Bewegungskunst:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Artikel |
| Sprache: | German |
| Veröffentlicht: |
1921
|
| Beschreibung: | Kapitel. 1921-1924: Filme und Konzepte |
| ISBN: | 978-3-0340-1025-2 |
Internformat
MARC
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| 773 | 0 | 8 | |t Der absolute Film / Christian Kiening ; Heinrich Adolf (Hg.) |d Zürich, 2012 |g Seite 82-83 |k Medienwandel - Medienwechsel - Medienwissen ; Band 25 |w (DE-604)BV040352587 |z 978-3-0340-1025-2 |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-032789504 | ||
| 941 | |s 82-83 | ||
Datensatz im Suchindex
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| author_role | aut |
| author_sort | Hilberseimer, Ludwig 1885-1967 |
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| illustrated | Not Illustrated |
| index_date | 2024-07-03T17:49:40Z |
| indexdate | 2024-07-10T09:10:44Z |
| institution | BVB |
| isbn | 978-3-0340-1025-2 |
| language | German |
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| spelling | Hilberseimer, Ludwig 1885-1967 (DE-588)118774417 aut Bewegungskunst Ludwig Hilberseimer 1921 txt rdacontent n rdamedia nc rdacarrier Kapitel. 1921-1924: Filme und Konzepte pages:82-83 Der absolute Film / Christian Kiening ; Heinrich Adolf (Hg.) Zürich, 2012 Seite 82-83 Medienwandel - Medienwechsel - Medienwissen ; Band 25 (DE-604)BV040352587 978-3-0340-1025-2 |
| spellingShingle | Hilberseimer, Ludwig 1885-1967 Bewegungskunst |
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