Media crossroads: intersections of space and identity in screen cultures
The first investigation of how race and gender shaped the presentation and marketing of Modernist decor in postwar AmericaIn the world of interior design, mid-century Modernism has left an indelible mark still seen and felt today in countless open-concept floor plans and sleek, geometric furnishings...
Gespeichert in:
| Weitere Verfasser: | , , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Durham ; London
Duke University Press
2021
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Zusammenfassung: | The first investigation of how race and gender shaped the presentation and marketing of Modernist decor in postwar AmericaIn the world of interior design, mid-century Modernism has left an indelible mark still seen and felt today in countless open-concept floor plans and sleek, geometric furnishings. Yet despite our continued fascination, we rarely consider how this iconic design sensibility was marketed to the diverse audiences of its era. Examining advice manuals, advertisements in Life and Ebony, furniture, art, and more, Mid-Century Modernism and the American Body offers a powerful new look at how codes of race, gender, and identity influenced-and were influenced by-Modern design and shaped its presentation to consumers.Taking us to the booming suburban landscape of postwar America, Kristina Wilson demonstrates that the ideals defined by popular Modernist furnishings were far from neutral or race-blind. Advertisers offered this aesthetic to White audiences as a solution for keeping dirt and outsiders at bay, an approach that reinforced middle-class White privilege. By contrast, media arenas such as Ebony magazine presented African American readers with an image of Modernism as a style of comfort, security, and social confidence. Wilson shows how etiquette and home decorating manuals served to control women by associating them with the domestic sphere, and she considers how furniture by George Nelson and Charles and Ray Eames, as well as smaller-scale decorative accessories, empowered some users, even while constraining others.A striking counternarrative to conventional histories of design, Mid-Century Modernism and the American Body unveils fresh perspectives on one of the most distinctive movements in American visual culture |
| Beschreibung: | vii, 340 Seiten Illustrationen |
| ISBN: | 9781478011743 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV047394560 | ||
| 003 | DE-604 | ||
| 005 | 20220823 | ||
| 007 | t | ||
| 008 | 210729s2021 a||| |||| 00||| eng d | ||
| 020 | |a 9781478011743 |c pbk |9 978-1-4780-1174-3 | ||
| 035 | |a (OCoLC)1240168926 | ||
| 035 | |a (DE-599)BVBBV047394560 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-M472 |a DE-355 | ||
| 082 | 0 | |a 302.23 |2 23 | |
| 245 | 1 | 0 | |a Media crossroads |b intersections of space and identity in screen cultures |c edited by Paula J. Massood, Angel Daniel Matos and Pamela Robertson Wojcik |
| 264 | 1 | |a Durham ; London |b Duke University Press |c 2021 | |
| 300 | |a vii, 340 Seiten |b Illustrationen | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 520 | |a The first investigation of how race and gender shaped the presentation and marketing of Modernist decor in postwar AmericaIn the world of interior design, mid-century Modernism has left an indelible mark still seen and felt today in countless open-concept floor plans and sleek, geometric furnishings. Yet despite our continued fascination, we rarely consider how this iconic design sensibility was marketed to the diverse audiences of its era. Examining advice manuals, advertisements in Life and Ebony, furniture, art, and more, Mid-Century Modernism and the American Body offers a powerful new look at how codes of race, gender, and identity influenced-and were influenced by-Modern design and shaped its presentation to consumers.Taking us to the booming suburban landscape of postwar America, Kristina Wilson demonstrates that the ideals defined by popular Modernist furnishings were far from neutral or race-blind. Advertisers offered this aesthetic to White audiences as a solution for keeping dirt and outsiders at bay, an approach that reinforced middle-class White privilege. By contrast, media arenas such as Ebony magazine presented African American readers with an image of Modernism as a style of comfort, security, and social confidence. Wilson shows how etiquette and home decorating manuals served to control women by associating them with the domestic sphere, and she considers how furniture by George Nelson and Charles and Ray Eames, as well as smaller-scale decorative accessories, empowered some users, even while constraining others.A striking counternarrative to conventional histories of design, Mid-Century Modernism and the American Body unveils fresh perspectives on one of the most distinctive movements in American visual culture | ||
