Purity is a myth: the materiality of concrete art from Argentina, Brazil, and Uruguay
"Purity Is a Myth presents new scholarship on Concrete art in Argentina, Brazil, and Uruguay from the 1940s to the 1960s"--
Gespeichert in:
| Weitere Verfasser: | , , , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Los Angeles
Getty Research Institute, Getty Conservation Institute
[2021]
|
| Schriftenreihe: | Issues & debates
|
| Schlagworte: | |
| Zusammenfassung: | "Purity Is a Myth presents new scholarship on Concrete art in Argentina, Brazil, and Uruguay from the 1940s to the 1960s"-- |
| Beschreibung: | 325 Seiten Illustrationen 26 cm |
| ISBN: | 9781606067239 1606067230 |
Internformat
MARC
| LEADER | 00000nam a22000008c 4500 | ||
|---|---|---|---|
| 001 | BV047403109 | ||
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| 049 | |a DE-B170 |a DE-188 |a DE-255 |a DE-Y2 | ||
| 245 | 1 | 0 | |a Purity is a myth |b the materiality of concrete art from Argentina, Brazil, and Uruguay |c edited by Zanna Gilbert, Pia Gottschaller, Tom Learner, and Andrew Perchuk |
| 264 | 1 | |a Los Angeles |b Getty Research Institute, Getty Conservation Institute |c [2021] | |
| 264 | 4 | |c © 2021 | |
| 300 | |a 325 Seiten |b Illustrationen |c 26 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 0 | |a Issues & debates | |
| 505 | 8 | |a Introduction: The Myth of Purity: New Material Histories of Concrete Art / Zanna Gilbert, Pia Gottschaller, Tom Learner, and Andrew Perchuk -- Part I. New Perspectives on the Emergence of Concrete Art from Argentina, Brazil, and Uruguay -- Material Relations: Torres-García and Concrete Art from Argentina / Niko Vicario -- Rhod Rothfuss and the marco recortado: A Synthesis of Cultural Traditions in the Río de la Plata Region / María Amalia García -- Waldemar Cordeiro and Grupo Forma: The Roman Road to São Paulo Concrete Art / Heloisa Espada -- Part II. Generative Processes in Concrete Art -- Cut, Fuse, Fissure: Planarity circa 1954 / Irene V. Small -- Judith Lauand's Sketchbooks and the Visualization of Concrete Form in 1954 / Aliza Edelman -- Hermelindo Fiaminghi's Quadrature of the Circle between 1954 and 1959: From Concrete Enamel to Giotto's Tempera / Pia Gottschaller, Tom Learner, and Joy Mazurek -- Part III. Concretizing Color -- | |
| 505 | 8 | |a Energy, Legibility, Purity: Color in Argentine Concrete Art / Idurre Alonso, Pia Gottschaller, C.C. Marsh, Andrew Perchuk, and Lynn Lee -- Looking to the Past to Paint the Future: Innovative: Anachronisms in the Work of Alfredo Volpi and Hélio Oiticica / Mari Carmen Ramírez and Corina E. Rogge -- The Adventure of Color in Brazilian Art: Aluísio Carvão, Hélio Oiticica, and Roberto Burle Marx / Luiz Camillo Osorio -- Part IV. Concrete Art on Paper -- Printing Invention: Artwork, Project, or Device / Isabel Plante -- On Kissing and Biting: The Material Impressions of Language and Design in the Work of Willys de Castro and Hermelindo Fiaminghi / Zanna Gilbert -- Part V. Analyzing Concrete Art: Technical Overviews -- Experimentation and Materiality: Constructing the Brazilian Artwork, 1950s-60s / Luiz A. C. Souza, Alessandra Rosado, Yacy-Ara Froner, Rita L. Rodrigues, Maria Alice Sanna Castelo Branco, Giula Giovani, and Vítor P. Amaral -- | |
| 505 | 8 | |a Argentine Concrete Art, the First Decade: Between the Material and Formal Tradition and Innovation / Pino Monkes -- Technical Studies of Concrete Art from the Río de La Plata Region / Fernando Marte -- Part VI. The Reception of Concrete Art in Museums and Academia -- A History of the Field / Aleca Le Blanc -- Part VII. Chronologies -- Paint Production in Argentina, 1940s-60 / Florencia Castella and Sofía Frigerio -- Paint Production in Brazil, 1940s-60s / João Henrique Ribeiro Barbosa | |
| 520 | 3 | |a "Purity Is a Myth presents new scholarship on Concrete art in Argentina, Brazil, and Uruguay from the 1940s to the 1960s"-- | |
