Art and globalization:
The "biennale culture" now determines much of the art world. Literature on the worldwide dissemination of art assumes nationalism and ethnic identity, but rarely analyzes it. At the same time there is extensive theorizing about globalization in political theory, cultural studies, postcolon...
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| Weitere Verfasser: | , , |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
University Park, Penn.
<<The>> Pennsylvania State University Press
2010
|
| Schriftenreihe: | The Stone Art Theory Institutes
1 |
| Schlagworte: | |
| Online-Zugang: | DE-1043 DE-1046 DE-858 DE-859 DE-860 DE-188 DE-473 DE-739 Volltext |
| Zusammenfassung: | The "biennale culture" now determines much of the art world. Literature on the worldwide dissemination of art assumes nationalism and ethnic identity, but rarely analyzes it. At the same time there is extensive theorizing about globalization in political theory, cultural studies, postcolonial theory, political economy, sociology, and anthropology. Art and Globalization brings political and cultural theorists together with writers and historians concerned specifically with the visual arts in order to test the limits of the conceptualization of the global in art. Among the major writers on contemporary international art represented in this book are Rasheed Araeen, Joaquín Barriendos, Susan Buck-Morss, John Clark, Iftikhar Dadi, T. J. Demos, Néstor García Canclini, Charles Green, Suman Gupta, Harry Harootunian, Michael Ann Holly, Shigemi Inaga, Fredric Jameson, Caroline Jones, Thomas DaCosta Kaufmann, Anthony D. King, Partha Mitter, Keith Moxey, Saskia Sassen, Ming Tiampo, and C. J. W.-L. Wee. Art and Globalization is the first book in the Stone Art Theory Institutes Series. The five volumes, each on a different theoretical issue in contemporary art, build on conversations held in intensive, weeklong closed meetings. Each volume begins with edited and annotated transcripts of those meetings, followed by assessments written by a wide community of artists, scholars, historians, theorists, and critics. The result is a series of well-informed, contentious, open-ended dialogues about the most difficult theoretical and philosophical problems we face in rethinking the arts today |
| Beschreibung: | Erscheinungsjahr des E-Books: 2015 |
| Beschreibung: | 1 Online-Ressource (X, 294 S.) Ill. |
| ISBN: | 9780271072258 |
| DOI: | 10.1515/9780271072258 |
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| spelling | Art and globalization ed. by James Elkins, Zhivka Valiavicharska, and Alice Kim University Park, Penn. <<The>> Pennsylvania State University Press 2010 1 Online-Ressource (X, 294 S.) Ill. txt rdacontent c rdamedia cr rdacarrier The Stone Art Theory Institutes 1 Erscheinungsjahr des E-Books: 2015 The "biennale culture" now determines much of the art world. Literature on the worldwide dissemination of art assumes nationalism and ethnic identity, but rarely analyzes it. At the same time there is extensive theorizing about globalization in political theory, cultural studies, postcolonial theory, political economy, sociology, and anthropology. Art and Globalization brings political and cultural theorists together with writers and historians concerned specifically with the visual arts in order to test the limits of the conceptualization of the global in art. Among the major writers on contemporary international art represented in this book are Rasheed Araeen, Joaquín Barriendos, Susan Buck-Morss, John Clark, Iftikhar Dadi, T. J. Demos, Néstor García Canclini, Charles Green, Suman Gupta, Harry Harootunian, Michael Ann Holly, Shigemi Inaga, Fredric Jameson, Caroline Jones, Thomas DaCosta Kaufmann, Anthony D. King, Partha Mitter, Keith Moxey, Saskia Sassen, Ming Tiampo, and C. J. W.-L. Wee. Art and Globalization is the first book in the Stone Art Theory Institutes Series. The five volumes, each on a different theoretical issue in contemporary art, build on conversations held in intensive, weeklong closed meetings. Each volume begins with edited and annotated transcripts of those meetings, followed by assessments written by a wide community of artists, scholars, historians, theorists, and critics. The result is a series of well-informed, contentious, open-ended dialogues about the most difficult theoretical and philosophical problems we face in rethinking the arts today Geschichte 1960-2010 gnd rswk-swf ART / Criticism bisacsh Art and globalization Kunst (DE-588)4114333-4 gnd rswk-swf Globalisierung (DE-588)4557997-0 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Kunst (DE-588)4114333-4 s Globalisierung (DE-588)4557997-0 s Geschichte 1960-2010 z DE-604 Elkins, James 1955- (DE-588)128713097 edt Valiavicharska, Zhivka (DE-588)143160893 edt Kim, Alice (DE-588)143161059 edt Erscheint auch als Druck-Ausgabe 978-0-271-03716-5 Erscheint auch als Druck-Ausgabe 978-0-271-03717-2 The Stone Art Theory Institutes 1 (DE-604)BV049681596 1 https://doi.org/10.1515/9780271072258 Verlag URL des Erstveröffentlichers Volltext |
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| title_full_unstemmed | Art and globalization ed. by James Elkins, Zhivka Valiavicharska, and Alice Kim |
| title_short | Art and globalization |
| title_sort | art and globalization |
| topic | ART / Criticism bisacsh Art and globalization Kunst (DE-588)4114333-4 gnd Globalisierung (DE-588)4557997-0 gnd |
| topic_facet | ART / Criticism Art and globalization Kunst Globalisierung Aufsatzsammlung |
| url | https://doi.org/10.1515/9780271072258 |
| volume_link | (DE-604)BV049681596 |
| work_keys_str_mv | AT elkinsjames artandglobalization AT valiavicharskazhivka artandglobalization AT kimalice artandglobalization |