| 648 | 7 | |a Geschichte 1950-1959 |2 gnd |9 rswk-swf | |
| 650 | 7 | |a PERFORMING ARTS / Film & Video / History & Criticism |2 bisacsh | |
| 650 | 4 | |a Gender identity in mass media | |
| 650 | 4 | |a Identity (Psychology) and mass media | |
| 650 | 4 | |a Mass media | |
| 650 | 4 | |a Space and time in mass media | |
| 650 | 4 | |a Space perception | |
| 650 | 4 | |a Women's studies | |
| 650 | 0 | 7 | |a Design |0 (DE-588)4011510-0 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Neue Medien |0 (DE-588)4196910-8 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Geschlecht |0 (DE-588)4020547-2 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Industriedesign |0 (DE-588)4072788-9 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Rasse |0 (DE-588)4048440-3 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Identität |g Motiv |0 (DE-588)4311101-4 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Film |0 (DE-588)4017102-4 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Raum |g Motiv |0 (DE-588)4225698-7 |2 gnd |9 rswk-swf |
| 651 | 7 | |a USA |0 (DE-588)4078704-7 |2 gnd |9 rswk-swf | |
| 655 | 7 | |0 (DE-588)4143413-4 |a Aufsatzsammlung |2 gnd-content | |
| 689 | 0 | 0 | |a USA |0 (DE-588)4078704-7 |D g |
| 689 | 0 | 1 | |a Industriedesign |0 (DE-588)4072788-9 |D s |
| 689 | 0 | 2 | |a Geschichte 1950-1959 |A z |
| 689 | 0 | |5 DE-604 | |
| 689 | 1 | 0 | |a USA |0 (DE-588)4078704-7 |D g |
| 689 | 1 | 1 | |a Design |0 (DE-588)4011510-0 |D s |
| 689 | 1 | 2 | |a Geschlecht |0 (DE-588)4020547-2 |D s |
| 689 | 1 | 3 | |a Rasse |0 (DE-588)4048440-3 |D s |
| 689 | 1 | |5 DE-604 | |
| 689 | 2 | 0 | |a Film |0 (DE-588)4017102-4 |D s |
| 689 | 2 | 1 | |a Neue Medien |0 (DE-588)4196910-8 |D s |
| 689 | 2 | 2 | |a Raum |g Motiv |0 (DE-588)4225698-7 |D s |
| 689 | 2 | 3 | |a Identität |g Motiv |0 (DE-588)4311101-4 |D s |
| 689 | 2 | |5 DE-604 | |
| 700 | 1 | |a Massood, Paula J. |d 1965- |0 (DE-588)136433987 |4 edt | |
| 700 | 1 | |a Matos, Angel Daniel |0 (DE-588)1238032001 |4 edt | |
| 700 | 1 | |a Wojcik, Pamela Robertson |d 1964- |0 (DE-588)1012465004 |4 edt | |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe |z 978-1-4780-2130-8 |
| 856 | 4 | 2 | |m Digitalisierung UB Regensburg - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032795807&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 856 | 4 | 2 | |m Digitalisierung UB Regensburg - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032795807&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |3 Klappentext |
| 940 | 1 | |q BSB_NED_20210729 | |
| 942 | 1 | 1 | |c 791.409 |e 22/bsb |
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-032795807 | |
Datensatz im Suchindex
| _version_ | 1811931787122704384 |
|---|---|
| adam_text |
CONTENTS ix Acknowledgments i Introduction: Intersections and/in Space PAULA J. MASSOOD, ANGEL DANIEL MATOS, AND PAMELA ROBERTSON WÓJCIK I _ DIGITAL INTERSECTIONS 2i / “Where Do Aliens Pee?”: Bathroom Selfies, Trans Activism, and Reimagining Spaces chapter one NICOLE ERIN MORSE 34 chapter two / The Queerness of Space and the Body in Nintendo’s The Legend ofZelda Series ANGEL DANIEL MATOS 50 / The Digital Flâneuse: Exploring Intersectional Identities and Spaces through Walking Simulators chapter three MATTHEW THOMAS PAYNE AND JOHN VANDERHOEF II _ CINEMATIC URBAN INTERSECTIONS 67 / Blurring Boundaries, Exploring Intersections: Form, Genre, and Space in Shirley Clarke’s The Connection chapter four PAULA J. MASSOOD 82 / Intersections in Madrid’s Periphery: Cinematic Cruising in Eloy de la Iglesia’s La semana del asesino (1972) chapter five JACQUELINE SHEEAN
CONTENTS Six / Encounters and Embeddedness: The Urban Cinema of Ramin Bahrani chapter AMY CORBIN / Perpetual Motion: Mobility, Precarity, and Slow Death Cinema chapter seven PAMELA ROBERTSON WÓJCIK III _ URBANISM AND GENTRIFICATION / Senior Citizens under Siege: Number Our Days (1976) and Gray Power Activism in Venice chapter eight JOSHUA GLICK chapter nine / Music City Makeover: The Televisual Tourism of Nashville NOELLE GRIFFIS / Portland at the Intersection: Gentrification and the Whitening of the City in Portlandia’s Hipster Wonderland chapter ten ELIZABETH A. PATTON / Criminal Properties: Real Estate and the Upwardly Mobile Gangster chapter eleven ERICA STEIN IV _ RACE, PLACE. AND SPACE / Dressing the Part: Black Maids, White Stars in the Dressing Room chapter twelve DESIRÉE J. GARCIA / “I Do Not Know That I Find Myself Anywhere”: The British Heritage Film and Spaces of Intersectionality in Amma Asante’s Belle (2013) chapter thirteen SARAH LOUISE SMYTH
