Popular Music Theatre under Socialism: Operettas and Musicals in the Eastern European States 1945 to 1990
Theatre scholars and musicologists from Russia, Poland, Hungary, Romania, the Czech Republic, Austria and Germany came together in spring 2017 at the Center for Popular Culture and Music for a symposium, where they discussed for the first time the topic "Popular Music Theatre under Socialism: O...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Münster
Waxmann
2020
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| Ausgabe: | 1st, New ed |
| Schriftenreihe: | Populäre Kultur und Musik
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| Schlagworte: | |
| Online-Zugang: | DE-B1533 DE-860 DE-859 Volltext |
| Zusammenfassung: | Theatre scholars and musicologists from Russia, Poland, Hungary, Romania, the Czech Republic, Austria and Germany came together in spring 2017 at the Center for Popular Culture and Music for a symposium, where they discussed for the first time the topic "Popular Music Theatre under Socialism: Operettas and Musicals in the Eastern European States 1945 to 1990". This involved general questions such as: Did the uniform (prescribed) worldview lead to identical plays, or are there - in spite of a transnational ideology - national specific differences? And what did these differences possibly look like? The authors of this volume describe the phases of development, the national productions went through, and what influence the import of plays from abroad had on it, whether from the "fraternal socialist countries" or the "capitalistic West". They examine the government guidelines for authors and composers over the decades. Who were the most important authors and composers? Was there any "socialist operetta", any "socialist musical"? And what political, social and ideological topics were negotiated on stage? The volume demonstrates the importance of a topic that has so far received little attention in research on European theatre and music history |
| Beschreibung: | 1 Online-Ressource (236 Seiten) |
| ISBN: | 9783830992486 |
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| 520 | |a Theatre scholars and musicologists from Russia, Poland, Hungary, Romania, the Czech Republic, Austria and Germany came together in spring 2017 at the Center for Popular Culture and Music for a symposium, where they discussed for the first time the topic "Popular Music Theatre under Socialism: Operettas and Musicals in the Eastern European States 1945 to 1990". This involved general questions such as: Did the uniform (prescribed) worldview lead to identical plays, or are there - in spite of a transnational ideology - national specific differences? And what did these differences possibly look like? The authors of this volume describe the phases of development, the national productions went through, and what influence the import of plays from abroad had on it, whether from the "fraternal socialist countries" or the "capitalistic West". They examine the government guidelines for authors and composers over the decades. Who were the most important authors and composers? Was there any "socialist operetta", any "socialist musical"? And what political, social and ideological topics were negotiated on stage? The volume demonstrates the importance of a topic that has so far received little attention in research on European theatre and music history | ||
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| illustrated | Not Illustrated |
| index_date | 2024-07-03T17:55:20Z |
| indexdate | 2025-01-16T17:09:44Z |
| institution | BVB |
| isbn | 9783830992486 |
| language | English |
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| spelling | Popular Music Theatre under Socialism Operettas and Musicals in the Eastern European States 1945 to 1990 Wolfgang Jansen 1st, New ed Münster Waxmann 2020 1 Online-Ressource (236 Seiten) txt rdacontent c rdamedia cr rdacarrier Populäre Kultur und Musik Theatre scholars and musicologists from Russia, Poland, Hungary, Romania, the Czech Republic, Austria and Germany came together in spring 2017 at the Center for Popular Culture and Music for a symposium, where they discussed for the first time the topic "Popular Music Theatre under Socialism: Operettas and Musicals in the Eastern European States 1945 to 1990". This involved general questions such as: Did the uniform (prescribed) worldview lead to identical plays, or are there - in spite of a transnational ideology - national specific differences? And what did these differences possibly look like? The authors of this volume describe the phases of development, the national productions went through, and what influence the import of plays from abroad had on it, whether from the "fraternal socialist countries" or the "capitalistic West". They examine the government guidelines for authors and composers over the decades. Who were the most important authors and composers? Was there any "socialist operetta", any "socialist musical"? And what political, social and ideological topics were negotiated on stage? The volume demonstrates the importance of a topic that has so far received little attention in research on European theatre and music history East Germany German Democratic Republic Hungary Music theatre Musical Operetta Rumania Socialism Soviet Union West Germany Poland Czechoslovakia Jansen, Wolfgang edt https://elibrary.utb.de/doi/book/10.31244/9783830992486 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Popular Music Theatre under Socialism Operettas and Musicals in the Eastern European States 1945 to 1990 East Germany German Democratic Republic Hungary Music theatre Musical Operetta Rumania Socialism Soviet Union West Germany Poland Czechoslovakia |
| title | Popular Music Theatre under Socialism Operettas and Musicals in the Eastern European States 1945 to 1990 |
| title_auth | Popular Music Theatre under Socialism Operettas and Musicals in the Eastern European States 1945 to 1990 |
| title_exact_search | Popular Music Theatre under Socialism Operettas and Musicals in the Eastern European States 1945 to 1990 |
| title_exact_search_txtP | Popular Music Theatre under Socialism Operettas and Musicals in the Eastern European States 1945 to 1990 |
| title_full | Popular Music Theatre under Socialism Operettas and Musicals in the Eastern European States 1945 to 1990 Wolfgang Jansen |
| title_fullStr | Popular Music Theatre under Socialism Operettas and Musicals in the Eastern European States 1945 to 1990 Wolfgang Jansen |
| title_full_unstemmed | Popular Music Theatre under Socialism Operettas and Musicals in the Eastern European States 1945 to 1990 Wolfgang Jansen |
| title_short | Popular Music Theatre under Socialism |
| title_sort | popular music theatre under socialism operettas and musicals in the eastern european states 1945 to 1990 |
| title_sub | Operettas and Musicals in the Eastern European States 1945 to 1990 |
| topic | East Germany German Democratic Republic Hungary Music theatre Musical Operetta Rumania Socialism Soviet Union West Germany Poland Czechoslovakia |
| topic_facet | East Germany German Democratic Republic Hungary Music theatre Musical Operetta Rumania Socialism Soviet Union West Germany Poland Czechoslovakia |
| url | https://elibrary.utb.de/doi/book/10.31244/9783830992486 |
| work_keys_str_mv | AT jansenwolfgang popularmusictheatreundersocialismoperettasandmusicalsintheeasterneuropeanstates1945to1990 |