Polyphone Herrschermessen (1500-1650): Kontext und Symbolizität
Integrating texts of homage for secular rulers in sacral mass settings may at first sight seem to be a contradiction. In actual fact, however, the mass - the most liturgical of all genres - was particularly attractive to Renaissance composers as a form of paying homage to a ruler. This study is the...
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| Format: | Elektronisch E-Book |
| Sprache: | German |
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Göttingen
V&R Unipress
2013, c2012
|
| Ausgabe: | 1st ed |
| Schriftenreihe: | Abhandlungen zur Musikgeschichte
|
| Schlagworte: | |
| Online-Zugang: | DE-B1533 DE-860 DE-859 URL des Erstveröffentlichers |
| Zusammenfassung: | Integrating texts of homage for secular rulers in sacral mass settings may at first sight seem to be a contradiction. In actual fact, however, the mass - the most liturgical of all genres - was particularly attractive to Renaissance composers as a form of paying homage to a ruler. This study is the first to present a systematic examination of masses for secular rulers from their beginning in around 1500 (Josquin Desprez' "Missa Hercules Dux Ferraria") to the mid-17th century. It analyses and correlates the historical contexts, compositorial style and symbolism of masses from Italy, Spain, Portugal and the House of Habsburg. The outstanding feature of masses for secular rulers is their instrumentalisation as demonstrations of political power using the liturgical mass as a medium. In masses for secular rulers the sacral aspect of the renaissance ruler are brought to a culmination, sonorously symbolising, as it were, the divine legitimation of their rule |
| Beschreibung: | 1 Online-Ressource (344 Seiten) mit zahlreichen Notenbeispielen |
| ISBN: | 9783862349630 |
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| id | DE-604.BV047413153 |
| illustrated | Illustrated |
| index_date | 2024-07-03T17:55:21Z |
| indexdate | 2025-01-16T17:09:45Z |
| institution | BVB |
| isbn | 9783862349630 |
| language | German |
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| series2 | Abhandlungen zur Musikgeschichte |
| spelling | Ammendola, Andrea Verfasser aut Polyphone Herrschermessen (1500-1650) Kontext und Symbolizität Andrea Ammendola, Jürgen Heidrich, Hans Joachim Marx, Ulrich Konrad, Martin Staehelin 1st ed Göttingen V&R Unipress 2013, c2012 1 Online-Ressource (344 Seiten) mit zahlreichen Notenbeispielen txt rdacontent c rdamedia cr rdacarrier Abhandlungen zur Musikgeschichte Integrating texts of homage for secular rulers in sacral mass settings may at first sight seem to be a contradiction. In actual fact, however, the mass - the most liturgical of all genres - was particularly attractive to Renaissance composers as a form of paying homage to a ruler. This study is the first to present a systematic examination of masses for secular rulers from their beginning in around 1500 (Josquin Desprez' "Missa Hercules Dux Ferraria") to the mid-17th century. It analyses and correlates the historical contexts, compositorial style and symbolism of masses from Italy, Spain, Portugal and the House of Habsburg. The outstanding feature of masses for secular rulers is their instrumentalisation as demonstrations of political power using the liturgical mass as a medium. In masses for secular rulers the sacral aspect of the renaissance ruler are brought to a culmination, sonorously symbolising, as it were, the divine legitimation of their rule Kirchen in Europa Messe Musikgeschichte Polyphonie Symbol Heidrich, Jürgen edt Marx, Hans Joachim edt Konrad, Ulrich edt https://elibrary.utb.de/doi/book/10.5555/9783862349630 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Ammendola, Andrea Polyphone Herrschermessen (1500-1650) Kontext und Symbolizität Kirchen in Europa Messe Musikgeschichte Polyphonie Symbol |
| title | Polyphone Herrschermessen (1500-1650) Kontext und Symbolizität |
| title_auth | Polyphone Herrschermessen (1500-1650) Kontext und Symbolizität |
| title_exact_search | Polyphone Herrschermessen (1500-1650) Kontext und Symbolizität |
| title_exact_search_txtP | Polyphone Herrschermessen (1500-1650) Kontext und Symbolizität |
| title_full | Polyphone Herrschermessen (1500-1650) Kontext und Symbolizität Andrea Ammendola, Jürgen Heidrich, Hans Joachim Marx, Ulrich Konrad, Martin Staehelin |
| title_fullStr | Polyphone Herrschermessen (1500-1650) Kontext und Symbolizität Andrea Ammendola, Jürgen Heidrich, Hans Joachim Marx, Ulrich Konrad, Martin Staehelin |
| title_full_unstemmed | Polyphone Herrschermessen (1500-1650) Kontext und Symbolizität Andrea Ammendola, Jürgen Heidrich, Hans Joachim Marx, Ulrich Konrad, Martin Staehelin |
| title_short | Polyphone Herrschermessen (1500-1650) |
| title_sort | polyphone herrschermessen 1500 1650 kontext und symbolizitat |
| title_sub | Kontext und Symbolizität |
| topic | Kirchen in Europa Messe Musikgeschichte Polyphonie Symbol |
| topic_facet | Kirchen in Europa Messe Musikgeschichte Polyphonie Symbol |
| url | https://elibrary.utb.de/doi/book/10.5555/9783862349630 |
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