CONTENTS 206 / Queerness, Race, and Class in the Midcentury Suburb Film Crime ofPassion (1956) chapter fourteen MERRILL SCHLEIER 221 chapter fifteen / Fair Play: Race, Space, and Recreation in Black Media Culture PETER C. KUNZE V _ STYLE AND/AS INTERSECTIO NALITY 237 / The Toxic Intertwining of Small-Town Lives in Happy Valley chapter sixteen INA RAE HARK 250 / Tattooed Light and Embodied Design: Intersectional Surfaces in Moana chapter seventeen KIRSTEN MOANA THOMPSON 262 / Vaguely Visible: Intersectional Politics in Bertrand Bonello’s Nocturama (2016) chapter eighteen MALINI GUHA 275 Notes 303 Bibliography 329 Contributors 335 Index vii
ļ examine space and place in media as they intersect with sexuality, race, ethnicity, age, class, and ability. Consider ing a wide range of film, television, video games, and other media, the authors show how spaces—from the large and fantastical to the intimate and virtualare shaped by the social interactions and intersections staged within them. The highly teachable essays include analyses of media representations of urban life and gentrification, the ways video games allow users to adopt an experiential un derstanding of space, the intersection of the regulation of bodies and spaces, and how style and aesthetics can influence intersectional thinking. Whether inter rogating the construction of Portland as a white utopia in Portlandid or the link between queerness and the spatial design and gaming mechanics in the Legend ofZelda video game series, the contributors deepen understanding of screen cul tures in ways that redefine conversations around space studies in film and media. THE CONTRIBUTORS TO MEDIA CROSSROADS “Media Crossroads offers a remarkable set of essays that demonstrate the new in sights that can emerge when we apply a purposeful intersectional lens in me dia studies. As we move through screen spaces of different types (past, present, public, private) in different media (television, cinema, video games, social me dia), we feel the exhilaration of this volume’s collective experimental project to identify and interrogate spatialized structures of power across the media landJACQUELINE NAJUMA STEWART imu iii AUTHOR OF MIGRATING TO THE MOVIES: CINEMA и ii
пин un ninni i mu i ИИИИИД|И[И||И|ИИИИИИ| “Media Crossroads invites scholars to rethink space and intersectionality, includ ing and going beyond the confines of cities, lands, and architectures. Its analysis of commercial, mainstream, and avant-garde film and media as well as its focus on intersectionality makes it an innovative and important contribution to film and media studies.” I YEIDY M. RIVERO AUTHOR OF BROADCASTING MODERNITY: CUBAN COMMERCIAL TELEVISION, 19S0-19İ0 Paula J. Massood is Professor, Feirstein Graduate School of Cinema, City Univer sity of New York. Angel Daniel Matos is Assistant Professor of Gender, Sexuality, and Women’s Studies at Bowdoin College. Pamela Robertson Wójcik is Professor of Film, Television, and Theatre at the University of Notre Dame. |
| adam_txt |
CONTENTS ix Acknowledgments i Introduction: Intersections and/in Space PAULA J. MASSOOD, ANGEL DANIEL MATOS, AND PAMELA ROBERTSON WÓJCIK I _ DIGITAL INTERSECTIONS 2i / “Where Do Aliens Pee?”: Bathroom Selfies, Trans Activism, and Reimagining Spaces chapter one NICOLE ERIN MORSE 34 chapter two / The Queerness of Space and the Body in Nintendo’s The Legend ofZelda Series ANGEL DANIEL MATOS 50 / The Digital Flâneuse: Exploring Intersectional Identities and Spaces through Walking Simulators chapter three MATTHEW THOMAS PAYNE AND JOHN VANDERHOEF II _ CINEMATIC URBAN INTERSECTIONS 67 / Blurring Boundaries, Exploring Intersections: Form, Genre, and Space in Shirley Clarke’s The Connection chapter four PAULA J. MASSOOD 82 / Intersections in Madrid’s Periphery: Cinematic Cruising in Eloy de la Iglesia’s La semana del asesino (1972) chapter five JACQUELINE SHEEAN
CONTENTS Six / Encounters and Embeddedness: The Urban Cinema of Ramin Bahrani chapter AMY CORBIN / Perpetual Motion: Mobility, Precarity, and Slow Death Cinema chapter seven PAMELA ROBERTSON WÓJCIK III _ URBANISM AND GENTRIFICATION / Senior Citizens under Siege: Number Our Days (1976) and Gray Power Activism in Venice chapter eight JOSHUA GLICK chapter nine / Music City Makeover: The Televisual Tourism of Nashville NOELLE GRIFFIS / Portland at the Intersection: Gentrification and the Whitening of the City in Portlandia’s Hipster Wonderland chapter ten ELIZABETH A. PATTON / Criminal Properties: Real Estate and the Upwardly Mobile Gangster chapter eleven ERICA STEIN IV _ RACE, PLACE. AND SPACE / Dressing the Part: Black Maids, White Stars in the Dressing Room chapter twelve DESIRÉE J. GARCIA / “I Do Not Know That I Find Myself Anywhere”: The British Heritage Film and Spaces of Intersectionality in Amma Asante’s Belle (2013) chapter thirteen SARAH LOUISE SMYTH
