Arjan Martins:
The book Arjan Martins presents an extensive overview of the trajectory of this carioca painter. In his work, the artist dialogues with the modern tradition of Western painting, incorporating an Afro-Brazilian visual repertoire and narrative. The faces of his black figures are often blurred with pai...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | Portuguese English |
| Veröffentlicht: |
Rio de Janeiro
Cobogó
[2020]
|
| Schlagworte: | |
| Zusammenfassung: | The book Arjan Martins presents an extensive overview of the trajectory of this carioca painter. In his work, the artist dialogues with the modern tradition of Western painting, incorporating an Afro-Brazilian visual repertoire and narrative. The faces of his black figures are often blurred with paint and of distressed and elegant brushstrokes. At the same time that they refer to a erased identity, they translate this denial of image/identity with gestures that multiply the expressive directions contained in the form. The images of immigrants and African descendants are a fundamental part of the artist's repertoire, showing them in everyday actions, and which bring eminent issues to be discussed: colonial heritage, ethnic identity, blackness, segregation, invisibility. His works also go through cartography, which arrive as significant elements of the historical period of navigations. The work of Arjan Martins has been presented in several of the most important institutions in Brazil, besides having been exhibited in important biennials around the world, such as the Dakar Biennial and the Bienal do Mercosul. The publication features more than 100 works by the artist, as well as an essay by the book's organizer, Paulo Miyada, now curator of the Instituto Tomie Ohtake, in São Paulo, another of the critic and art historian Michael Asbury, and also an interview with Arjan Martins by art historian Raquel Barreto |
| Beschreibung: | 183 Seiten 29 cm |
| ISBN: | 9786556910185 655691018X |
Internformat
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| 020 | |a 655691018X |9 65-5691-018-X | ||
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| 100 | 1 | |a Martins, Arjan |d 1960- |0 (DE-588)1238374654 |4 art |4 ive | |
| 245 | 1 | 0 | |a Arjan Martins |c Paulo Miyada ; ensaios Paulo Miyada, Michael Asbury ; entrevista Raquel Barreto |
| 264 | 1 | |a Rio de Janeiro |b Cobogó |c [2020] | |
| 300 | |a 183 Seiten |c 29 cm | ||
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| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
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| 505 | 8 | |a Arjan Martins: Black Ocean = Arjan Martins: Oceano Negro / Paulo Miyada -- Works = Obras -- Interview with artist = Entrevista com o artista / Raquel Barreto -- Arjan's paintings and their photographic sources = As pinturas de Arjan e suas fontes fotográficas / Michael Asbury -- Chronology, exhibitions and collections = Cronologia, exposições e coleções | |
| 520 | 3 | |a The book Arjan Martins presents an extensive overview of the trajectory of this carioca painter. In his work, the artist dialogues with the modern tradition of Western painting, incorporating an Afro-Brazilian visual repertoire and narrative. The faces of his black figures are often blurred with paint and of distressed and elegant brushstrokes. At the same time that they refer to a erased identity, they translate this denial of image/identity with gestures that multiply the expressive directions contained in the form. The images of immigrants and African descendants are a fundamental part of the artist's repertoire, showing them in everyday actions, and which bring eminent issues to be discussed: colonial heritage, ethnic identity, blackness, segregation, invisibility. His works also go through cartography, which arrive as significant elements of the historical period of navigations. The work of Arjan Martins has been presented in several of the most important institutions in Brazil, besides having been exhibited in important biennials around the world, such as the Dakar Biennial and the Bienal do Mercosul. The publication features more than 100 works by the artist, as well as an essay by the book's organizer, Paulo Miyada, now curator of the Instituto Tomie Ohtake, in São Paulo, another of the critic and art historian Michael Asbury, and also an interview with Arjan Martins by art historian Raquel Barreto | |
| 546 | |a Text englisch und portugiesisch | ||
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| 700 | 1 | |a Miyada, Paulo |d 1985- |0 (DE-588)1249845572 |4 edt |4 wst | |
| 700 | 1 | |a Asbury, Michael |d 1966- |0 (DE-588)13311855X |4 wst | |
| 700 | 1 | |a Barreto, Raquel |4 ivr | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-032805481 | ||
Datensatz im Suchindex
| _version_ | 1804182667217862656 |
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| author2 | Miyada, Paulo 1985- Barreto, Raquel |
| author2_role | edt ivr |
| author2_variant | p m pm r b rb |
| author_GND | (DE-588)1238374654 (DE-588)1249845572 (DE-588)13311855X |
| author_facet | Miyada, Paulo 1985- Barreto, Raquel |
