The Routledge handbook of reenactment studies: key terms in the field
The Routledge Handbook of Reenactment Studies provides the first overview of significant concepts within reenactment studies. The volume includes a co-authored critical introduction and a comprehensive compilation of key term entries contributed by leading reenactment scholars from Europe, North Ame...
Gespeichert in:
| Weitere Verfasser: | , , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
Routledge, Taylor & Francis Group
2021
|
| Ausgabe: | First issued in paperback |
| Schriftenreihe: | Routledge handbooks
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | The Routledge Handbook of Reenactment Studies provides the first overview of significant concepts within reenactment studies. The volume includes a co-authored critical introduction and a comprehensive compilation of key term entries contributed by leading reenactment scholars from Europe, North America, and Australia. Well into the future, this wide-ranging reference work will inform and shape the thinking of researchers, teachers, and students of history and heritage and memory studies, as well as cultural studies, film, theater and performance studies, dance, art history, museum studies, literary criticism, musicology, and anthropology |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | xxii, 264 Seiten Illustrationen |
| ISBN: | 9781032084251 |
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Datensatz im Suchindex
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| adam_text | CONTENTS List offigures List of contributors Acknowledgments Xі xiv xxii Introduction: What is reenactment studies? 1 Vanessa Agnew, Jonathan Lamb, andJuliane Tomann 1 Archive 11 Elizabeth Haines 2 Art Stéphanie Benzaquen-Gautier 16 3 Authenticity 20 Vanessa Agnew and Juliane Tomann 4 Battle 25 Mads Daugbjerg 5 Body and embodiment 30 Amanda Card 6 Conjecture 34 Jonathan Lamb 7 Corroboration 39 Jonathan Lamb vii
Contents 8 Dark tourism 44 Vanessa Agnew 9 Documentary 49 Stella Bruzzi 10 Emotion 53 Juliane Brauer and Martin Lücke 11 Evidence 57 Paul Pickering 12 Experience 63 Anja Schwarz * * 13 Experimental archaeology 67 Gunter Schöbel 14 Expertise and amateurism 74 Anne Brædder 15 Forensic architecture 79 Fabrizio Gallanti 16 Gaming 84 Pieter Van den Heede 17 Gender 89 Stacy Holman Jones 18 Gesture 94 Jonathan Lamb 19 Hajj 97 Maryam Palizban 20 Heritage 100 Julie Park 21 Historically informedperformance 106 Kate Bowan 22 History of the field 111 Ulf Otto viii
Contents 23 Indigeneity 115 Penny Edmonds 24 Living history 120 David Dean 25 Martyrdom 125 Martin Tremi 26 Material culture 130 Stefanie Samida 27 Mediality 133 Maria Muhle 28 Memory andcommemoration 138 Juliane Tomann 29 Mimesis 142 Kader Konuk 30 Mitzvah and memorialization 147 Rick Hilles 31 Narrative 151 Inke Arns 32 Nostalgia 156 Jonathan D. S. Schroeder 33 Objects 160 Katrina Schlunke 34 Pageant 163 Amy M. Tyson 35 Performanceand performativity 169 Katherine Johnson 36 Pilgrimage 173 Kamila Baraniecka-Olszewska 37 Play Robbert-Jan Adriaansen 178
Contents 38 Practices of authenticity 183 Stephen Gapps 39 Practices of reenactment 187 Alexander Cook 40 Production of historical meaning 191 Scott Magebsen 41 Realism 195 Jonathan Lamb 42 Representation 198 Inke Arns 43 Ritual 202 Anja Dreschke 44 Role-play 206 Stephen Gapps 45 Sublime 210 Jonathan Lamb 46 Suffering 213 Vanessa Agnew 47 Trauma 219 Nena Močnik Bibliography 225 Index 254
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| adam_txt |
CONTENTS List offigures List of contributors Acknowledgments Xі xiv xxii Introduction: What is reenactment studies? 1 Vanessa Agnew, Jonathan Lamb, andJuliane Tomann 1 Archive 11 Elizabeth Haines 2 Art Stéphanie Benzaquen-Gautier 16 3 Authenticity 20 Vanessa Agnew and Juliane Tomann 4 Battle 25 Mads Daugbjerg 5 Body and embodiment 30 Amanda Card 6 Conjecture 34 Jonathan Lamb 7 Corroboration 39 Jonathan Lamb vii
Contents 8 Dark tourism 44 Vanessa Agnew 9 Documentary 49 Stella Bruzzi 10 Emotion 53 Juliane Brauer and Martin Lücke 11 Evidence 57 Paul Pickering 12 Experience 63 Anja Schwarz * * 13 Experimental archaeology 67 Gunter Schöbel 14 Expertise and amateurism 74 Anne Brædder 15 Forensic architecture 79 Fabrizio Gallanti 16 Gaming 84 Pieter Van den Heede 17 Gender 89 Stacy Holman Jones 18 Gesture 94 Jonathan Lamb 19 Hajj 97 Maryam Palizban 20 Heritage 100 Julie Park 21 Historically informedperformance 106 Kate Bowan 22 History of the field 111 Ulf Otto viii
Contents 23 Indigeneity 115 Penny Edmonds 24 Living history 120 David Dean 25 Martyrdom 125 Martin Tremi 26 Material culture 130 Stefanie Samida 27 Mediality 133 Maria Muhle 28 Memory andcommemoration 138 Juliane Tomann 29 Mimesis 142 Kader Konuk 30 Mitzvah and memorialization 147 Rick Hilles 31 Narrative 151 Inke Arns 32 Nostalgia 156 Jonathan D. S. Schroeder 33 Objects 160 Katrina Schlunke 34 Pageant 163 Amy M. Tyson 35 Performanceand performativity 169 Katherine Johnson 36 Pilgrimage 173 Kamila Baraniecka-Olszewska 37 Play Robbert-Jan Adriaansen 178
Contents 38 Practices of authenticity 183 Stephen Gapps 39 Practices of reenactment 187 Alexander Cook 40 Production of historical meaning 191 Scott Magebsen 41 Realism 195 Jonathan Lamb 42 Representation 198 Inke Arns 43 Ritual 202 Anja Dreschke 44 Role-play 206 Stephen Gapps 45 Sublime 210 Jonathan Lamb 46 Suffering 213 Vanessa Agnew 47 Trauma 219 Nena Močnik Bibliography 225 Index 254 |
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| title | The Routledge handbook of reenactment studies key terms in the field |
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