CONTENTS 206 / Queerness, Race, and Class in the Midcentury Suburb Film Crime ofPassion (1956) chapter fourteen MERRILL SCHLEIER 221 chapter fifteen / Fair Play: Race, Space, and Recreation in Black Media Culture PETER C. KUNZE V _ STYLE AND/AS INTERSECTIO NALITY 237 / The Toxic Intertwining of Small-Town Lives in Happy Valley chapter sixteen INA RAE HARK 250 / Tattooed Light and Embodied Design: Intersectional Surfaces in Moana chapter seventeen KIRSTEN MOANA THOMPSON 262 / Vaguely Visible: Intersectional Politics in Bertrand Bonello’s Nocturama (2016) chapter eighteen MALINI GUHA 275 Notes 303 Bibliography 329 Contributors 335 Index vii
ļ examine space and place in media as they intersect with sexuality, race, ethnicity, age, class, and ability. Consider ing a wide range of film, television, video games, and other media, the authors show how spaces—from the large and fantastical to the intimate and virtualare shaped by the social interactions and intersections staged within them. The highly teachable essays include analyses of media representations of urban life and gentrification, the ways video games allow users to adopt an experiential un derstanding of space, the intersection of the regulation of bodies and spaces, and how style and aesthetics can influence intersectional thinking. Whether inter rogating the construction of Portland as a white utopia in Portlandid or the link between queerness and the spatial design and gaming mechanics in the Legend ofZelda video game series, the contributors deepen understanding of screen cul tures in ways that redefine conversations around space studies in film and media. THE CONTRIBUTORS TO MEDIA CROSSROADS “Media Crossroads offers a remarkable set of essays that demonstrate the new in sights that can emerge when we apply a purposeful intersectional lens in me dia studies. As we move through screen spaces of different types (past, present, public, private) in different media (television, cinema, video games, social me dia), we feel the exhilaration of this volume’s collective experimental project to identify and interrogate spatialized structures of power across the media landJACQUELINE NAJUMA STEWART imu iii AUTHOR OF MIGRATING TO THE MOVIES: CINEMA и ii
пин un ninni i mu i ИИИИИД|И[И||И|ИИИИИИ| “Media Crossroads invites scholars to rethink space and intersectionality, includ ing and going beyond the confines of cities, lands, and architectures. Its analysis of commercial, mainstream, and avant-garde film and media as well as its focus on intersectionality makes it an innovative and important contribution to film and media studies.” I YEIDY M. RIVERO AUTHOR OF BROADCASTING MODERNITY: CUBAN COMMERCIAL TELEVISION, 19S0-19İ0 Paula J. Massood is Professor, Feirstein Graduate School of Cinema, City Univer sity of New York. Angel Daniel Matos is Assistant Professor of Gender, Sexuality, and Women’s Studies at Bowdoin College. Pamela Robertson Wójcik is Professor of Film, Television, and Theatre at the University of Notre Dame. |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author2 | Massood, Paula J. 1965- Matos, Angel Daniel Wojcik, Pamela Robertson 1964- |
| author2_role | edt edt edt |
| author2_variant | p j m pj pjm a d m ad adm p r w pr prw |
| author_GND | (DE-588)136433987 (DE-588)1238032001 (DE-588)1012465004 |
| author_facet | Massood, Paula J. 1965- Matos, Angel Daniel Wojcik, Pamela Robertson 1964- |
| building | Verbundindex |
| bvnumber | BV047394560 |
| ctrlnum | (OCoLC)1240168926 (DE-599)BVBBV047394560 |
| dewey-full | 302.23 |
| dewey-hundreds | 300 - Social sciences |
| dewey-ones | 302 - Social interaction |
| dewey-raw | 302.23 |
| dewey-search | 302.23 |
| dewey-sort | 3302.23 |
| dewey-tens | 300 - Social sciences |
| discipline | Soziologie |
| discipline_str_mv | Soziologie |
| era | Geschichte 1950-1959 gnd |