| building | Verbundindex |
| bvnumber | BV047404478 |
| contents | Arjan Martins: Black Ocean = Arjan Martins: Oceano Negro / Paulo Miyada -- Works = Obras -- Interview with artist = Entrevista com o artista / Raquel Barreto -- Arjan's paintings and their photographic sources = As pinturas de Arjan e suas fontes fotográficas / Michael Asbury -- Chronology, exhibitions and collections = Cronologia, exposições e coleções |
| ctrlnum | (OCoLC)1263255691 (DE-599)BVBBV047404478 |
| format | Book |
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| geographic_facet | Brasilien |
| id | DE-604.BV047404478 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T17:53:45Z |
| indexdate | 2024-07-10T09:11:11Z |
| institution | BVB |
| isbn | 9786556910185 655691018X |
| language | Portuguese English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032805481 |
| oclc_num | 1263255691 |
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| physical | 183 Seiten 29 cm |
| publishDate | 2020 |
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| publisher | Cobogó |
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| spelling | Martins, Arjan 1960- (DE-588)1238374654 art ive Arjan Martins Paulo Miyada ; ensaios Paulo Miyada, Michael Asbury ; entrevista Raquel Barreto Rio de Janeiro Cobogó [2020] 183 Seiten 29 cm sti rdacontent txt rdacontent n rdamedia nc rdacarrier Arjan Martins: Black Ocean = Arjan Martins: Oceano Negro / Paulo Miyada -- Works = Obras -- Interview with artist = Entrevista com o artista / Raquel Barreto -- Arjan's paintings and their photographic sources = As pinturas de Arjan e suas fontes fotográficas / Michael Asbury -- Chronology, exhibitions and collections = Cronologia, exposições e coleções The book Arjan Martins presents an extensive overview of the trajectory of this carioca painter. In his work, the artist dialogues with the modern tradition of Western painting, incorporating an Afro-Brazilian visual repertoire and narrative. The faces of his black figures are often blurred with paint and of distressed and elegant brushstrokes. At the same time that they refer to a erased identity, they translate this denial of image/identity with gestures that multiply the expressive directions contained in the form. The images of immigrants and African descendants are a fundamental part of the artist's repertoire, showing them in everyday actions, and which bring eminent issues to be discussed: colonial heritage, ethnic identity, blackness, segregation, invisibility. His works also go through cartography, which arrive as significant elements of the historical period of navigations. The work of Arjan Martins has been presented in several of the most important institutions in Brazil, besides having been exhibited in important biennials around the world, such as the Dakar Biennial and the Bienal do Mercosul. The publication features more than 100 works by the artist, as well as an essay by the book's organizer, Paulo Miyada, now curator of the Instituto Tomie Ohtake, in São Paulo, another of the critic and art historian Michael Asbury, and also an interview with Arjan Martins by art historian Raquel Barreto Text englisch und portugiesisch Martins, Arjan 1960- (DE-588)1238374654 gnd rswk-swf Malerei (DE-588)4037220-0 gnd rswk-swf Brasilien (DE-588)4008003-1 gnd rswk-swf Art, Brazilian 2000-2099 Criticism, interpretation, etc (DE-588)4145395-5 Bildband gnd-content (DE-588)4027503-6 Interview gnd-content Martins, Arjan 1960- (DE-588)1238374654 p Brasilien (DE-588)4008003-1 g Malerei (DE-588)4037220-0 s DE-604 Miyada, Paulo 1985- (DE-588)1249845572 edt wst Asbury, Michael 1966- (DE-588)13311855X wst Barreto, Raquel ivr |
| spellingShingle | Arjan Martins Arjan Martins: Black Ocean = Arjan Martins: Oceano Negro / Paulo Miyada -- Works = Obras -- Interview with artist = Entrevista com o artista / Raquel Barreto -- Arjan's paintings and their photographic sources = As pinturas de Arjan e suas fontes fotográficas / Michael Asbury -- Chronology, exhibitions and collections = Cronologia, exposições e coleções Martins, Arjan 1960- (DE-588)1238374654 gnd Malerei (DE-588)4037220-0 gnd |
| subject_GND | (DE-588)1238374654 (DE-588)4037220-0 (DE-588)4008003-1 (DE-588)4145395-5 (DE-588)4027503-6 |
| title | Arjan Martins |
| title_auth | Arjan Martins |
| title_exact_search | Arjan Martins |
| title_exact_search_txtP | Arjan Martins |
| title_full | Arjan Martins Paulo Miyada ; ensaios Paulo Miyada, Michael Asbury ; entrevista Raquel Barreto |
| title_fullStr | Arjan Martins Paulo Miyada ; ensaios Paulo Miyada, Michael Asbury ; entrevista Raquel Barreto |
| title_full_unstemmed | Arjan Martins Paulo Miyada ; ensaios Paulo Miyada, Michael Asbury ; entrevista Raquel Barreto |
| title_short | Arjan Martins |
| title_sort | arjan martins |
| topic | Martins, Arjan 1960- (DE-588)1238374654 gnd Malerei (DE-588)4037220-0 gnd |
| topic_facet | Martins, Arjan 1960- Malerei Brasilien Bildband Interview |
| work_keys_str_mv | AT martinsarjan arjanmartins AT miyadapaulo arjanmartins AT asburymichael arjanmartins AT barretoraquel arjanmartins |