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Datensatz im Suchindex
| _version_ | 1806959022791720960 |
|---|---|
| adam_text | |
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author2 | Gilbert, Zanna Gottschaller, Pia Learner, Tom Wissenschaftler für Gemäldekonservierung Perchuk, Andrew |
| author2_role | edt edt edt edt |
| author2_variant | z g zg p g pg t l tl a p ap |
| author_GND | (DE-588)102716918X (DE-588)188484566 (DE-588)1089448236 (DE-588)141492198 |
| author_facet | Gilbert, Zanna Gottschaller, Pia Learner, Tom Wissenschaftler für Gemäldekonservierung Perchuk, Andrew |
| building | Verbundindex |
| bvnumber | BV047403109 |
| contents | Introduction: The Myth of Purity: New Material Histories of Concrete Art / Zanna Gilbert, Pia Gottschaller, Tom Learner, and Andrew Perchuk -- Part I. New Perspectives on the Emergence of Concrete Art from Argentina, Brazil, and Uruguay -- Material Relations: Torres-García and Concrete Art from Argentina / Niko Vicario -- Rhod Rothfuss and the marco recortado: A Synthesis of Cultural Traditions in the Río de la Plata Region / María Amalia García -- Waldemar Cordeiro and Grupo Forma: The Roman Road to São Paulo Concrete Art / Heloisa Espada -- Part II. Generative Processes in Concrete Art -- Cut, Fuse, Fissure: Planarity circa 1954 / Irene V. Small -- Judith Lauand's Sketchbooks and the Visualization of Concrete Form in 1954 / Aliza Edelman -- Hermelindo Fiaminghi's Quadrature of the Circle between 1954 and 1959: From Concrete Enamel to Giotto's Tempera / Pia Gottschaller, Tom Learner, and Joy Mazurek -- Part III. Concretizing Color -- Energy, Legibility, Purity: Color in Argentine Concrete Art / Idurre Alonso, Pia Gottschaller, C.C. Marsh, Andrew Perchuk, and Lynn Lee -- Looking to the Past to Paint the Future: Innovative: Anachronisms in the Work of Alfredo Volpi and Hélio Oiticica / Mari Carmen Ramírez and Corina E. Rogge -- The Adventure of Color in Brazilian Art: Aluísio Carvão, Hélio Oiticica, and Roberto Burle Marx / Luiz Camillo Osorio -- Part IV. Concrete Art on Paper -- Printing Invention: Artwork, Project, or Device / Isabel Plante -- On Kissing and Biting: The Material Impressions of Language and Design in the Work of Willys de Castro and Hermelindo Fiaminghi / Zanna Gilbert -- Part V. Analyzing Concrete Art: Technical Overviews -- Experimentation and Materiality: Constructing the Brazilian Artwork, 1950s-60s / Luiz A. C. Souza, Alessandra Rosado, Yacy-Ara Froner, Rita L. Rodrigues, Maria Alice Sanna Castelo Branco, Giula Giovani, and Vítor P. Amaral -- Argentine Concrete Art, the First Decade: Between the Material and Formal Tradition and Innovation / Pino Monkes -- Technical Studies of Concrete Art from the Río de La Plata Region / Fernando Marte -- Part VI. The Reception of Concrete Art in Museums and Academia -- A History of the Field / Aleca Le Blanc -- Part VII. Chronologies -- Paint Production in Argentina, 1940s-60 / Florencia Castella and Sofía Frigerio -- Paint Production in Brazil, 1940s-60s / João Henrique Ribeiro Barbosa |
| ctrlnum | (OCoLC)1266249912 (DE-599)BVBBV047403109 |
| era | Geschichte 1940-1960 gnd |
| era_facet | Geschichte 1940-1960 |
| format | Book |
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| geographic_facet | Uruguay Brasilien Argentinien |
| id | DE-604.BV047403109 |
| illustrated | Illustrated |
| index_date | 2024-07-03T17:53:14Z |
| indexdate | 2024-08-10T00:40:09Z |
| institution | BVB |
| isbn | 9781606067239 1606067230 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032804144 |
| oclc_num | 1266249912 |
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| physical | 325 Seiten Illustrationen 26 cm |
| publishDate | 2021 |
| publishDateSearch | 2021 |
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| publisher | Getty Research Institute, Getty Conservation Institute |
