Edith Wharton's "The age of innocence": new centenary essays
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York ; Oxford ; New Delhi ; Sydney
Bloomsbury Academic
2021
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| Ausgabe: | Paperback edition |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | xi, 205 Seiten |
| ISBN: | 9781350234482 |
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Datensatz im Suchindex
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| adam_text | Contents List of Tables vi Acknowledgments vii Contributor Biographies viii Introduction: “Each Time You Happen to Me All Over Again” Arielle Zibrak, University of Wyoming 1 Edith Wharton, The Age of Innocence, and American 2 Edith Whartons Prose Spectacle in the Age of Cinema Individualism Carol J. Singley, Rutgers University-Camden Margaret A. Toth, Manhattan College 3 1 21 39 “You Must Tell Me Just What to Do”: Action and Characterization in Whartons The Age ofInnocence Gabi Kirilloff, Texas Christian University 4 59 “Isn’t That French?”: Edith Wharton Revisits the “International Theme” Virginia Ricard, Bordeaux Montaigne University 5 Newland Archer s Doubled Consciousness: Wharton, Psychology, 6 “Trying It On” Again as Affect: Rethinking Feeling in The Age of and Narrational Form Shari Goldberg, Franklin Marshall College 81 99 Innocence Margaret Jay Jessee, University of Alabama at Birmingham 7 Innocence and Scandal in Edith Whartons Old New York Hildegard Ho eller, CUNY 8 115 133 The Age of Dissonance Beth Nguyen, University of Wisconsin, Madison 157 Notes 162 Critical Bibliography 192 Index 196
Following the publication of The Age of Innocence in 1920, Edith Wharton became the first woman to win the Pulitzer Prize. To mark too years since the book’s first publication, Edith Wharton’s The Age of Innocence: New Centenary Essays brings together leading scholars to explore cutting-edge critical approaches to Wharton’s most popular novel. Re-visiting the text through a wide range of contemporary perspectives, this book considers theories of mind and affect, digital humanities and media studies; narrational form; innocence and scandal; and the experience of reading the novel in the late twentieth century as the child of refugees. With an introduction by editor Arielle Zibrak that connects the 1920 novel to the sociocultural climate of 2020, this collection both celebrates and offers stimulating critical insights into this landmark novel of modern American literature.
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| adam_txt |
Contents List of Tables vi Acknowledgments vii Contributor Biographies viii Introduction: “Each Time You Happen to Me All Over Again” Arielle Zibrak, University of Wyoming 1 Edith Wharton, The Age of Innocence, and American 2 Edith Whartons Prose Spectacle in the Age of Cinema Individualism Carol J. Singley, Rutgers University-Camden Margaret A. Toth, Manhattan College 3 1 21 39 “You Must Tell Me Just What to Do”: Action and Characterization in Whartons The Age ofInnocence Gabi Kirilloff, Texas Christian University 4 59 “Isn’t That French?”: Edith Wharton Revisits the “International Theme” Virginia Ricard, Bordeaux Montaigne University 5 Newland Archer s Doubled Consciousness: Wharton, Psychology, 6 “Trying It On” Again as Affect: Rethinking Feeling in The Age of and Narrational Form Shari Goldberg, Franklin Marshall College 81 99 Innocence Margaret Jay Jessee, University of Alabama at Birmingham 7 Innocence and Scandal in Edith Whartons Old New York Hildegard Ho eller, CUNY 8 115 133 The Age of Dissonance Beth Nguyen, University of Wisconsin, Madison 157 Notes 162 Critical Bibliography 192 Index 196
Following the publication of The Age of Innocence in 1920, Edith Wharton became the first woman to win the Pulitzer Prize. To mark too years since the book’s first publication, Edith Wharton’s The Age of Innocence: New Centenary Essays brings together leading scholars to explore cutting-edge critical approaches to Wharton’s most popular novel. Re-visiting the text through a wide range of contemporary perspectives, this book considers theories of mind and affect, digital humanities and media studies; narrational form; innocence and scandal; and the experience of reading the novel in the late twentieth century as the child of refugees. With an introduction by editor Arielle Zibrak that connects the 1920 novel to the sociocultural climate of 2020, this collection both celebrates and offers stimulating critical insights into this landmark novel of modern American literature. |
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