| era_facet | Geschichte 1950-1959 |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nam a2200000 c 4500</leader><controlfield tag="001">BV047394560</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20220823</controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">210729s2021 a||| |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781478011743</subfield><subfield code="c">pbk</subfield><subfield code="9">978-1-4780-1174-3</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1240168926</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV047394560</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-M472</subfield><subfield code="a">DE-355</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">302.23</subfield><subfield code="2">23</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Media crossroads</subfield><subfield code="b">intersections of space and identity in screen cultures</subfield><subfield code="c">edited by Paula J. Massood, Angel Daniel Matos and Pamela Robertson Wojcik</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Durham ; London</subfield><subfield code="b">Duke University Press</subfield><subfield code="c">2021</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">vii, 340 Seiten</subfield><subfield code="b">Illustrationen</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">The first investigation of how race and gender shaped the presentation and marketing of Modernist decor in postwar AmericaIn the world of interior design, mid-century Modernism has left an indelible mark still seen and felt today in countless open-concept floor plans and sleek, geometric furnishings. Yet despite our continued fascination, we rarely consider how this iconic design sensibility was marketed to the diverse audiences of its era. Examining advice manuals, advertisements in Life and Ebony, furniture, art, and more, Mid-Century Modernism and the American Body offers a powerful new look at how codes of race, gender, and identity influenced-and were influenced by-Modern design and shaped its presentation to consumers.Taking us to the booming suburban landscape of postwar America, Kristina Wilson demonstrates that the ideals defined by popular Modernist furnishings were far from neutral or race-blind. Advertisers offered this aesthetic to White audiences as a solution for keeping dirt and outsiders at bay, an approach that reinforced middle-class White privilege. By contrast, media arenas such as Ebony magazine presented African American readers with an image of Modernism as a style of comfort, security, and social confidence. Wilson shows how etiquette and home decorating manuals served to control women by associating them with the domestic sphere, and she considers how furniture by George Nelson and Charles and Ray Eames, as well as smaller-scale decorative accessories, empowered some users, even while constraining others.A striking counternarrative to conventional histories of design, Mid-Century Modernism and the American Body unveils fresh perspectives on one of the most distinctive movements in American visual culture</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1950-1959</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS / Film & Video / History & Criticism</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Gender identity in mass media</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Identity (Psychology) and mass media</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Mass media</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Space and time in mass media</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Space perception</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Women's studies</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Design</subfield><subfield code="0">(DE-588)4011510-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Neue Medien</subfield><subfield code="0">(DE-588)4196910-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Geschlecht</subfield><subfield code="0">(DE-588)4020547-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Industriedesign</subfield><subfield code="0">(DE-588)4072788-9</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Rasse</subfield><subfield code="0">(DE-588)4048440-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Identität</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4311101-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Film</subfield><subfield code="0">(DE-588)4017102-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Raum</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4225698-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">USA</subfield><subfield code="0">(DE-588)4078704-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4143413-4</subfield><subfield code="a">Aufsatzsammlung</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">USA</subfield><subfield code="0">(DE-588)4078704-7</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Industriedesign</subfield><subfield code="0">(DE-588)4072788-9</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Geschichte 1950-1959</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="1" ind2="0"><subfield code="a">USA</subfield><subfield code="0">(DE-588)4078704-7</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="1" ind2="1"><subfield