting Collectors and collecting United States History 20th century Painting, Baroque Italy Painting, Italian 17th century United States Italy History Painting, Italian 17th century Painting, Italian United States Italy 17th century History |
| title | Buying Baroque Italian Seventeenth-Century Paintings Come to America |
| title_auth | Buying Baroque Italian Seventeenth-Century Paintings Come to America |
| title_exact_search | Buying Baroque Italian Seventeenth-Century Paintings Come to America |
| title_exact_search_txtP | Buying Baroque Italian Seventeenth-Century Paintings Come to America |
| title_full | Buying Baroque Italian Seventeenth-Century Paintings Come to America ed. by Edgar Peters Bowron |
| title_fullStr | Buying Baroque Italian Seventeenth-Century Paintings Come to America ed. by Edgar Peters Bowron |
| title_full_unstemmed | Buying Baroque Italian Seventeenth-Century Paintings Come to America ed. by Edgar Peters Bowron |
| title_short | Buying Baroque |
| title_sort | buying baroque italian seventeenth century paintings come to america |
| title_sub | Italian Seventeenth-Century Paintings Come to America |
| topic | ART / History / Baroque & Rococo bisacsh Painting Collectors and collecting History 19th century United States Painting Collectors and collecting History 20th century United States Painting Collectors and collecting United States History 19th century Painting Collectors and collecting United States History 20th century Painting, Baroque Italy Painting, Italian 17th century United States Italy History Painting, Italian 17th century Painting, Italian United States Italy 17th century History |
| topic_facet | ART / History / Baroque & Rococo Painting Collectors and collecting History 19th century United States Painting Collectors and collecting History 20th century United States Painting Collectors and collecting United States History 19th century Painting Collectors and collecting United States History 20th century Painting, Baroque Italy Painting, Italian 17th century United States Italy History Painting, Italian 17th century Painting, Italian United States Italy 17th century History |
| url | https://doi.org/10.1515/9780271079462 |
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