Consensus and Debate in Salazar's Portugal: Visual and Literary Negotiations of the National Text, 1933-1948
Ellen Sapega's study documents artistic responses to images of the Portuguese nation promoted by Portugal's Office of State Propaganda under António de Oliveira Salazar. Combining archival research with current theories informing the areas of memory studies, visual culture, women's au...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
University Park, PA
Penn State University Press
[2021]
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| Schriftenreihe: | Penn State Romance Studies
8 |
| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
| Zusammenfassung: | Ellen Sapega's study documents artistic responses to images of the Portuguese nation promoted by Portugal's Office of State Propaganda under António de Oliveira Salazar. Combining archival research with current theories informing the areas of memory studies, visual culture, women's autobiography, and postcolonial studies, the author follows the trajectory of three well-known cultural figures working in Portugal and its colonies during the 1930s and 1940s. The book begins with an analysis of official Salazarist culture as manifested in two state-sponsored commemorative events: the 1938 contest to discover the "Most Portuguese Village in Portugal" and the 1940 Exposition of the Portuguese-Speaking World. While these events fulfilled their role as state propaganda, presenting a patriotic and unambiguous view of Portugal's past and present, other cultural projects of the day pointed to contradictions inherent in the nation's social fabric. In their responses to the challenging conditions faced by writers and artists during this period and the government's relentless promotion of an increasingly conservative and traditionalist image of Portugal, José de Almada Negreiros, Irene Lisboa, and Baltasar Lopes subtly proposed revisions and alternatives to official views of Portuguese experience.These authors questioned and rewrote the metaphors of collective Portuguese and Lusophone identity employed by the ideologues of Salazar's Estado Novo regime to ensure and administer the consent of the national populace. It is evident, today, that their efforts resulted in the creation of vital, enduring texts and cultural artifacts |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jul 2021) |
| Beschreibung: | 1 online resource (184 pages) 31 illustrations |
| ISBN: | 9780271078601 |
| DOI: | 10.1515/9780271078601 |
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| 520 | |a Ellen Sapega's study documents artistic responses to images of the Portuguese nation promoted by Portugal's Office of State Propaganda under António de Oliveira Salazar. Combining archival research with current theories informing the areas of memory studies, visual culture, women's autobiography, and postcolonial studies, the author follows the trajectory of three well-known cultural figures working in Portugal and its colonies during the 1930s and 1940s. The book begins with an analysis of official Salazarist culture as manifested in two state-sponsored commemorative events: the 1938 contest to discover the "Most Portuguese Village in Portugal" and the 1940 Exposition of the Portuguese-Speaking World. While these events fulfilled their role as state propaganda, presenting a patriotic and unambiguous view of Portugal's past and present, other cultural projects of the day pointed to contradictions inherent in the nation's social fabric. In their responses to the challenging conditions faced by writers and artists during this period and the government's relentless promotion of an increasingly conservative and traditionalist image of Portugal, José de Almada Negreiros, Irene Lisboa, and Baltasar Lopes subtly proposed revisions and alternatives to official views of Portuguese experience.These authors questioned and rewrote the metaphors of collective Portuguese and Lusophone identity employed by the ideologues of Salazar's Estado Novo regime to ensure and administer the consent of the national populace. It is evident, today, that their efforts resulted in the creation of vital, enduring texts and cultural artifacts | ||
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Datensatz im Suchindex
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| id | DE-604.BV047415131 |
| illustrated | Illustrated |
| index_date | 2024-07-03T17:55:37Z |
| indexdate | 2024-07-10T09:11:30Z |
| institution | BVB |
| isbn | 9780271078601 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032816010 |
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| spelling | Sapega, Ellen W. Verfasser aut Consensus and Debate in Salazar's Portugal Visual and Literary Negotiations of the National Text, 1933-1948 Ellen W. Sapega University Park, PA Penn State University Press [2021] © 2008 1 online resource (184 pages) 31 illustrations txt rdacontent c rdamedia cr rdacarrier Penn State Romance Studies 8 Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jul 2021) Ellen Sapega's study documents artistic responses to images of the Portuguese nation promoted by Portugal's Office of State Propaganda under António de Oliveira Salazar. Combining archival research with current theories informing the areas of memory studies, visual culture, women's autobiography, and postcolonial studies, the author follows the trajectory of three well-known cultural figures working in Portugal and its colonies during the 1930s and 1940s. The book begins with an analysis of official Salazarist culture as manifested in two state-sponsored commemorative events: the 1938 contest to discover the "Most Portuguese Village in Portugal" and the 1940 Exposition of the Portuguese-Speaking World. While these events fulfilled their role as state propaganda, presenting a patriotic and unambiguous view of Portugal's past and present, other cultural projects of the day pointed to contradictions inherent in the nation's social fabric. In their responses to the challenging conditions faced by writers and artists during this period and the government's relentless promotion of an increasingly conservative and traditionalist image of Portugal, José de Almada Negreiros, Irene Lisboa, and Baltasar Lopes subtly proposed revisions and alternatives to official views of Portuguese experience.These authors questioned and rewrote the metaphors of collective Portuguese and Lusophone identity employed by the ideologues of Salazar's Estado Novo regime to ensure and administer the consent of the national populace. It is evident, today, that their efforts resulted in the creation of vital, enduring texts and cultural artifacts In English LITERARY CRITICISM / European / Spanish & Portuguese bisacsh Arts Political aspects Portugal History 20th century National characteristics, Portuguese Politics and literature Portugal Portuguese literature 20th century History and criticism https://doi.org/10.1515/9780271078601 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Sapega, Ellen W. Consensus and Debate in Salazar's Portugal Visual and Literary Negotiations of the National Text, 1933-1948 LITERARY CRITICISM / European / Spanish & Portuguese bisacsh Arts Political aspects Portugal History 20th century National characteristics, Portuguese Politics and literature Portugal Portuguese literature 20th century History and criticism |
| title | Consensus and Debate in Salazar's Portugal Visual and Literary Negotiations of the National Text, 1933-1948 |
| title_auth | Consensus and Debate in Salazar's Portugal Visual and Literary Negotiations of the National Text, 1933-1948 |
| title_exact_search | Consensus and Debate in Salazar's Portugal Visual and Literary Negotiations of the National Text, 1933-1948 |
| title_exact_search_txtP | Consensus and Debate in Salazar's Portugal Visual and Literary Negotiations of the National Text, 1933-1948 |
| title_full | Consensus and Debate in Salazar's Portugal Visual and Literary Negotiations of the National Text, 1933-1948 Ellen W. Sapega |
| title_fullStr | Consensus and Debate in Salazar's Portugal Visual and Literary Negotiations of the National Text, 1933-1948 Ellen W. Sapega |
| title_full_unstemmed | Consensus and Debate in Salazar's Portugal Visual and Literary Negotiations of the National Text, 1933-1948 Ellen W. Sapega |
| title_short | Consensus and Debate in Salazar's Portugal |
| title_sort | consensus and debate in salazar s portugal visual and literary negotiations of the national text 1933 1948 |
| title_sub | Visual and Literary Negotiations of the National Text, 1933-1948 |
| topic | LITERARY CRITICISM / European / Spanish & Portuguese bisacsh Arts Political aspects Portugal History 20th century National characteristics, Portuguese Politics and literature Portugal Portuguese literature 20th century History and criticism |
| topic_facet | LITERARY CRITICISM / European / Spanish & Portuguese Arts Political aspects Portugal History 20th century National characteristics, Portuguese Politics and literature Portugal Portuguese literature 20th century History and criticism |
| url | https://doi.org/10.1515/9780271078601 |
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