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| series2 | Issues & debates |
| spelling | Purity is a myth the materiality of concrete art from Argentina, Brazil, and Uruguay edited by Zanna Gilbert, Pia Gottschaller, Tom Learner, and Andrew Perchuk Los Angeles Getty Research Institute, Getty Conservation Institute [2021] © 2021 325 Seiten Illustrationen 26 cm txt rdacontent n rdamedia nc rdacarrier Issues & debates Introduction: The Myth of Purity: New Material Histories of Concrete Art / Zanna Gilbert, Pia Gottschaller, Tom Learner, and Andrew Perchuk -- Part I. New Perspectives on the Emergence of Concrete Art from Argentina, Brazil, and Uruguay -- Material Relations: Torres-García and Concrete Art from Argentina / Niko Vicario -- Rhod Rothfuss and the marco recortado: A Synthesis of Cultural Traditions in the Río de la Plata Region / María Amalia García -- Waldemar Cordeiro and Grupo Forma: The Roman Road to São Paulo Concrete Art / Heloisa Espada -- Part II. Generative Processes in Concrete Art -- Cut, Fuse, Fissure: Planarity circa 1954 / Irene V. Small -- Judith Lauand's Sketchbooks and the Visualization of Concrete Form in 1954 / Aliza Edelman -- Hermelindo Fiaminghi's Quadrature of the Circle between 1954 and 1959: From Concrete Enamel to Giotto's Tempera / Pia Gottschaller, Tom Learner, and Joy Mazurek -- Part III. Concretizing Color -- Energy, Legibility, Purity: Color in Argentine Concrete Art / Idurre Alonso, Pia Gottschaller, C.C. Marsh, Andrew Perchuk, and Lynn Lee -- Looking to the Past to Paint the Future: Innovative: Anachronisms in the Work of Alfredo Volpi and Hélio Oiticica / Mari Carmen Ramírez and Corina E. Rogge -- The Adventure of Color in Brazilian Art: Aluísio Carvão, Hélio Oiticica, and Roberto Burle Marx / Luiz Camillo Osorio -- Part IV. Concrete Art on Paper -- Printing Invention: Artwork, Project, or Device / Isabel Plante -- On Kissing and Biting: The Material Impressions of Language and Design in the Work of Willys de Castro and Hermelindo Fiaminghi / Zanna Gilbert -- Part V. Analyzing Concrete Art: Technical Overviews -- Experimentation and Materiality: Constructing the Brazilian Artwork, 1950s-60s / Luiz A. C. Souza, Alessandra Rosado, Yacy-Ara Froner, Rita L. Rodrigues, Maria Alice Sanna Castelo Branco, Giula Giovani, and Vítor P. Amaral -- Argentine Concrete Art, the First Decade: Between the Material and Formal Tradition and Innovation / Pino Monkes -- Technical Studies of Concrete Art from the Río de La Plata Region / Fernando Marte -- Part VI. The Reception of Concrete Art in Museums and Academia -- A History of the Field / Aleca Le Blanc -- Part VII. Chronologies -- Paint Production in Argentina, 1940s-60 / Florencia Castella and Sofía Frigerio -- Paint Production in Brazil, 1940s-60s / João Henrique Ribeiro Barbosa "Purity Is a Myth presents new scholarship on Concrete art in Argentina, Brazil, and Uruguay from the 1940s to the 1960s"-- Geschichte 1940-1960 gnd rswk-swf Konkrete Kunst (DE-588)4165032-3 gnd rswk-swf Uruguay (DE-588)4062186-8 gnd rswk-swf Brasilien (DE-588)4008003-1 gnd rswk-swf Argentinien (DE-588)4002890-2 gnd rswk-swf Concrete art / Argentina Concrete art / Brazil Concrete art / Uruguay Art, Argentine / 20th century Art, Brazilian / 20th century Art, Uruguayan / 20th century Art, Argentine Art, Brazilian Art, Uruguayan Concrete art Argentina Brazil Uruguay 1900-1999 (DE-588)4143413-4 Aufsatzsammlung gnd-content Argentinien (DE-588)4002890-2 g Brasilien (DE-588)4008003-1 g Uruguay (DE-588)4062186-8 g Konkrete Kunst (DE-588)4165032-3 s Geschichte 1940-1960 z DE-604 Gilbert, Zanna (DE-588)102716918X edt Gottschaller, Pia (DE-588)188484566 edt Learner, Tom Wissenschaftler für Gemäldekonservierung (DE-588)1089448236 edt Perchuk, Andrew (DE-588)141492198 edt Erscheint auch als Online-Ausgabe, ebk 978-1-60606-724-6 |