code="a">Design</subfield><subfield code="0">(DE-588)4011510-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="2"><subfield code="a">Geschlecht</subfield><subfield code="0">(DE-588)4020547-2</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="3"><subfield code="a">Rasse</subfield><subfield code="0">(DE-588)4048440-3</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="2" ind2="0"><subfield code="a">Film</subfield><subfield code="0">(DE-588)4017102-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="2" ind2="1"><subfield code="a">Neue Medien</subfield><subfield code="0">(DE-588)4196910-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="2" ind2="2"><subfield code="a">Raum</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4225698-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="2" ind2="3"><subfield code="a">Identität</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4311101-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="2" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Massood, Paula J.</subfield><subfield code="d">1965-</subfield><subfield code="0">(DE-588)136433987</subfield><subfield code="4">edt</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Matos, Angel Daniel</subfield><subfield code="0">(DE-588)1238032001</subfield><subfield code="4">edt</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Wojcik, Pamela Robertson</subfield><subfield code="d">1964-</subfield><subfield code="0">(DE-588)1012465004</subfield><subfield code="4">edt</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe</subfield><subfield code="z">978-1-4780-2130-8</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung UB Regensburg - ADAM Catalogue Enrichment</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032795807&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung UB Regensburg - ADAM Catalogue Enrichment</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032795807&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Klappentext</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">BSB_NED_20210729</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">791.409</subfield><subfield code="e">22/bsb</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-032795807</subfield></datafield></record></collection> |
| genre | (DE-588)4143413-4 Aufsatzsammlung gnd-content |
| genre_facet | Aufsatzsammlung |
| geographic | USA (DE-588)4078704-7 gnd |
| geographic_facet | USA |
| id | DE-604.BV047394560 |
| illustrated | Illustrated |
| index_date | 2024-07-03T17:50:37Z |
| indexdate | 2024-10-03T22:00:07Z |
| institution | BVB |
| isbn | 9781478011743 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032795807 |
| oclc_num | 1240168926 |
| open_access_boolean | |
| owner | DE-M472 DE-355 DE-BY-UBR |
| owner_facet | DE-M472 DE-355 DE-BY-UBR |
| physical | vii, 340 Seiten Illustrationen |
| psigel | BSB_NED_20210729 |
| publishDate | 2021 |
| publishDateSearch | 2021 |
| publishDateSort | 2021 |
| publisher | Duke University Press |
| record_format | marc |
| spelling | Media crossroads intersections of space and identity in screen cultures edited by Paula J. Massood, Angel Daniel Matos and Pamela Robertson Wojcik Durham ; London Duke University Press 2021 vii, 340 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier The first investigation of how race and gender shaped the presentation and marketing of Modernist decor in postwar AmericaIn the world of interior design, mid-century Modernism has left an indelible mark still seen and felt today in countless open-concept floor plans and sleek, geometric furnishings. Yet despite our continued fascination, we rarely consider how this iconic design sensibility was marketed to the diverse audiences of its era. Examining advice manuals, advertisements in Life and Ebony, furniture, art, and more, Mid-Century Modernism and the American Body offers a powerful new look at how codes of race, gender, and identity influenced-and were influenced by-Modern design and shaped its presentation to consumers.Taking us to the booming suburban landscape of postwar America, Kristina Wilson demonstrates that the ideals defined by popular Modernist furnishings were far from neutral or race-blind. Advertisers offered this aesthetic to White audiences as a solution for keeping dirt and outsiders at bay, an approach that reinforced middle-class White privilege. By contrast, media arenas such as Ebony magazine presented African American readers with an image of Modernism as a style of comfort, security, and social confidence. Wilson shows how etiquette and home decorating manuals served to control women by associating them with