| spellingShingle | Purity is a myth the materiality of concrete art from Argentina, Brazil, and Uruguay Introduction: The Myth of Purity: New Material Histories of Concrete Art / Zanna Gilbert, Pia Gottschaller, Tom Learner, and Andrew Perchuk -- Part I. New Perspectives on the Emergence of Concrete Art from Argentina, Brazil, and Uruguay -- Material Relations: Torres-García and Concrete Art from Argentina / Niko Vicario -- Rhod Rothfuss and the marco recortado: A Synthesis of Cultural Traditions in the Río de la Plata Region / María Amalia García -- Waldemar Cordeiro and Grupo Forma: The Roman Road to São Paulo Concrete Art / Heloisa Espada -- Part II. Generative Processes in Concrete Art -- Cut, Fuse, Fissure: Planarity circa 1954 / Irene V. Small -- Judith Lauand's Sketchbooks and the Visualization of Concrete Form in 1954 / Aliza Edelman -- Hermelindo Fiaminghi's Quadrature of the Circle between 1954 and 1959: From Concrete Enamel to Giotto's Tempera / Pia Gottschaller, Tom Learner, and Joy Mazurek -- Part III. Concretizing Color -- Energy, Legibility, Purity: Color in Argentine Concrete Art / Idurre Alonso, Pia Gottschaller, C.C. Marsh, Andrew Perchuk, and Lynn Lee -- Looking to the Past to Paint the Future: Innovative: Anachronisms in the Work of Alfredo Volpi and Hélio Oiticica / Mari Carmen Ramírez and Corina E. Rogge -- The Adventure of Color in Brazilian Art: Aluísio Carvão, Hélio Oiticica, and Roberto Burle Marx / Luiz Camillo Osorio -- Part IV. Concrete Art on Paper -- Printing Invention: Artwork, Project, or Device / Isabel Plante -- On Kissing and Biting: The Material Impressions of Language and Design in the Work of Willys de Castro and Hermelindo Fiaminghi / Zanna Gilbert -- Part V. Analyzing Concrete Art: Technical Overviews -- Experimentation and Materiality: Constructing the Brazilian Artwork, 1950s-60s / Luiz A. C. Souza, Alessandra Rosado, Yacy-Ara Froner, Rita L. Rodrigues, Maria Alice Sanna Castelo Branco, Giula Giovani, and Vítor P. Amaral -- Argentine Concrete Art, the First Decade: Between the Material and Formal Tradition and Innovation / Pino Monkes -- Technical Studies of Concrete Art from the Río de La Plata Region / Fernando Marte -- Part VI. The Reception of Concrete Art in Museums and Academia -- A History of the Field / Aleca Le Blanc -- Part VII. Chronologies -- Paint Production in Argentina, 1940s-60 / Florencia Castella and Sofía Frigerio -- Paint Production in Brazil, 1940s-60s / João Henrique Ribeiro Barbosa Konkrete Kunst (DE-588)4165032-3 gnd |
| subject_GND | (DE-588)4165032-3 (DE-588)4062186-8 (DE-588)4008003-1 (DE-588)4002890-2 (DE-588)4143413-4 |
| title | Purity is a myth the materiality of concrete art from Argentina, Brazil, and Uruguay |
| title_auth | Purity is a myth the materiality of concrete art from Argentina, Brazil, and Uruguay |
| title_exact_search | Purity is a myth the materiality of concrete art from Argentina, Brazil, and Uruguay |
| title_exact_search_txtP | Purity is a myth the materiality of concrete art from Argentina, Brazil, and Uruguay |
| title_full | Purity is a myth the materiality of concrete art from Argentina, Brazil, and Uruguay edited by Zanna Gilbert, Pia Gottschaller, Tom Learner, and Andrew Perchuk |
| title_fullStr | Purity is a myth the materiality of concrete art from Argentina, Brazil, and Uruguay edited by Zanna Gilbert, Pia Gottschaller, Tom Learner, and Andrew Perchuk |
| title_full_unstemmed | Purity is a myth the materiality of concrete art from Argentina, Brazil, and Uruguay edited by Zanna Gilbert, Pia Gottschaller, Tom Learner, and Andrew Perchuk |
| title_short | Purity is a myth |
| title_sort | purity is a myth the materiality of concrete art from argentina brazil and uruguay |
| title_sub | the materiality of concrete art from Argentina, Brazil, and Uruguay |
| topic | Konkrete Kunst (DE-588)4165032-3 gnd |
| topic_facet | Konkrete Kunst Uruguay Brasilien Argentinien Aufsatzsammlung |
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