the domestic sphere, and she considers how furniture by George Nelson and Charles and Ray Eames, as well as smaller-scale decorative accessories, empowered some users, even while constraining others.A striking counternarrative to conventional histories of design, Mid-Century Modernism and the American Body unveils fresh perspectives on one of the most distinctive movements in American visual culture Geschichte 1950-1959 gnd rswk-swf PERFORMING ARTS / Film & Video / History & Criticism bisacsh Gender identity in mass media Identity (Psychology) and mass media Mass media Space and time in mass media Space perception Women's studies Design (DE-588)4011510-0 gnd rswk-swf Neue Medien (DE-588)4196910-8 gnd rswk-swf Geschlecht (DE-588)4020547-2 gnd rswk-swf Industriedesign (DE-588)4072788-9 gnd rswk-swf Rasse (DE-588)4048440-3 gnd rswk-swf Identität Motiv (DE-588)4311101-4 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Raum Motiv (DE-588)4225698-7 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content USA (DE-588)4078704-7 g Industriedesign (DE-588)4072788-9 s Geschichte 1950-1959 z DE-604 Design (DE-588)4011510-0 s Geschlecht (DE-588)4020547-2 s Rasse (DE-588)4048440-3 s Film (DE-588)4017102-4 s Neue Medien (DE-588)4196910-8 s Raum Motiv (DE-588)4225698-7 s Identität Motiv (DE-588)4311101-4 s Massood, Paula J. 1965- (DE-588)136433987 edt Matos, Angel Daniel (DE-588)1238032001 edt Wojcik, Pamela Robertson 1964- (DE-588)1012465004 edt Erscheint auch als Online-Ausgabe 978-1-4780-2130-8 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032795807&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032795807&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Media crossroads intersections of space and identity in screen cultures PERFORMING ARTS / Film & Video / History & Criticism bisacsh Gender identity in mass media Identity (Psychology) and mass media Mass media Space and time in mass media Space perception Women's studies Design (DE-588)4011510-0 gnd Neue Medien (DE-588)4196910-8 gnd Geschlecht (DE-588)4020547-2 gnd Industriedesign (DE-588)4072788-9 gnd Rasse (DE-588)4048440-3 gnd Identität Motiv (DE-588)4311101-4 gnd Film (DE-588)4017102-4 gnd Raum Motiv (DE-588)4225698-7 gnd |
| subject_GND | (DE-588)4011510-0 (DE-588)4196910-8 (DE-588)4020547-2 (DE-588)4072788-9 (DE-588)4048440-3 (DE-588)4311101-4 (DE-588)4017102-4 (DE-588)4225698-7 (DE-588)4078704-7 (DE-588)4143413-4 |
| title | Media crossroads intersections of space and identity in screen cultures |
| title_auth | Media crossroads intersections of space and identity in screen cultures |
| title_exact_search | Media crossroads intersections of space and identity in screen cultures |
| title_exact_search_txtP | Media crossroads intersections of space and identity in screen cultures |
| title_full | Media crossroads intersections of space and identity in screen cultures edited by Paula J. Massood, Angel Daniel Matos and Pamela Robertson Wojcik |
| title_fullStr | Media crossroads intersections of space and identity in screen cultures edited by Paula J. Massood, Angel Daniel Matos and Pamela Robertson Wojcik |
| title_full_unstemmed | Media crossroads intersections of space and identity in screen cultures edited by Paula J. Massood, Angel Daniel Matos and Pamela Robertson Wojcik |
| title_short | Media crossroads |
| title_sort | media crossroads intersections of space and identity in screen cultures |
| title_sub | intersections of space and identity in screen cultures |
| topic | PERFORMING ARTS / Film & Video / History & Criticism bisacsh Gender identity in mass media Identity (Psychology) and mass media Mass media Space and time in mass media Space perception Women's studies Design (DE-588)4011510-0 gnd Neue Medien (DE-588)4196910-8 gnd Geschlecht (DE-588)4020547-2 gnd Industriedesign (DE-588)4072788-9 gnd Rasse (DE-588)4048440-3 gnd Identität Motiv (DE-588)4311101-4 gnd Film (DE-588)4017102-4 gnd Raum Motiv (DE-588)4225698-7 gnd |
| topic_facet | PERFORMING ARTS / Film & Video / History & Criticism Gender identity in mass media Identity (Psychology) and mass media Mass media Space and time in mass media Space perception Women's studies Design Neue Medien Geschlecht Industriedesign Rasse Identität Motiv Film Raum Motiv USA Aufsatzsammlung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032795807&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032795807&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT massoodpaulaj mediacrossroadsintersectionsofspaceandidentityinscreencultures AT matosangeldaniel mediacrossroadsintersectionsofspaceandidentityinscreencultures AT wojcikpamelarobertson mediacrossroadsintersectionsofspaceandidentityinscreencultures |